SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Dr John Hoadly"/1) | (@(roleclean,performerclean) "Rev Dr John Hoadly")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10074 matches on Author, 2005 matches on Performance Comments, 1473 matches on Event Comments, 555 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. The Gentleman's Journal, January 1691@2: The Indian Emperor hath been reviv'd and play'd many times. [In addition, a song, I look'd, I look'd, and saw within the Book of Fate, the music by Henry Purcell, is in The Banquet of Musick, 1692, pp. 14-15. See also Purcell, Works, Purcell Society, XX (1916), xiii-ix. The play was also reprinted in 1692.

Performances

Mainpiece Title: The Indian Emperor

Related Works
Related Work: The Indian Emperour; or, the Conquest of Mexico by the Spaniards Author(s): John Dryden
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: King Arthur Author(s): John Dryden
Related Work: Arthur and Emmeline Author(s): John Philip Kemble
Event Comment: The United Company. The date of the first performance is not certain, but it lies between Saturday 9 and Saturday 16 April. Luttrell, A Brief Relation (II, 413) stated on 9 April that the Queen had prohibited its being acted; on 16 April (II, 422) he reports that it has been acted. Luttrell, A Brief Relation, II, 422, 16 April: Mr Dryden s play has been acted with applause, the reflecting passages upon this government being left out. The Gentleman's Journal, May 1692 (licensed 14 May): I told you in my last, that none could then tell when Mr Dryden's Cleomenes would appear; since that time, the Innocence and Merit of the Play have rais'd it several eminent Advocates, who have prevailed to have it Acted, and you need not doubt but it has been with great applause. Preface, Edition of 1692: Mrs Barry, always Excellent, has, in this tragedy, excell'd Herself, and gain'd a Reputation beyond any Woman whom I have ever seen on the Theatre. [See also Cibber, Apology, I, 160, for a discussion of Mrs Barry in Cleomenes.] A song, No, no, poor suffering heart no change endeavour, the music by Henry Purcell, is in Comes Amoris, The Fourth Book, 1693, and also, with the notice that it was sung by Mrs Butler, in Joyful Cuckoldom, ca. 1695. See also Purcell's Works, Purcell Society, XVI (1906), xviii-xix; Epistolary Essay to Mr Dryden upon his Cleomenes, in Gentleman's Journal, May 1692, pp. 17-21. When the play was revived at Drury Lane, 8 Aug. 1721, the bill bore the heading: Not Acted these Twenty-Five Years

Performances

Mainpiece Title: Cleomenes, The Spartan Heroe

Related Works
Related Work: Cleomenes, The Spartan Heroe Author(s): John Dryden

Performances

Mainpiece Title: Regulus

Related Works
Related Work: Regulus Author(s): John Crowne

Performances

Mainpiece Title: Oedipus, King Of Thebes

Related Works
Related Work: Oedipus, King of Thebes Author(s): John Dryden
Related Work: Oedipus Author(s): John Dryden

Performances

Mainpiece Title: The Indian Emperour; Or, The Conquest Of Mexico By The Spaniards

Related Works
Related Work: The Indian Emperour; or, the Conquest of Mexico by the Spaniards Author(s): John Dryden
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden
Event Comment: The United Company. On this evening William Mountfort, the actor, was killed by Lord Mohun and Captain Hill, but the name of the play given that night seems not to have been mentioned in the testimony at the trial. In a novel based on the event, The Player's Tragedy; or, Fatal Love (1693), Mrs Bracegirdle acted the Wife of Essex in The Unhappy Favourite, and the fiction may have been based on fact. Luttrell, A Brief Relation, II, 637, 10 Dec. 1692: Last night lord Mohun, captain Hill of collonel Earles regiment, and others, pursued Mountfort the actor from the playhouse to his lodgings in Norfolk Street, where one kist him while Hill run him thro' the belly: they ran away, but his lordship was this morning seized and committed to prison. Mountfort died of nis wounds this afternoon. The quarrell was about Bracegirdle the actresse, whom they would have trapan'd away, but Mountfort prevented it, wherefore they murthered him thus. [See also HMC, 14th Report, Appendix, Portland MSS., III, 509; The Ladies Lamentation for their Adonis, 16@2, a poem on Mountfort's death; The Player's Tragedy; or, Fatal Love, 1693, a fictional treatment of the affair; and, particularly, Borgman, The Life and Death of William Mountfort, pp. 123-69. See also Cibber, Apology, I, 108, for an account of Betterton's taking the role of Alexander after Mountfort's death.

