Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Savage"/1) | (@(roleclean,performerclean) "Richard Savage")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
3466 results for: Keyword - Richard Savage
We found 1991 matches on Author, 738 matches on Performance Title, 733 matches on Performance Comments, 482 matches on Event Comments, and 0 matches on Roles/Actors.

601
08 November 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Richard Actor: Kelly

Dance: III afterpiece: Dance, as17961019

Ballet: End: The Scotch Ghost. As17961029, but The Lady of Dunblain-_; Villagers-_

602
14 November 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Richard Actor: Kelly

Dance: In III afterpiece: Dance, as17961019

Ballet: End: The Scotch Ghost. As17961112

603
22 November 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Kemble; Mr Manly-Whitfield; Sir Francis Wronghead-Dowton (1st appearance in that character); Squire Richard-Suett; John Moody-Hollingsworth; Count Basset-R. Palmer; James-Evans; Poundage-Maddocks; Constable-Phillimore; Servant-Webb; Lady Townly-Miss Farren; Lady Grace-Mrs Goodall; Lady Wronghead-Miss Tidswell; Miss Jenny-Mrs Gibbs; Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard; Mrs Trusty-Mrs Heard.
Cast
Role: Squire Richard Actor: Suett

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Richard Actor: Kelly

Dance: As17961019

604
06 December 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Force Of Ridicule

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Richard Actor: Kelly

Dance: As17961019

605
14 January 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Richard Actor: Kelly

Dance: As17961019

606
17 January 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Richard Actor: Kelly

607
28 January 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Richard Actor: Kelly

Song: As17970120

608
28 March 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Richard Actor: Kelly

609
20 April 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Will

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Richard Actor: Kelly

610
25 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Richard Actor: Kelly

611
19 December 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Richard Actor: Kelly

Afterpiece Title: A Trip to the Nore

612
12 February 1798 @ Covent Garden

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

613
28 January 1710 @ Queen's Theatre

Performances

Mainpiece Title: Richard Iii

614
26 February 1713 @ Drury Lane Theatre

Performances

Mainpiece Title: Richard The Third

615
27 April 1713 @ Drury Lane Theatre

Performances

Mainpiece Title: Richard The Third

616
17 April 1714 @ Drury Lane Theatre

Performances

Mainpiece Title: Richard The Third

617
11 November 1727 @ King's Theatre

Performances

Mainpiece Title: Richard The First, King Of England

618
14 November 1727 @ King's Theatre

Performances

Mainpiece Title: Richard The First, King Of England

619
18 November 1727 @ King's Theatre

Performances

Mainpiece Title: Richard The First, King Of England

620
21 November 1727 @ King's Theatre

Performances

Mainpiece Title: Richard The First, King Of England

621
25 November 1727 @ King's Theatre

Performances

Mainpiece Title: Richard The First, King Of England

622
28 November 1727 @ King's Theatre

Performances

Mainpiece Title: Richard The First, King Of England

623
02 December 1727 @ King's Theatre

Performances

Mainpiece Title: Richard The First, King Of England

624
05 December 1727 @ King's Theatre

Performances

Mainpiece Title: Richard The First, King Of England

625
09 December 1727 @ King's Theatre

Performances

Mainpiece Title: Richard The First, King Of England