SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Owen Cambridge"/1) | (@(roleclean,performerclean) "Richard Owen Cambridge")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2114 matches on Author, 729 matches on Performance Comments, 697 matches on Performance Title, 513 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello, By Gentlemen

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: Benefit for Quick. Afterpiece: A new Farce never performed. Altered from Sir Charles Sedley's Piece of the same title by Dr Goldsmith. Acted only this night (playbill). [The notation on the alteration is by Kemble on the playbill. The characters are: Sourby, Octavio, Wentworth, Dancing Master, Scamper, Clarissa and Jenny. See Edition by Alice I. Perry Wood (Cambridge, Mass., 1931).] Charges #66 5s. Profit to Quick #7 6d., plus #80 from tickets (Box 100; Pit 263; Gallery 156) (Account Book). [Brief review of the Grumbler in the Westminster Magazine for May 1773: "It was several years ago translated from the French, and received this night some additional touches from the pen of Dr Goldsmith. An entertainment of one act cannot be expected to contain much. The whole merit of this is centered in one character, and perhaps in one scene."] Receipts: #73 5s. 6d

Performances

Mainpiece Title: King Lear

Cast
Role: Albany Actor: Owenson

Afterpiece Title: The Grumbler

Performance Comment: Principal parts-Quick, Davis, Owenson, King, Saunders, Miss Pearce, Miss Helme.

Dance: After the Interlude: The Whim, as17730426

Monologue: 1773 5 8 End of Play: Interlude. An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: [Text translated by Owen Swiney. Music adapted by N. Haym.] By Subscription. None to be admitted into the Pit or Boxes but by the Subscribers' Tickets. Stage Boxes 15s. First Gallery 5s. Upper Gallery 2s

Performances

Mainpiece Title: Pyrrhus And Demetrius

Event Comment: RRylands MS.: Benefit for Numberers &c, Mrs Marshall, Miss Lee, Miss Budgell, Miss Wright, Miss Cole, and Mr Walker. Tickets deliver'd out by Edwards, Owen, Brooks, Rumball, and others will be taken. Receipts: #120

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The King and Miller of Mansfield

Dance: IV: Celladon and Phyllis-Master Matthews, Miss Wright; V: The Medley of Jokes-Master Matthews, Miss Wright

Event Comment: Benefit Cross (Prompter), DeMaimbray (Mechanist), and Desse. Tickets deliver'd out by Nodder, Owen, Miss Lee, and others will be taken. [This month in the Gentlemen's Magazine appeared a long essay from Champion No. 5, entitled The Character of an excellent Actor, an appreciative essay on the difficulties of acting, and the excellence of Garrick. The author avows he never exchanged a word with Garrick in his life. In July the Gentlemen's Magazine publish'd a reply to the contention that shewing good plays and giving men a relish for them was a satisfactory method of instructing the young, concluding instead against stage entertainments because they may be and are productive of much ill; and can serve no good end but what may be more effectively attained by other means.

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Lying Valet

Song: As17430120

Dance: II: La Florana, as17430408 New Ballet-Desse, Mrs Walter

Music: V: a Concerto-Burk Thomuth

Event Comment: Tickets Smith, Powell, Fulwell, Owen, Foxwell, Toole, Jackson, and Gray taken. 7 p.m. [Concert formula; prices as 30 April.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Hob; or, The Country Wake

Event Comment: Benefit Owen and Starkey. [Prices, 2s. 6d., 2s., 1s.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Intriguing Chambermaid

Dance: The two Masters Granier, Miss Granier

Event Comment: Benefit Owen and Fulwell

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Miss in Her Teens

Song: TThe Early Horn-Brett

Music: French Horns-Baker, Stroud

Dance: As17461124

Event Comment: This month, as recorded in the Gentleman's Magazine Register of Books, was published A General History of the Stage, from its origin in Greece down to the present time. With the Memoirs of most of the principal performers that have appeared on the English and Irish Stage. With notes antient and modern, foreign, domestic, serious, comic, moral, merry, historical, and geographical. Containing many theatrical anecdotes; also several pieces of poetry never before published. Collected and digested by W. R. Chetwood, twenty years prompter to His Majesty's Company of Comedians at the Theatre Royal in Drury Lane. Printed for W. Owen

