SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Reeve"/1) | (@(roleclean,performerclean) "Reeve")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 309 matches on Author, 233 matches on Roles/Actors, 79 matches on Event Comments, 56 matches on Performance Comments, and 18 matches on Performance Title.

Performances

Mainpiece Title: The Lying Valet

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin's Chaplet

Cast
Role: Lawyers Actor: Davies, Reeve, Cubitt

Dance: Preceding: As17891113

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Harlequin's Chaplet

Cast
Role: Lawyers Actor: Davies, Reeve, Cubitt

Song: End: As17900407

Performances

Mainpiece Title: Nootka Sound

Afterpiece Title: The Comedy of Errors

Afterpiece Title: Harlequin's Chaplet

Cast
Role: Lawyers Actor: Davies, Reeve, Cubitt

Performances

Mainpiece Title: King Lear

Afterpiece Title: Harlequin's Chaplet

Cast
Role: Principal Witches Actor: Davies, Reeve

Performances

Mainpiece Title: Macbeth

Cast
Role: Witches Actor: Blanchard, Bernard, Reeve

Afterpiece Title: A Divertisement

Dance: As17901123

Song: Johnstone, Incledon, Marshall, Rock, Blurton, Letteney, Lee, Mrs Mountain, Mrs Warrell, Miss Stuart, Mrs Watts, Mrs Byrne, Mrs Davenett, Mrs Powell, Miss Francis, Miss Lefevre, Mrs Cross, Mrs Gray, Mrs Masters, Mrs Martyr

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin's Chaplet

Cast
Role: Principal Witches Actor: Davies, Reeve

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Harlequin's Chaplet

Cast
Role: Principal Witches Actor: Davies, Reeve

Performances

Mainpiece Title: King Lear

Afterpiece Title: Harlequin's Chaplet

Cast
Role: Principal Witches Actor: Davies, Reeve

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin's Chaplet

Cast
Role: Principal Witches Actor: Davies, Reeve

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Harlequin's Chaplet

Cast
Role: Principal Witches Actor: Davies, Reeve

Performances

Mainpiece Title: Hamlet

Afterpiece Title: ROSE AND COLIN

Cast
Role: Principal Witches Actor: Davies, Reeve

Dance: As17931022

Song: As17931030, but omitted: Gray

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: THE MIDNIGHT WANDERERS

Cast
Role: Principal Witches Actor: Davies, Reeve

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

Performances

Mainpiece Title: Bonduca, Queen Of The Britons

Afterpiece Title: He Wou'd be a Soldier

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Performance Comment: III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon.

Performances

Mainpiece Title: Catiline's Conspiracy

Performance Comment: Edition of 1669: Catiline?-Hart; Cethegus?-Mohun; Cicero?-Burt; Beeston; Kynaston; Reeves; Wintershall; Cartwright; Gradwell; Bell; Sempronia-Mrs Corey?; A Prologue to Catiline To be Merrily spoke-Mrs Nell Gwyn? (in an Amazonian Habit); The Epilogue-Mrs Nell Gwyn?.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Event Comment: Great Applause to ye Farce, some little Hiss (Cross). This month was publish'd A Letter to Mr Garrick; with some remarks upon Lethe. Printed for Reeve (Gentlemans Magazine, Register of Books). Receipts: #160 (Cross); #146 14s. (Powel)

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: Lethe

Event Comment: [P$Potter reprinted his letter of 18 Jan., and added the footnote: "The person who took the House was a man of genteel appearance, said his name was William Nicholls, and directed letters to be left for him at the Bedford Coffee House, Covent Garden."] [The Prologue and Epilogue spoken by the children of the Prince of Wales on their performing Cato at Leicester House, printed in the General Advertiser.] [This day published] A Letter to Mr G-k, relative to his treble Capacity of Manager, Actor, and Author; with some remarks upon Lethe. All Three! All three! Gay. Sold by W. Reeve in Fleet St.; and A. Dodd, at the Peacock opposite St. Clements Church in the Strand (General Advertiser). [This day published] Lethe, A Dramatick Satire, by David Garrick as it is perform'd at Drury Lane. Printed for P. Vaillant, facing Southampton Street in the Strand. Receipts: #140 (Cross); #144 17s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Virgin Unmask'd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Event Comment: This day is publish'd, at 6d. A Criticism on Mahomet and Irene in a Letter to the Author. Printed and sold by W. Reeve. Receipts: #130 (Cross); #126 14s. (Powel)

