Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Mr Miller"/1) | (@(roleclean,performerclean) "Rev Mr Miller")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
6880 results for: Keyword - Rev. Mr Miller
We found 4330 matches on Event Comments, 2226 matches on Performance Comments, 931 matches on Performance Title, 81 matches on Author, and 0 matches on Roles/Actors.

6801
31 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Padlock

Song: V: a Grand Funeral Procession-; Solemn Dirge-; Vocal Parts-Wilson, Mrs Fowler, Miss Fowler, Mrs Marriot; Between the Acts: Singing-Wilson

6802
21 July 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

6803
28 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Sir John Cockle, At Court

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

6804
12 January 1788 @ King's Theatre

Event Comment: "The orchestra, during the whole time of representations [of the opera] has by no means been conducted with that exactness that should be expected from that band...It must be supposed that neither the master of music at the harpsichord, nor Mr Cramer, the leader, have influence or power enough to prevail on the band to play, or rather, to accompany, more correctly...The arias of the tenor and base [sic] have been played, or rather accompanied, too fast, and without harmony with the voices of Morelli and Fineschi, which being good, and they seeming to wish to sing with all possible expression, the orchestra should have accompanied accordingly. Mme Storace, howefer, has baffled the efforts of the musicians to make her sing out of tune, quick or slow. As they fiddled, she modulated" (Public Advertiser, 17 Jan.). Receipts: #147 12s. 6d. [non-subscription]

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

6805
26 April 1788 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Romance of an Hour

Dance: As17880301

Entertainment: Monologues. End I: A Dissertation on Macaronyism-Bernard; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

6806
14 May 1788 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Minor

Dance: As17880328

6807
17 September 1788 @ Covent Garden

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Midas

6808
17 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Regent

Afterpiece Title: The Deserter

6809
28 April 1789 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Related Works
Related Work: Alexander the Great; or, The Conquest of Persia Author(s): Krazinsky Miller

Afterpiece Title: Midas

Dance: As17881010

Entertainment: Monologue. Preceding: Occasional Address-Middleton

6810
22 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The British Sailor; or, The Fourth of June

Afterpiece Title: The Quaker

Entertainment: Monologue End 2nd piece: Ned Shuter's Observations in a Post Haste Journey to Paris-Bernard

6811
27 June 1789 @ Covent Garden

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: New Divertissement, as17890310End Opera: L'Embarquement pour Cythere, as17890110, but Mlle _Normand

6812
31 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Portrait

Entertainment: Imitations End: Theatrical Imitations Serious, Comic, Vocal, and Rhetorical,-Rees; Duologue End afterpiece: Hobby@Horses Describing the Statesman's Hobby, the Ladies' Hobby, the Lawyer's Hobby, the Physician's Hobby, the Manager's Hobby, and R. Palmer's own Hobby,-R. Palmer, Iliff

6813
10 November 1789 @ Covent Garden

Performances

Mainpiece Title: Marcella

Afterpiece Title: Rosina

Afterpiece Title: The Death of Captain Cook

6814
22 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Spoil'd Child

6815
04 October 1790 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Provocation

6816
23 October 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Romp

6817
01 January 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Deuce is in Him

6818
31 January 1791 @ Drury Lane Theatre

Event Comment: ["When the Commemoration of King Charles's Death [on 30 Jan.] falls on a Sunday we always act on Monday. "This occurred for the first time, at both dl and cg, on 31 Jan. 1785. Previously, when 30 Jan. was a Sunday, both theatres had observed the commemoration on Monday 31 Jan. In mainpiece the playbill retains Kemble as Faulkland, but "Mr Benson read FaulklandR for me [this because Kemble was detained returning from Bath to London]" (Kemble Mem.).] Receipts: #231 7s. (180.12.0; 50.1.6; 0.13.6)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Fairy Favour

6819
07 March 1791 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

6820
12 April 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: Amphion et Thalie, as17910409

Ballet: End Opera: Telemachus in the Island of Calypso

6821
29 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Citizen

Dance: End I: The Russian Minuet-Master D'Egville, Miss DeCamp

Song: As17901027

6822
05 May 1791 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a-la-Mode

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

6823
24 May 1791 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Related Works
Related Work: The Man of Taste Author(s): James Miller
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller

Afterpiece Title: Primrose Green; or, Love in the Country

Dance: After Monologue: The Jockies, as17910507

Song: End II: Black Eyed Susan-Incledon

Entertainment: Monologue. End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard

6824
03 June 1791 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Linco's Travels

Afterpiece Title: The Cottage Maid

Dance: In 3rd piece: a Hornpipe, Dance of Sailors-

Song: Masquerade Scene in 1st piece: Green Willow (composed by Percy)-Miss Broadhurst

6825
04 June 1791 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Poor Soldier

Song: End I: Had I a Heart for Falsehood framed-Marshall in imitation of Leoni; After Monologue: a New Song-Incledon

Entertainment: Monologue. End: A Dissertation on Hobby@Horses, as17910524 but Mr Brandon's Hobby in place of Mrs Mountain's Hobby; The Lawyer's Hobby-Marshall (in the character of a Jockey)