Performances

Mainpiece Title: None

Event Comment: Benefit for a young Gentlewoman in Distress thro' ye Bankrupcy of her Guardian (Cross). [Treasurer's Book lists Miller of Mansfield as the Afterpiece, and indicates the ready cash for Mrs Crokatt, the young gentlewoman, was #63 2s.] Paid 1!2 year's Poor rate due Xmas #17 13s. 4d.; Paid Mrs Reynolds for wax & Brick dust 3s. 11d. (Treasurer's Book). [Winston MS 7 lists Intriguing Chambermaid as afterpiece.] Tickets to be had at Mr Owen's at Temple Bar; Batson's Coffee House in Cornhill, and of Hobson at the stage door. Receipts: #210 (Cross); charges #80 (Treasurer's Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Miller of Mansfield

Dance: III: Comic Dance, as17500221; IV: Swedish Gardeners, as17491219

Event Comment: This day is publish'd, neatly printed in a pocket volume, (price bound 3s.) The History of the Life of Tamerlane the Great from the time of his being made Regent of Sachetay, till his death. Originally written in Arabic. By Alhacen a learned Arabian. Translated, abridg'd and methodized from the French of Jean DuBec@Abbot@of@Mortimer. With political notes. Printed for W. Owen, at Homer's Head near Temple Bar

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Mock Doctor

Event Comment: Great applause--I believe the Author had many friends (Cross). This day at 2 o'clock will be publish'd at 6d. The Original Story from which the New Comedy of Gil Blas is taken. Printed for W. Owen, at Temple Bar. Receipts: #150 (Cross)

Performances

Mainpiece Title: Gil Blas

Event Comment: Mainpiece: By Particular Desire. Last time of performing till the Holidays. This Day publish'd at 6d. Dr Bobadil's Monody: Occasioned by an unhappy Accident he met with at Ranelagh last summer, with a preface and notes Variorum by Quinbus Flestrin [Ch. Smart?]. What lane but knows@Our purgings, Pumpings, Blanketings and Blows?" Pope. Sold by W. Owen, at Temple Bar, and the pamphlet shops. [Another document in the Woodward-Hill feud.] Receipts: #150 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disappointment

Event Comment: This Day publish'd at 1s. The Taxes, a Dramatic Entertainment [Dr Bacon] Printed for W. Owen

Performances

Mainpiece Title: None

Event Comment: At The Chapel of the Foundling Hospital. [Deutsch, Handel, pp. 799-801, notes the performance and lists the "Orchestra Bill," for this performance: twelve violins-Brown, Collet, Freeks, Frowd, Claudio, Wood, Wood Jr, Denner, Abbington, Grosman, Jackson, Nicholson, the first three at 15s. and the rest at 10s. each; three "tenners" [violas]-Rash, Warner, Stockton at 8s. each: four hautbois-Eyferd, Teede, Vincent, Weichsel, the first three at 10s. 6d. and the fourth at 8s.; four bassoons-Miller, Baumgarden, Goodman, Owen, the first two at 10s. 6d. and the rest at 8s. each; three violoncellos-Gillier, Haron, Hebden at 10s. 6d. each; two double basses-Dietrich at 15s. and Sworms at 10s.; horns and drums by Adcock and Willis at 10s. 6d. each; trumpets and kettle drums-Trowa, Miller, and Fr Smith at 10s. 6d. for a total of #17 15s. He also lists the bill for the singers: Sga Frasi, #6 6s.; Miss Frederick, #4 4s.; Miss Young, #3 3s.; Beard with services gratis; Champness, #1, 11s. 6d.; Waas, Bailden, and Barrow at #1 1s. each; six boys, totalling #4 14s. 6d.; a second Champness, Ladd, Cox, Munck, Reinhold, Walz, Courtney, and Kurz, at 10s. 6d. each, for a total of #27 16s. 6d. Servants and music porters added #4 14s. 6d. What with #5 5s. 6d. for Smith brought the total bill to #55 11s. 6d. The Constable in addition cost #3 3s.

Performances

Mainpiece Title: The Messiah

Event Comment: The Twenty-Third Day. Daily Advertiser, 18 Aug.: Last Saturday John Sterne was committed to Newgate by Justice Welch, for the Murder of Mr Matthews, an eminent Surgeon in Brook St., Holborn. [Sterne had been an usher in Mathews' Academy, was discharged, but Matthews let Sterne live in Matthews' house for a long time, then expelled him and put his belongings on the stairs. On Friday 15 Aug. Sterne got two pistols and came back to Owen's Coffee House. Here] he waited three Hours for Mr Matthews, who was gone with a Friend to the little Theatre in the Haymarket and afterwards into Company at the Pewter Platter, a publick house in Cross St. [There Sterne shot Matthews.

