SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R Freeman"/1) | (@(roleclean,performerclean) "R Freeman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2163 matches on Performance Comments, 243 matches on Event Comments, 25 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Dukes and Mrs Freeman. Tickets for Mrs Freeman at the Rainbow Coffee House in Fuller's Rents. Tickets and places for the Boxes to be taken at the Stage Door of the Theater. Tickets that are bought out Side of the Door will not be admitted

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17421124, but Edging-Mrs Freeman, who never appear'd on any Stage before.

Afterpiece Title: The Devil to Pay

Performance Comment: As17430107, but Nell (by Desire)-Mrs Freeman; Doctor-_; Butler-_; Cook-_; Coachman-_.
Cast
Role: Nell Actor: Mrs Freeman
Role: Coachman Actor: Freeman

Dance: II: The Welch Buffoons-two Masters Granier; IV: A Grand Ballet-Carney, Mrs Roland; V: A Minuet, a Louvre-Mr Dukes, Mrs Freeman

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Portrait

Entertainment: Imitations End: Theatrical Imitations Serious, Comic, Vocal, and Rhetorical,-Rees; Duologue End afterpiece: Hobby@Horses Describing the Statesman's Hobby, the Ladies' Hobby, the Lawyer's Hobby, the Physician's Hobby, the Manager's Hobby, and R. Palmer's own Hobby,-R. Palmer, Iliff

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Wit's Last Stake

Afterpiece Title: The Deserter

Song: V: a song, as17990214

Entertainment: Monologue End: The Picture of a Play House; or, Bucks have at ye all-R. Palmer; Vaudeville II 3rd piece: Military Manoeuvres-; The Dead March-; the Ceremony Shooting a Deserter-

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Colonel Feignwell-Palmer; Sir Philip Modelove-Baddeley; Obadiah Prim-Moody; Freeman-Philimore; Sackbut-Griffiths; Tradelove-Hurst; Simon Pure-R. Palmer; Perriwinkle-Parsons; Mrs Prim-Mrs Bradshaw; Masked Lady-Miss Kirby; Betty-Mrs Smith; Ann Lovely-Miss Farren (1st appearance in that character).
Cast
Role: Freeman Actor: Philimore

Afterpiece Title: The Quaker

Dance: End IV: a Hornpipe-Walker

Entertainment: Monologue End: Bucks have at ye all-R. Palmer

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Divorce

Song: In Act IV of mainpiece Time bas not thinn'd my flowing Hair by Williames and Miss Phillips

Monologue: 1783 05 14 End of mainpiece The Picture of a Playhouse; or, Bucks have at ye all by R. Palmer

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Lewis; Aimwell-Wroughton; Boniface-Booth; Sullen-Clarke; Gibbet-Fearon; Foigard-Egan; Sir Charles Freeman-Robson; Scrub-Quick; Dorinda-Miss Ambrose; Lady Bountiful-Mrs Poussin; Cherry-Mrs Lewis; Mrs Sullen-Mrs Bulkley.
Cast
Role: Sir Charles Freeman Actor: Robson

Afterpiece Title: The Deaf Lover

Ballet: End IV: The Humours of New-Market. As17800518

Event Comment: Paid Mr Oram [Scene-painter] on acct. #10 10s. by order Lacy (Treasurer's Book). This month was published (Gentleman's Magazine, Register of Books) Some Considerations on the establishment of the French Strollers, the behaviour of their Bully Champions, and other seasonable matters at this critical juncture. Printed for R. Freeman. Receipts: #180 (Cross); #160 2s. (Treasurer's Book)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Virgin Unmask'd

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii

Performance Comment: Edition of 1694: Prologue-Mr Powel; Epilogue-Sancho, Mary the Buxome; Duke Richardo-Cibber; Cardenio-Bowman; Ambrosio-Verbruggen; Don Quixot-Boen; Manuel-Powel; Pedro Rezio-Freeman; Bernardo-Trefuse; Diego-Harris; Page to the Duke-Lee; Sancho Pancha-Underhil; Dutchess-Mrs Knight; Luscinda-Mrs Bowman; Dulcinea del Toboso-Lee; Marcella-Mrs Bracegirdle; Don Rodriguez-Mrs Kent; Teresa Pancha-Mrs Lee; Mary-Mrs Verbruggen.
Cast
Role: Pedro Rezio Actor: Freeman
Event Comment: Benefit Stone and Freeman. By Desire. Mainpiece: Written by the late Sir John Vanbrugh. 6 P.M

Performances

Mainpiece Title: The Relapse

Performance Comment: Foppington-Stone; Loveless-Hulstone; Young Fashion-Freeman; Sir Tunbelly-Archer; Berinthia-Miss Bennet; Amanda-Mrs Ferguson; Hoyden-Mrs Hallam .
Cast
Role: Young Fashion Actor: Freeman

Afterpiece Title: The Fatal Extravagance

Song:

Dance:

Event Comment: Benefit Freeman. Mainpiece: Not Acted these Twelve Years. By particular Desire. Afterpiece: With Alterations. And a Description of Tom King's Coffee-house in Covent-Garden. At Common Prices [4s., 2s. 6d., and 1s. 6d. in Daily Advertiser]. 6 P.M

Performances

Mainpiece Title: Busiris, King Of Aegypt

Performance Comment: Memnon-Freeman. With a New Prologue .

Afterpiece Title: The Rival Milliners

Dance:

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for Freeman [who, as Chamont, is identified in Public Advertiser, 7 Apr.]. Tickets to be had of Freeman, Vine-street, Piccadilly; of Massey, at Marshall's, Bedford-court, Covent Garden. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Chamont-A Gentleman (1st appearance on any stage [Freeman]); Acasto-Massey; Page-Master Benson; Polidore-Swendall; Chaplain-Bowles; Ernesto-Bailey; Castalio-Cooke; Serina-A Young Gentlewoman [unidentified]; Florella-Mrs Bailey; Monimia-Mrs Massey.

Afterpiece Title: The Irish Widow

Entertainment: Monologue. End I afterpiece: an Epilogue-Master Benson

Performances

Mainpiece Title: The Ugly Club

Afterpiece Title: The Castle-Spectre

Afterpiece Title: A Nosegay of Weeds; or, Old Servants in New Places

Performances

Mainpiece Title: King Henry V

Afterpiece Title: A Duke and no Duke

Dance: II: The Drunken Peasant-Miles; Clown-Bennet; III: The Fingalian Dance, as17591102; End: The Lamp Lighters, as17600318

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Upholsterer

Dance: III: The Merry Sailors, as17680920

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: A ChristmasTale

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Critic

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Son-in-law

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Pasticcio

Afterpiece Title: Duke and No Duke

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Way of the World

Afterpiece Title: The Taylors

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Tit for Tat

Afterpiece Title: Nature Will Prevail

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Buck's Lodge

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The Heiress

Afterpiece Title: No Song No Supper

Entertainment: Monologue. End: The Picture of a Play@House, or, Bucks have at ye all-R. Palmer

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Saint Andrew's Festival; or, The Game at Goff

Afterpiece Title: Bon Ton