SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Dr John Hoadly"/1) | (@(roleclean,performerclean) "Rev Dr John Hoadly")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10074 matches on Author, 2005 matches on Performance Comments, 1473 matches on Event Comments, 555 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A King And No King

Related Works
Related Work: A King and No King Author(s): John Fletcher
Related Work: King and No King Author(s): John Fletcher
Event Comment: The United Company. Lord Ashburnham's Diary: I waited on my Mother home and afterwards I went into the play (the Maiden Queen) There was a great deale of company, I came home before 8 at night, I am now not charm'd with Playes &c. (Ashburnham MS 932, East Sussex County Record Office, County Hall, Lewes, Sussex; I owe this entry and the subsequent ones from this MS to the kindness of Professor George Hilton Jones, Kansas State University). This is an unusual example of the revival of a play at the public theatre the day before its presentation at court

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Related Works
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: The Frenchified Lady Never in Paris Author(s): John Dryden

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Related Works
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: The Frenchified Lady Never in Paris Author(s): John Dryden

Performances

Mainpiece Title: A King And No King

Related Works
Related Work: A King and No King Author(s): John Fletcher
Related Work: King and No King Author(s): John Fletcher

Performances

Mainpiece Title: The Spanish Curate

Related Works
Related Work: The Spanish Curate Author(s): John Fletcher

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Related Works
Related Work: Sir Courtly Nice; or, It Cannot Be Author(s): John Crowne

Performances

Mainpiece Title: Rollo

Related Works
Related Work: Rollo, Duke of Normandy Author(s): John Fletcher

Performances

Mainpiece Title: The Spanish Priest

Related Works
Related Work: The Spanish Priest Author(s): John Fletcher

Performances

Mainpiece Title: A King And No King

Performance Comment: For a previous cast, see season of 1682-83.
Related Works
Related Work: A King and No King Author(s): John Fletcher
Related Work: King and No King Author(s): John Fletcher

Performances

Mainpiece Title: The Maid's Tragedy

Related Works
Related Work: The Maid's Tragedy Author(s): John Fletcher

Performances

Mainpiece Title: The Spanish Curate

Related Works
Related Work: The Spanish Curate Author(s): John Fletcher
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361. See also Nicoll, Restoration Drama, p. 351. The date of the first performance of this revision is not known. As it is somewhat unlikely that a play would have its premiere at court, the first production possibly appeared earlier in the month. See 6 Nov. 1668 for an earlier revision of this work. The title-page of the edition of 1687 states: As it is Acted at the Theatre-Royal. Reviv'd with Alterations

Performances

Mainpiece Title: The Island Princess

Related Works
Related Work: The Island Princess; or, The Generous Portuguese Author(s): John Fletcher
Related Work: The Island Princess Author(s): John Fletcher

Performances

Mainpiece Title: Valentinian

Related Works
Related Work: Valentinian Author(s): John Fletcher

Performances

Mainpiece Title: The Double Marriage

Related Works
Related Work: The Double Marriage Author(s): John Fletcher
Event Comment: The United Company. This performance is on the L. C. list, 5@148, p. 145. See also Nicoll, Restoration Drama, p. 351. When this play was revised and revived as The Royal Merchant; or, Beggar's Bush at Drury Lane, 19 June 1705, the bill bore the heading: Not acted these Twenty Years

Performances

Mainpiece Title: The Beggar's Bush

Related Works
Related Work: The Beggar's Bush Author(s): John Fletcher

Performances

Mainpiece Title: The Humorous Lieutenant

Related Works
Related Work: The Humorous Lieutenant Author(s): John Fletcher
Event Comment: The United Company. The date of the premiere is not known, but as the play was licensed to be published, 21 May 1688, it was probably first acted early in April 1688, perhaps in late March. In 1688, also was separately printed New Songs Sung in The Fool's Preferment: In I, I sigh'd and pin'd and There's nothing so fatal as Woman, the music composed by Henry Purcell. In III, Fled is my love, the music composed by Henry Purcell, and sung by Mountfort. 'Tis death alone and I'le mount to yon blue coelum, the music composed by Henry Purcell. In IV, I'le sail upon the Dog-star, and A Dialogue by Jockey and Jenny, Jenny, gin you can love, the composer not stated. In V, If thou wilt give me back my love, composed by Henry Purcell and sung by Mountfort. See also Purcell's Works, The Purcell Society, XX (1916), iv-vi. When this play was revived at Drury Lane on 16 July 1703, the bill was headed: Not Acted these Fifteen Years

Performances

Mainpiece Title: A Fool's Preferment; Or, The Three Dukes Of Dunstable

Related Works
Related Work: A Fool's Preferment; or, The Three Dukes of Dunstable Author(s): John Fletcher

Performances

Mainpiece Title: Darius, King Of Persia

Related Works
Related Work: Darius, King of Persia Author(s): John Crowne
Event Comment: The United Company. The date of the first performance is not known, but the fact that the separately printed Prologue and Epilogue bear a licensing date of 17 March 1689@90 suggests a first performance near that date, as on many Previous occasions the separately-printed prologues and epilogues appeared almost simultaneously with the first performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 287-89. A song, I once had virtue, wealth, and fame, the music by R. King, is in The Banquet of Musick, The Fifth Book, 1691

Performances

Mainpiece Title: The English Frier; Or, The Town Sparks

Related Works
Related Work: The English Frier; or, The Town Sparks Author(s): John Crowne

Performances

Mainpiece Title: Belphegor; Or, The Marriage Of The Devil

Related Works
Related Work: Belphegor; or, The Marriage of the Devil Author(s): John Wilson

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): John Dryden

Performances

Mainpiece Title: Amphitryon

Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): John Dryden

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher

Performances

Mainpiece Title: King Edward The Third

Related Works
Related Work: King Edward the Third: With the Fall of Mortimer, Earl of March Author(s): John Bancroft
Event Comment: The United Company. The Gentleman's Journal, January 1691@2, page 5, implies that King Arthur was revived in December 1691: And the last Opera called King Arthur, which hath been plaid several times the last Month. [Since the Gentleman's Journal was often published in the month following the date of an issue, it is possible that this revival occurred in January 1691@2, for there was a certain performance on 7 Jan. 1691@2.

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: King Arthur Author(s): John Dryden
Related Work: Arthur and Emmeline Author(s): John Philip Kemble