Performances

Mainpiece Title: The Minor

Performances

Mainpiece Title: The English Merchant

Performance Comment: Principal Parts-Aickin, Palmer, Jackson, Fearon, Massey, Egan, Davies, Mrs Hunter, Mrs Davies, Mrs Poussin, A Gentlewoman [Mrs Armstead]; Partial cast from Morning Chronicle, 16 May, and playbill of 16 July 1779: Freeport-Aickin; +Spatter-Palmer; +Lord Falbridge-Davies; +Lady Alton-Mrs Hunter; +Molly-Mrs Davies; +Mrs Goodman-Mrs Poussin; +Amelia-Mrs Armstead. Edition of 1767 lists the other parts: +Sir William Douglas, Owen, La France, Officer, Servants.] [A New Occasional Prologue-Palmer.
Cast
Role: Amelia Actor: Mrs Armstead. Edition of 1767 lists the other parts: +Sir William Douglas, Owen, La France, Officer, Servants.

Afterpiece Title: Lilliput

Performances

Mainpiece Title: A Fond Husband; Or, The Plotting Sisters

Performance Comment: Edition of 1677: Rashley-Smith; Ranger-Harris; Peregrine Bubble-James Nokes; Old Fumble-Anth. Leigh; Sir Roger Petulant-Sandford; Sneak-Jevan; Spatterdash-Richards; Apothecary-Percival; Emillia-Mrs Barrer; Maria-Mrs Marshal; Cordelia-Mrs Hughes; Betty-Mrs Napper; Governess-Mrs Norrice; Prologue-; Epilogue-Fumble; Edition of 1678 adds: Jeremy-Richards.
Cast
Role: Spatterdash Actor: Richards
Role: Jeremy Actor: Richards.

Performances

Mainpiece Title: The Misery Of Civil-war

Performance Comment: Edition of 1680: Prologue-; King Henry the Sixth-Joseph Williams; Richard Plantagenet-David Williams; Edward-Smith; George, Duke of Clarence-Bowman; Richard-Gillow; Earl of Warwick-Batterton; Old Lord Clifford-Percival; Young Clifford-Wiltshire; Queen Margaret-Mrs Leigh [Mrs Mary Lee]; Lady Grey-Mrs Batterton; Lady Eleanor Butler-Mrs Currer; Epilogue-.
Cast
Role: Richard Plantagenet Actor: David Williams
Role: Richard Actor: Gillow

Performances

Mainpiece Title: Humphrey, Duke Of Gloucester

Performance Comment: Edition of 1723 lists: Humphrey-Booth; Richard Plantagenet, Duke of York-Mills; Richard Novil, Earl of Salisbury-Thurmond; Richard Nevil, Earl of Warwick-Williams; Henry Beaufort, Cardinal and Bishop of Winchester-Cibber; William de la Pole, Duke of Suffolk-Watson; Humphrey Stafford, Duke of Buckinham-Mills Jr; Margaret-Mrs Oldfield; Eleanor, Dutchess of Gloucester-Mrs Porter; Prologue by Bartholomew Paman of the Middle Temple-Booth; Epilogue-Mrs Oldfield.

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17341231, but Townly-A. Hallam; Lady Wronghead-Mrs Kilby; Richard, Poundage, Jenny, Trusty omitted . Richard, Poundage, Jenny, Trusty omitted .
Cast
Role: Richard Actor: Neale

Afterpiece Title: A School for Women

Dance: La Coquette Francoise by Lally, S. Lally, Mlle Salle. Scot's Dance, as17350315

Song: By Leveridge and Mrs Wright

Performances

Mainpiece Title: The Minor

Performance Comment: As17601124, but characters assigned as follows: Shift, Mrs Cole, Smirk-Foote; Epilogue, Prologue to the Author-Wilkinson; The Minor-Dyer; Richard Wealthy-Sparks; Sir William-Dunstall; Transfer-Bennet; Loader-Davis; Richard-Collins; Lucy-Mrs Burden.
Cast
Role: Richard Wealthy Actor: Sparks
Role: Richard Actor: Collins

Afterpiece Title: A Duke and no Duke

Entertainment: By Desire, Lady Pentweazle's Scene from the Comedy Taste, Lady Pentweazle-Wilkinson; Carmine-Davis

Dance: LLes Charboniers-Sg Maranesi, Mlle Capdeville

Performances

Mainpiece Title: The Minor

Performance Comment: Shift, Mrs Cole, Smirk, Epilogue-Foote; The Minor-Shaw; Richard Wealthy-Sparks; Sir William-Dunstall; Transfer-Bennet; Loader-Davis; Richard-Collins; Lucy-Mrs Burden.
Cast
Role: Richard Wealthy Actor: Sparks
Role: Richard Actor: Collins

Afterpiece Title: The Contrivances

Dance: LLes Charboniers, as17611012