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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R B Johnson"/1) | (@(roleclean,performerclean) "R B Johnson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3851 results for: Keyword - R. B. Johnson
We found 3030 matches on Performance Comments, 658 matches on Event Comments, 552 matches on Author, 32 matches on Performance Title, and 0 matches on Roles/Actors.

926
29 September 1749 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Phebe; or, The Beggar's Wedding

927
16 March 1750 @ Drury Lane Theatre

Performances

Mainpiece Title: None

928
11 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

929
26 February 1753 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Cast
Role: Johnson Actor: Palmer

Afterpiece Title: The Anatomist

Dance: LL'Entree de Flore, as17521122

930
18 January 1754 @ Covent Garden

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

931
13 January 1757 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Harlequin Sorcerer

932
10 February 1758 @ Covent Garden

Performances

Mainpiece Title: The Triumph Of Time And Truth

933
07 March 1759 @ Covent Garden

Performances

Mainpiece Title: Solomon

934
23 March 1759 @ Covent Garden

Performances

Mainpiece Title: Judas Maccabeus

935
22 October 1759 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Dance: As17591017

936
27 February 1760 @ Covent Garden

Performances

Mainpiece Title: Samson

Music: As17600222; a Solo on the Violin-Giardini

937
13 April 1764 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Music: As17640411

938
06 April 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Deuce Is in Him

Dance: III: The Vintage, as17661011

Entertainment: End: Linco's Travels. Particularly in England, a New Humorous Little Piece, that night only,-King; Dorcas-Mrs Bradshaw

939
31 December 1771 @ Covent Garden

Performances

Mainpiece Title: The Fox

Afterpiece Title: Mother Shipton

940
10 June 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Miss in Her Teens

Dance: End: Hornpipe-Walker

941
24 September 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: High Life below Stairs

Dance: II: Comic Dance, as17720922

942
22 October 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Padlock

943
20 November 1773 @ Covent Garden

Performances

Mainpiece Title: The Duellist

Afterpiece Title: Thomasand Sally

944
07 January 1777 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Comus

Song: In afterpiece: Nor on Beds of fading Flowers-Mrs Farrell

945
24 March 1781 @ Covent Garden

Performances

Mainpiece Title: Second Thoughts Are Best

Afterpiece Title: The Upholsterer

Dance: As17801107

946
16 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Apprentice

Dance: End of Act III of mainpiece Hornpipe by Miss Besford

947
18 March 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Exciseman Trick'd

Dance: End of Act III of mainpiece a new composed Reel, and Hornpipe by Master Holland, pupil to Holloway

Song: Hooly and Fairly, in character, by M'Donald; End of Act II The Huntsman's Sweet Halloo by Miss Hemet

948
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

949
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

950
28 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: Barbarossa; Or, The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot