SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Paul Jodrell"/1) | (@(roleclean,performerclean) "Richard Paul Jodrell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2052 matches on Author, 829 matches on Performance Comments, 724 matches on Performance Title, 511 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380204

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Nivelon, Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Nivelon, Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: CComic Dance-Nivelon, Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: As17380210

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380302

Performances

Mainpiece Title: King Richard The Second

Dance: I: Je ne scai quoy-Tench, Villeneuve, Miss Oates; II: Comic Dance-Nivelon, Mrs LeBrun; III: French Sailors-Lalauze, Mlle Roland; V: Grecian Sailors-Glover

Song: II: The Roast Beef of Old England-Leveridge; IV: Since Times are so bad-Leveridge, Salway

Performances

Mainpiece Title: King Richard Iii

Dance: As17421108

Song: Beard, Lowe

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: HHarlots Progress

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Miss in Her Teens

Song: Platt

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Life and Death of Tom Thumb

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Old Witch of Endor or Harlequin Turnd Beau

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Register Office

Entertainment: End: Bucks Have at Ye All-Richards

Monologue: II: Teague's Rambles to London. Capt. O'Brallaghan (with the favorite song in Love a La Mode)-Broderick; Terence O'Droghida-Youngs; the Knife Grinder (By Particular Desire)-Broderick

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Medley

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Afterpiece Title: The Waterman or The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: Caesar Borgia Son Of Pope Alexander The Sixth

Performance Comment: Edition of 1680: Prologue by Mr Dryden-; Caesar Borgia-Betterton; Palante-Williams; Machiavel-Smith; Paul Orsino-Gillow; Ascanio Sforza-Lee; Vitellozzo-Peircifull; Bellamira-Mrs Lee; Adorna-Mrs Price; Epilogue-.
Cast
Role: Paul Orsino Actor: Gillow

Performances

Mainpiece Title: The Royalist

Performance Comment: Edition of 1682: The Prologue-; Sir Charles Kinglove-Smith; Heartall-Williams; Broom-Bowman; Sir Oliver Oldcut-Lee; Sir Paul Eitherside-Jevan; Captain Jonas-Persival; Copyhold-Underhill; Slouch-Bright; Camilla-Mrs Betterton; Aurelia-Mrs Twyford; Philipa-Mrs Petty; The Epilogue-Mr Underhill.
Cast
Role: Sir Paul Eitherside Actor: Jevan

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Edition of 1693: Prologue-Mrs Bracegirdle; Epilogue-Mrs Mountford; Maskwell-Betterton; Lord Touchwood-Kynaston; Mellefont-Williams; Careless-Alexander [Verbruggen]; Lord Froth-Bowman; Brisk-Powell; Sir Paul Plyant-Dogget; Lady Touchwood-Mrs Barrey; Cynthia-Mrs Bracegirdle; Lady Froth-Mrs Mountfort; Lady Plyant-Mrs Leigh.
Cast
Role: Sir Paul Plyant Actor: Dogget
Event Comment: Post Boy, 29-31 March 1698: To morrow being the First of April, in Paul's Alley, near St. Paul's Church-Yard, at Clark's School, will be perform'd a new Consort of Vocal and Instrumental Musick, compos'd by Mr Henry Simsons, beginning at Seven of the Clock exactly. Price of coming in 2s. 6d

Performances

Mainpiece Title: Concert