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: The Triumph of Peace

Event Comment: No money returned after the curtain is up. No admittance behind scenes. This day is published The Story on which the New Tragedy call'd The Roman Father is founded, with some account of the Author and his writings. Sold by W. Reeves, in Fleet St.; and A. Dodd opposite St Clement's Church in the Strand (General Advertiser). Paid Norton 6 chorus #1 10s. (Treasurer's Book). Receipts: #170 (Cross); #164 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Event Comment: Paid Norton 6 Chorus #1 10s. (Treasurer's Book). This Day is Publish'd at 6d. Remarks on the New Tragedy call'd The Roman Father, with a word to the Author. "When authors write such lively strains so sad,@They needs must make the honest Critic mad." By a Spectator. Sold by W. Reeve at Shakespeare's Head in Fleet St.; and A. Dodd at the Peacock opposite St. Clement's Church in the Strand. Receipts: #180 (Cross); #159 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Event Comment: Benefit for Mr Norton Amber, formerly a Patentee, & Banker, now Pit Doorkeeper (Cross), late of the Strand (Winston MS 7). Tickets to be had at Mr Pierce's at the Castle Tavern, Corner of Henrietta Street, in Bedford Street, Covent Garden; Mr Frye's a Hosier, the Corner of James Street, Long Acre; King Street Coffee House, near Guild Hall; Batson's Coffee House, Cornhill; and at the Theatre. Places will be taken at the Stage Door of the theatre. This Day publish'd, Young Scarron, at 2s. 6d. sew'd, 3s. bound. Dedicated to the managers of both theatres. "The Stage reproves the follies of the age. For once we'll laugh at Follies of the Stage." Anon. Printed for T. Tyre, near Gray's Inn Holborn and W. Reeve in Fleet St. (General Advertiser). A comical and satirical account of summer strolling players: "When the time draws near that the Theatres Royal disband their troops, or rather grant their furloses till the next Campaign, each private Man becomes an Officer; and they who for nine months before submitted to Monarchical Government, now form themselves into several republicks for the remaining three. Then each Hero takes the path of his own ambition...The various whimsical disputes that arise from this kind of Emulation, are, in part the subject of the following sheets" (173 pp. Written by Thomas Mozeen, Biographia Dramatica). Receipts: #220 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Lethe

Dance: HHornpipe-Matthews, the Little Swiss; With Entertainments as will be express'd in the Great Bills

Song: I: Song-Beard

Event Comment: This day publish'd at 6d. The Story on which the new tragedy call'd Virginia, now performing at Drury Lane, is founded. Sold by W. Reeve in Fleet St. Receipts: #170 (Cross)

Performances

Mainpiece Title: Virginia

Related Works
Related Work: Paul and Virginia Author(s): William Reeve

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Little Hunchback; or, A Frolick in Bagdad

Performance Comment: The Hunchback-Quick; Taylor-Blanchard; Jew Purveyor-Wewitzer; French Doctor-Cubitt; Barber-Macready; Englishman-Fearon; Doctor's Man-Rock; Jew's Man-Milburne; Black Aga-Painter; Cadi-Evatt; Bassa of Bagdad-Davies; Dora-Miss Rowson; Taylor's Wife-Mrs Webb; Text (J. Debrett, 1789) specifies: Crumpy-Quick; +Cross-Leg-Blanchard; +Zebede-Wewitzer (in text: $Reeve); Doctor Quinquina-Cubitt; +Absalom-Macready; +Crank-Fearon (in text: $Booth); Dominique-Rock; +Habby-Milburne; +Babouc-Painter; +Cadi-Evatt; +Bassa-Davies; Crier-Thompson; Courier-Ledger; +Dora-Miss Rowson; +Juggy-Mrs Webb.

Dance: End: The Wapping Landlady ; or, Jack in Distress- See17890616

Entertainment: Monologue Preceding: Mother Shipton's Review of the Audience-(with Alterations and Additions) Quick?