SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Dr Swift"/1) | (@(roleclean,performerclean) "Rev Dr Swift")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 399 matches on Event Comments, 362 matches on Performance Comments, 234 matches on Performance Title, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Mother Shipton

Dance: II: The Frolick, as17740416

Entertainment: Recital. An Epilogue [by the late Dr Goldsmith, spoken-Lewes [in the character of Harlequin. [See17730517.

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Cobler

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Mayor of Garratt

Dance: V: The Irish Fair, as17740917

Performances

Mainpiece Title: The Sot

Song: Catches and Glees-; Diana's Chace-Miss Jameson

Music: After Comic piece: two Ariettas on the Octave Flute in the Polonese taste-a new performer from that country; After Part II Catches and Glees: Concerto on Clarinet with variations on the Wanton God-Mahon

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Guardian

Dance: The Grand Provencalle Dance, as17750202

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Deserter

Cast
Role: Widow Actor: Mrs Greville.

Dance: The Sailors Revels, as17740920

Monologue: End of Play: Henry and Emma. Henry-Brereton; Eugenius-Palmer; Venus-Mrs Smith; Emma-Mrs Baddeley

Performances

Mainpiece Title: The Sot

Song: Catches and Glees-; Cymon and Iphigenia-a Gentleman; a Capital Trumpet Song-Miss Jameson

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Cross Purposes

Dance: End Opera: The Vintage Festival-Dagueville, Sga Vidini. [See17741007.

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Sultan

Dance: V: The Sailors Revels, as17751220

Event Comment: A Sacred Oratorio composed and conducted by Dr Arnold at the Society of Artists Exhibition-Room in the Strand. A Benefit for repairing a Chapel Crispin St, Spittalfields. At 12:00 noon. First seats 7s. 6d. Second seats 5s. Back seats 3s. 6d. The Performers are so obligingly generous as to give their Services to promote the Charity. And Mr Leoni having obtained Leave to sing, the Public may be assured of his performing his Part in this Oratorio. A Stove is already fixed in the Great Room, and will be continued to prevent any Inconveniencies from the Coldness of the Season. Mr Fischer being ill, Mr Barthelemon will perform in his Room

Performances

Mainpiece Title: The Resurrection

Music: Hautboy-Simpson; First Violin with a Concerto-Barthelemon

Performances

Mainpiece Title: Douglas

Afterpiece Title: Comus

Performances

Mainpiece Title: A Lyric Ode; Alexander's Feast, And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

Performances

Mainpiece Title: The Prodigal Son; Judas Maccabaeus

Music: Between parts of Oratorio: A Solo on the Pedal Harp-Jones; a New Concerto on the Violin-Lamotte; First Violin, as17760223

Performances

Mainpiece Title: The Miser

Afterpiece Title: Midas

Entertainment: Before: An Address to the Town, with Imitations-Master Russell , a child but 6 years of age; End II: Bucks Have at ye all-Master Russell; End IV: Imitations-Decastro; End: The Cries of London-Shuter (By Desire); Jo Haine's Epilogue-Shuter riding on an Ass

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Old Maid

Dance: End: The Villagers, as17770122

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Lilliput

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Deuce is in Him

Song: End I: a new cantata, Diana-Mrs Farrell

Music: End Epilogue: concerto on the violin-Fisher

Performances

Mainpiece Title: The First Part Of King Henry Iv; With The Humours Of Sir John Falstaff

Afterpiece Title: The Portrait

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Commissary

Dance: End: As17771008; III: a Hornpipe-Miss Besford

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Upholsterer

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Comus

Dance: Hornpipe, as17771017; End: The Poney Races, as17780421