SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Mr Miller"/1) | (@(roleclean,performerclean) "Rev Mr Miller")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4330 matches on Event Comments, 2226 matches on Performance Comments, 931 matches on Performance Title, 81 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin's Chaplet

Dance: As17900129

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Padlock

Dance: End: The Wapping Landlady; or, The Sailor in Distress-

Entertainment: Monologue. After Dancing: fable, The Old Man Son and Ass-Ryder; End afterpiece: Bucks have at ye All-Ryder

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Pharo Table

Afterpiece Title: The Soldier's Festival

Afterpiece Title: Patrick in Prussia i

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Who's the Dupe

Dance: As17891204

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Taste; or, Frolicks of Fancy

Related Works
Related Work: The Man of Taste Author(s): James Miller
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller

Afterpiece Title: Arthur and Emmeline

Entertainment: Monologue. Previous: British Loyalty, as17900423; to conclude with: God save the King-Dignum, Williames, Danby

Performance Comment: Previous: British Loyalty, as17900423; to conclude with: God save the King-Dignum, Williames, Danby.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: Ways and Means; or, A Trip to Dover

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue. End 1st piece: As17900614

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Minor

Dance: End I: Minuet de la Cour and Gavot-Byrn, Mrs Goodwin

Entertainment: Monologue. As17900615

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: Inkle and Yarico

Afterpiece Title: Thimble's Flight from the Shopboard

Event Comment: Benefit for Mrs Kemble. 1st piece: Never [previously] acted here. 2nd piece [1st time; INT i, by Henry Siddons. Prologue by John Taylor (see text)]. Gazetteer, 28 Aug. 1790: This Day is published Modern Breakfast (1s.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Modern Breakfast; or, All Asleep at Noon

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: A Double Hornpipe-Platt, Mrs Goodwin

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Citizen

Entertainment: Monologue. End: Liberty, as17900813

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: I'll Tell You What

Afterpiece Title: Who's the Dupe

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Spoil'd Child

Song: In II: song-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Entertainment: Monologues. End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: The Dramatist

Afterpiece Title: The Provocation

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: National Prejudice

Afterpiece Title: The Poor Soldier

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Related Works
Related Work: The Picture; or, Cuckold in Conceit Author(s): James Miller

Afterpiece Title: Robin Hood

Dance: As17910507

Performances

Mainpiece Title: The Heiress

Afterpiece Title: No Song No Supper

Entertainment: Monologue. End: The Picture of a Play@House, or, Bucks have at ye all-R. Palmer

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Minor

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Afterpiece Title: The Critic

Song: V 2nd piece: song-Miss Hagley