Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by George Colman, the elder, altered from The Mutual Deception, by Joseph Atkinson, which was based on Le Jeu de l'Amour et du Hasard, by Pierre Carlet de Chamblain de Marivaux, and 1st acted at the Smock Alley Theatre, Dublin, 2 Mar. 1785. Prologue by the author (.European Magazine, Sept. 1786, p. 166). Author of Epilogue unknown]. Afterpiece: Never acted at this Theatre. [Prologue and Epilogue by David Garrick.] "This play, originally French, was translated by an Officer (the plot of which may be found in The Man's the Master, as well as in many other English plays and farces) who, with some few additions, changed it into five acts, and called it The Mutual Deception (which is now in print), but was represented in Ireland with little or no success. This Comedy, however, has undergone many very masterly alterations, and received many additions by the able hand of the attentive Manager of this Theatre" (Public Advertiser, 30 Aug.). Public Advertiser, 6 May 1788: To be published May 7, Tit for Tat (1s.)
Performances
Mainpiece Title: Tit For Tat
Performance Comment: Principal Characters by Palmer, Booth, Davies, Lyons, R. Palmer; Mrs Bulkley, Miss Farren. [Cast from text (C. Dilly, 1788): Villamour-Palmer; Old Meanwell-Booth; Young Meanwell-Davies; Servant-Lyons; Skipwell-R. Palmer; Letty-Mrs Bulkley; Florinda-Miss Farren.] New Prologue spoken by Palmer. Epilogue spoken by Miss Farren . New Prologue spoken by Palmer. Epilogue spoken by Miss Farren .Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal
Performance Comment: Glib (with the original Prologue and Epilogue)-Palmer; Sir Toby Fuz-Usher; Sir Macaroni Virtu-R. Palmer; Carpenter-Booth; Mervin-Williamson; Patent-Gardner; Prompter-Burton; Wilson-Bannister Jun.; Lady Fuz-Mrs Webb; Miss Fuz-Miss Woollery. In which the Burletta of Orpheus. Orpheus-Davies; Old Shepherd-Edwin; Rhodope-Miss George .Dance: As17860706
Performance Comment: hathi.