SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Mr Miller"/1) | (@(roleclean,performerclean) "Rev Mr Miller")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4330 matches on Event Comments, 2226 matches on Performance Comments, 931 matches on Performance Title, 120 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Fairy Favour

Dance: End: The Gallant Peasants, as17670113

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Fairy Favour

Dance: End: The Gallant Peasants, as17670113

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Love In The City

Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Musical Lady

Dance: II: The Lilliputian Camp, as17670227

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: The Female Archer, as17661215

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Cunning Man

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Related Works
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller

Dance: End: The Vintage, as17661011

Performances

Mainpiece Title: The Humorous Lieutenant

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: High Life Below Stairs

Dance: End: The Jealous Peasant, as17661111

Performances

Mainpiece Title: Medea

Afterpiece Title: The Guardian

Related Works
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller

Dance: End: A Comic Dance-Duquesney, Mrs King

Performances

Mainpiece Title: Comus

Afterpiece Title: The Citizen

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Upholsterer

Dance: End: The Village Romps, as17661008

Performances

Mainpiece Title: Dido

Afterpiece Title: The Devil to Pay

Dance: End: The Lilliputian Camp, as17670227

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Daphne and Amintor

Dance: End: A Double Hornpipe-Walker, Miss Tetley

Event Comment: Benefit for Miss Macklin. Afterpiece: For only time this season. Pit and Boxes to be laid together. Ladies send servants by 3 o'clock and to prevent disappointments come early themselves. Tickets to be had of Miss Macklin at the Golden Fan in Leicester Fields and of Mr Sarjant at the Stage-Door. Charges #64 12s. [Profit to Miss Macklin #90 2s. 6d., plus #165 from tickets (Box and Pit 648; Gallery 30).] (Account Book). Receipts: #154 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: I: A Minuet-Fishar, Miss Macklin; IV: The Female Archer, as17661215; End: The Village Romps, as17671008

Performances

Mainpiece Title: Cymon

Cast
Role: Demon of Revenge Actor: Champness

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Flora

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Rosamond

Performances

Mainpiece Title: King Lear

Afterpiece Title: Flora

Dance: End: Hearts of Oak, as17670212

Event Comment: Benefit for Gibson. Mainpiece: Not acted these 25 years. Written originally by Shakespeare, and reviv'd and adapted to the stage by Mr Theobald. Charges #66 5s. [Profit to Gibson #37 18s. 6d. plus #30 15s. from Tickets (Box 79; Pit 74).] Paid one year's Rector's Rate for the Theatre #8 6s. 8d., and for House in Bow Passage, due at Lady Day 8s. 4d. (Account Book). [Neville attended, noted the information contained in the playbill, but could not hear well from his 2s. seat in the Gallery.] Receipts: #104 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Double Falsehood Or The Distrest Lovers

Afterpiece Title: Midas

Dance: III: The Sicilian Peasants, as17670411

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Fairy Tale

Dance: End: Hearts of Oak, as17670212