Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "R G Noyes"/1) | (@(roleclean,performerclean) "R G Noyes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
2415 results for: Keyword - R. G. Noyes
We found 1903 matches on Performance Comments, 430 matches on Event Comments, 61 matches on Author, 58 matches on Performance Title, and 0 matches on Roles/Actors.

201
16 July 1790 @ Haymarket Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: New Spain or Love in Mexico

Dance: III 2nd piece: A Grand Indian War Dance-

202
09 July 1791 @ Haymarket Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: Next Door Neighbours

Afterpiece Title: The Author

203
23 January 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Ten Thousand

Afterpiece Title: Harlequin Captive

204
15 August 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Italian Monk

Song: 2nd piece: General Chorus [of Assassins and Nuns (text)]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve

205
23 June 1798 @ Haymarket Theatre

Performances

Mainpiece Title: The Inquisitor

Afterpiece Title: The Flitch of Bacon

206
21 July 1798 @ Haymarket Theatre

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Cambro Britons

207
December 1660 @ Theatre in Vere Street

Event Comment: The Prologue, extant in a broadside in the Worcester College Library, appears to represent a performance occuring before the end of 1660. It has been reprinted by Noyes, Ben Jonson, pp. 105-6, and by Wiley, Rare Prologues and Epilogues, pp. 16-17. The King's Company

Performances

Mainpiece Title: The Alchemist

208
16 October 1662 @ Whitehall or St. James's

Event Comment: This play was probably given by the King's Company, which presented it a number of times later. See Noyes, Ben Jonson, pp. 42-43. Evelyn, Diary: I saw Vulpone acted at court before their Majesties &c

Performances

Mainpiece Title: Volpone

209
18 December 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17: King here. See also Nicoll, Restoration Drama, p. 344. See Noyes, Ben Jonson on the English Stage, p. 307, for a letter to Lady Sunderland on this performance, and, p. 308, for an anecdote from The Life of the Late Famous Comedian, Jo. Haynes, concerning Haynes and Hart in a scene. For another allusion to the action, see Henri Ferneron, Louise de Keroualle, Duchess of Portsmouth (London, 1807), p. 179n. Pepys, Diary: 15 Jan. 1668@9: It is about my Lady Harvy's being offended at Doll Common's [Mrs Corey's] acting of Sempronia, to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: There has not been any new lately revived and reformed, as Catiline, well set out with clothes and scenes (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14). See also 7 and 11 Dec. 1667

Performances

Mainpiece Title: Catilines Conspiracy

210
March 1670 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. The Epilogue, which was printed in A Collection of Poems Written upon several Occasions by several Persons, 1673, pp. 29-32, and reprinted by Noyes, Ben Jonson on the English Stage, pp. 247-48, by its references to Lent seems to indicate a Lenten revival. As this play was allotted to the King's Company ca. 12 Jan. 1668@9, it has been assigned to that company. The revival may have occurred in March 1670, perhaps not until later

Performances

Mainpiece Title: Every Man In His Humour

211
30 September 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Wonders Of Derbyshire or Harlequin in the Peak

212
09 March 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Alonzo

Afterpiece Title: A Peep behind the Curtain

213
08 February 1799 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

214
10 June 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

215
09 May 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Deserter

216
09 January 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: Cymon

Afterpiece Title: Cross Purposes

217
19 September 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At Kings The Haunted Tower

Afterpiece Title: Cross Purposes

218
01 April 1745 @ Drury Lane Theatre

Performances

Mainpiece Title: Tancred And Sigismunda

219
19 March 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

220
03 February 1755 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fairies

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

221
30 April 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Elopement

Dance: II: A Minuet, Allemande-Master Burn, Miss Burn (Scholars of Giorgi); IV: A New Hornpipe-Master Burn

222
27 May 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

223
30 October 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Cabinet Of Fancy Or Evening Exhibition

224
14 May 1788 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Minor

Dance: As17880328

225
02 May 1791 @ Covent Garden

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Alexander the Little or The Rival Queans

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-