SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Mr Miller"/1) | (@(roleclean,performerclean) "Rev Mr Miller")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4330 matches on Event Comments, 2226 matches on Performance Comments, 931 matches on Performance Title, 81 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The School for Scandal

Afterpiece Title: No Song No Supper

Song: III 2nd piece: a song-Sedgwick

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Don Juan

Dance: As17911202

Song: Vocal Parts, as17911214; Masque of Neptune and Amphitrite, as17911109

Event Comment: Mainpiece: Not acted these 3 years. With new Dresses and Decorations. The Characters dressed in the Habits of the Times. [Palmer Jun. was from the hay.] "It is necessary to remind both Macbeth and his Lady that there is a measured declamation, of which the natural utterance of passion knows nothing, and that words and syllables may be divided and subdivided till the fatigue of the ear overcome every other feeling...Between the first and second acts Ca ira was loudly called for from the pit and gallery. The clamour, after preventing the first part of the second act from being heard, subsided as unaccountably as it rose. The performers, in compliance with an admonition from the pit, began the act again, and proceeded without further interruption" (Morning Chronicle, 20 Feb.). "In Macbeth there was too much that was not Shakespeare, too much bad taste and shabbiness in the costumes of the witches, and all in all too much claptrap. He found it insufferable that Banquo should take the part of his own ghost and felt that the audience should behold the specter only in Macbeth's terror, as was the case with the banquet guests. 'Mr Kemble has desired on several occasions to suppress the ghost,' Meister says, 'but has never had the courage to do so.'" (J. H. Meister quoted in J. A. Kelly, 134). For Kemble's eventual courage in this matter see dl, 21 Apr. 1794.] Receipts: #425 6s. (383.2; 40.4; 2.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Virgin Unmask'd

Song: In: The original Music by Matthew Locke, with full Chorusses and additional Accompaniments-Bannister, Sedgwick, Dignum, Danby, Maddocks, Caulfield, Cooke, Alfred, Shaw, Lyons, Mrs Bland, Mrs Edwards, Miss Hagley, Miss DeCamp, Mrs Shaw, Mrs Edwin, Mrs Butler, Mrs Bramwell, Mrs Gawdry, Miss Kirton

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Swindlers

Song: Vocal Parts, as17911214; Masque of Neptune and Amphitrite, as17911109

Performances

Mainpiece Title: Dido Queen Of Carthage

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: Just In Time

Afterpiece Title: The Follies of a Day

Dance: II: a Dance-Byrn, Mme Rossi. [Danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: At King's The Tempest; Or, The Enchanted Island

Afterpiece Title: The Prisoner

Song: Vocal Parts-Kelly, Dignum, Danby [Public Advertiser: Caulfield], Cooke, Mrs Bland, Miss DeCamp, Mrs Edwards, Mrs Shaw

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Mrs Edwards

Performances

Mainpiece Title: At King's The Gamester

Afterpiece Title: The Romp

Event Comment: Benefit for Mrs Martyr. 1st piece: Not acted these 20 years [never previously acted at this theatre]. Morning Herald, 4 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent Garden. Receipts: #349 16s. 6d

Performances

Mainpiece Title: May Day; Or, The Little Gipsey

Afterpiece Title: Fashionable Levities

Afterpiece Title: The Soldier's Festival

Afterpiece Title: Hartford Bridge

Dance: As17921116

Performances

Mainpiece Title: Othello

Afterpiece Title: The Midnight Wanderers

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Afterpiece Title: WHO's THE DUPE

Song: Mainpiece: Vocal Parts by Dignum, Sedgwick, Caulfield, Cooke, Lyons, Dorion Sen. and Jun., Dibble, Willoughby, Walker, Brown, Saunders, Welsh, Burden//Mrs Bland, Miss De Camp, Mrs Stuart, Miss Menage, Mrs Bramwell, Mrs Edwin, Mrs Gaudry, Mrs Hale. In Act V the Masque of Neptune and Amphitrite. Neptune-Sedgwick//Amphitrite-Mrs Stuart

Performances

Mainpiece Title: The Jew

Afterpiece Title: NO SONG NO SUPPER

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: LOVERS' QUARRELS

Afterpiece Title: THE IRISHMAN IN LONDON

Dance: In Act I of 1st piece a Highland Reel by Byrn, Mlle St. Amand, Mme Rossi

Song: End of Act II of 2nd piece (for that night only) a Selection of the most Favorite Catches and Glees from Harrison and Knyvett's Vocal Concert. What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship

Afterpiece Title: CYRUS

Afterpiece Title: THE SPRIGS OF LAUREL

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Gentleman who performs the Part of Zanga [in THE REVENGE], and Mr and Mrs Simpson. Mainpiece: Written by the celebrated Dr Young, Author of the Night Thoughts, &c. Afterpiece: As an After-piece [i.e. reduced from 5 to 3 (?) acts]. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Longman and Broderip, Cheapside and Haymarket; Pass, No. 53, High Holborn; Bland's Music Warehouse, No. 45, High Holborn; Strutt, Bookseller, No. 20, Little Queen-street, Lincoln's Inn Fields; Ellwick, Musical Instrument Maker, No. 55, Long Acre, comer of Phoenix O>urt; Padbury, Coal Merchant, No. 24, Henrietta-street, Covent Garden; Evan, Bookseller, No. 351, near the Pantheon, Oxford Road; and of Simpson, at No. 33, St. Martin's-street, Leicester-square

Performances

Mainpiece Title: The Revenge

Afterpiece Title: THE CHAPTER OF ACCIDENTS

Music: In the Course of the Evening several Pieces on the Union Pipes and Pedal Harp by Courtney and Weippert

Monologue: 1794 06 02 After the Epilogue Jacob Gawkey's Rambles tbrougb Bath by Simpson

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Glorious First of June

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Song: As17941112

Performances

Mainpiece Title: As You Like It

Afterpiece Title: My Grandmother

Song: As17941029

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Alexander the Great

Related Works
Related Work: Alexander the Great; or, The Conquest of Persia Author(s): Krazinsky Miller

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performances

Mainpiece Title: Aci E Galatea

Dance: king's As17950324

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Sailor's Festival; or, All Alive at Portsmouth

Afterpiece Title: Netley Abbey