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks

Performances

Mainpiece Title: A Duke And No Duke

Related Works
Related Work: A Duke and No Duke Author(s): John Thurmond
Event Comment: The United Company. This play was probably revived in May or June 1693. Two songs for it-one sung by Mrs Ayliff, the composer not named; another, the music by Ackroyde, but no singer named-are in Gentleman's Journal, June 1693 (advertised in London Gazette, 13 July 1693). These songs presumably were a part of a revived version not long preceding their publication

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher
Event Comment: The United Company. This play was apparently revived late in 1693, for a song, There's not a swain on the plain, not printed in the play, the words by N. Henley, sung by Mrs Hudson, is printed in the Gentleman's Journal, January-February 1694 (announced in the London Gazette, 8 March 1693@4). It is also in Joyful Cuckoldom, ca. 1695. See also Purcell's Works, Purcell Society, XXI (1917), xii

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Related Works
Related Work: Rule a Wife and Have a Wife Author(s): John Fletcher
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher

Performances

Mainpiece Title: All For Love; Or, The World Well-lost

Related Works
Related Work: All for Love; or, The World Well Lost Author(s): John Dryden
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Performances

Mainpiece Title: Bonduca; Or, The British Worthy

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): John Fletcher
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: Bonduca Author(s): John Fletcher
Event Comment: Rich's Company. The date of the first performance of this revision is uncertain. Although the play was not entered in the Term Catalogues until June 1696, the edition is date 1695. The production was certainly before May 1696, when Horden died, but the only fact which suggests a performance as early as December is the date on the title page. When the play was revived at Drury Lane on 13 Oct. 1711, the bill bore the heading: Not Acted these Fifteen Years

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Related Works
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Philaster Author(s): John Fletcher
Related Work: The Restoration; or, Right Will Take Place Author(s): John Fletcher

Performances

Mainpiece Title: Cleomenes

Related Works
Related Work: Cleomenes, The Spartan Heroe Author(s): John Dryden

Performances

Mainpiece Title: The Indian Queen

Related Works
Related Work: The Indian Queen Author(s): John Dryden
Event Comment: Betterton's Company. There may have been a revival of Oedipus in the summer of 1696. In Francis Manning's Poems upon Several Occasions and to Several Persons (1701) there is a poem To Mr Betterton, Acting Oedipus King of Thebes. The first stanza describes the splendor of the installation of the Duke of Gloucester as a Knight of the Garter, an event which occurred at Windsor Castle in July 1696; but there is no certainty that Betterton's performance occurred before that date. It should be noted also that the play was reprinted in 1696

Performances

Mainpiece Title: Oedipus, King Of Thebes

Related Works
Related Work: Oedipus, King of Thebes Author(s): John Dryden
Related Work: Oedipus Author(s): John Dryden

Performances

Mainpiece Title: The Unhappy Kindness; Or, A Fruitless Revenge

Related Works
Related Work: The Unhappy Kindness; or, A Fruitless Revenge Author(s): John Fletcher
Event Comment: Betterton's Company. The date of this revival is not certain, but Luttrell's copy (Huntington Library) bears his date of 27 Oct. 1696 for his acquisition of a copy; hence, the revival must have occurred not later than October 1696. When this play was revived at the Queen's Theatre in the Haymarket, 8 June 1705, the bill bore the heading: Not Acted by that Company these Nine Years

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Related Works
Related Work: Rule a Wife and Have a Wife Author(s): John Fletcher

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Loves of Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver

Performances

Mainpiece Title: Anatomist

Afterpiece Title: The Loves of Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Loves of Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver
Event Comment: Robert Jennens to Thomas Coke, 19 Nov. 1696: There has been for four or five days together at the play house in Lincolns Inn Fields acted a new farce translated out of the French by Mr Monteux called the Shame Sham? Doctor or the Anatomist, with a great concert of music, representing the loves of Venus and Mars, well enough done and pleases the town extremely. The other house has no company at all, and unless a new play comes out on Saturday revives their reputation, they must break (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 367)

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Loves of Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Loves of Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver

Performances

Mainpiece Title: Aesop

Related Works
Related Work: Aesop Author(s): John Vanbrugh
Related Work: Aesop, Part II Author(s): John Vanbrugh