SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.
Event Comment: [Miss Style is identified in European Magazine, Aug. 1789, p. 135.

Performances

Mainpiece Title: Half An Hour After Supper

Performance Comment: As17890626.

Afterpiece Title: The Married Man

Performance Comment: As17890715.

Afterpiece Title: Polly Honeycomb

Performance Comment: Mr Honeycomb-Moss; Ledger-Gardner; Scribble-R. Palmer; Mrs Honeycomb-Mrs Webb; Nurse-Mrs Powell; Polly Honeycomb-A Young Gentlewoman (who never appeared on any stage [Miss Style]).Miss Style]).

Dance: As17890728

Event Comment: Benefit for Mrs Kemble. 1st piece [1st time; M. PREL 1; at its 2nd performance, 10 Aug., acted under its 2nd title, and published as such]: Written by Thomas? Bellamy. [The Address by--Codrington, of Exeter (European Magazine, Sept. 1789, p. 218).] World, 1 Aug.: Tickets to be had of Mrs Kemble, No. 26, Villiers-street, York-Buildings. Diary, 1 Sept. 1789: This Day is published The Benevolent Planters (1s.)

Performances

Mainpiece Title: The Friends Or The Benevolent Planters

Performance Comment: Principal Characters by Kemble, Usher, Gardner, Chapman, Mrs Kemble. Cast from text (J. Debrett, 1789): Oran-Kemble; Steady-Usher; Heartfree-Gardner; Goodwin-Chapman; Selima-Mrs Kemble.

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Edwin; Lord Edmund-Williamson; Dowdle-Moss; Count Fripon-Powell; Father Frank-Mathews; Phelim-Ledger; Tough-Burton; Frill-Johnson; Trap-Gardner; Landlord-Painter; Jack Connor-R. Palmer; Rachel-Mrs Brooks; Mary-Mrs Edwards; Adelaide-Mrs Whitfield.

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson-Edwin; Sir John Loverule-Davies; Nell-Mrs Kemble (1st appearance in that character).

Dance: In: a new dance, Liberty or We Slaves Rejoice-

Entertainment: Monologues End 2nd piece: As17890617 Preceding: An Address to the Humane Society on the Abolition of the Slave Trade in the character of a Negro , by-Kemble; End 3rd piece: Belles have at Ye All-Mrs Kemble

Event Comment: Benefit for Edwin

Performances

Mainpiece Title: A Wife Well Managed

Performance Comment: Principal Characters-Edwin, Kemble, Burton, Mrs Edwards, Mrs Whitfield. [Cast suggested by Genest, VI, 570: Don Pisalto-Edwin; Father Bernardo-Kemble; Teague-Burton; Inis-Mrs Edwards; Lady Pisalto-Mrs Whitfield.]

Afterpiece Title: The Young Quaker

Performance Comment: Young Sadboy-Bannister Jun.; Chronicle (1st time)-Baddeley; Spatterdash-R. Palmer; Captain Ambush-Williamson; Shadrach-Barrett; Old Sadboy-Gardner; Clod-Edwin; Lady Rounceval-Mrs Webb; Araminta-Miss George; Dinah Primrose-Mrs Kemble.

Afterpiece Title: Duke and No Duke or Trappolins Vagaries

Performance Comment: Trappolin-Edwin.

Song: End 2nd piece: Four@and@twenty Perriwigs all on a Row-; In 3rd piece: Quoz-Edwin

Event Comment: Afterpiece: Not acted these 5 years

Performances

Mainpiece Title: The Battle Of Hexham

Performance Comment: As17890813.

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Bannister Jun,; Young Wilding-R. Palmer; Maria-Mrs Goodall (Their 1st appearance in those characters).

Performances

Mainpiece Title: The Battle Of Hexham

Performance Comment: As17890813, but Principal Characters-R. _Palmer, _Iliff.

Afterpiece Title: The Comet

Performance Comment: As17890902.
Event Comment: No Money to be returned. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #159 6s. 6d. (119.17.0; 38.6.0; 1.3.6)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-Kemble; Richmond-Wroughton; Buckingham-Barrymore; Lord Stanley-Aickin; Tressel-Whitfield; Norfolk-Williames; Catesby-Packer; Ratcliff-Phillimore; Prince Edward-Miss Stageldoir; Duke of York-Miss Gawdry; King Henry-Bensley; Lady Anne-Mrs Powell (late Mrs Farmer); Dutchess of York-Mrs Hopkins; Queen-Mrs Ward.

Afterpiece Title: The First Floor

Performance Comment: Whimsey-Baddeley; Furnish-Suett; Young Whimsey-R. Palmer; Monford-Whitfield; Simon-Burton; Landlord-Hollingsworth; Snap-Jones; Postboy-Alfred; Frank-Spencer; Tim Tartlet-Bannister Jun.; Nancy-Mrs Wilson; Charlotte-Miss Collins; Mrs Pattypan-Mrs Hopkins.
Event Comment: [Afterpiece in place of The Divorce, advertised on playbill of 15 Sept.] Paid Renters' Interest #34 [this paid daily]; Supernumeraries #3 4s. 6d.; Tailor #8 16s. 6d.; Scenemen #5 4s.; Daglish copying music #6 16s. 9d. Receipts: #113 1s. (69.16.0; 41.13.6; 1.11.6)

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Lord Townly-Kemble; Manly-Bensley; Count Basset-Dodd; John Moody-Moody; Squire Richard-Suett; Sir Francis Wronghead-Hollingsworth; Lady Grace-Mrs Ward; Lady Wronghead-Mrs Booth; Miss Jenny-Miss Collins; Myrtilla-Miss Barnes; Mrs Motherly-Mrs Heard; Trusty-Miss Tidswell; Lady Townly-Mrs Goodall (1st appearance in that character).

Afterpiece Title: All the Worlds a Stage

Performance Comment: Sir Gilbert Pumpkin-Waldron; Charles-Barrymore; Harry Stukely-R. Palmer; Cymon-Burton; Waiter-Phillimore; Wat-Maddocks; Ostler-Wilson; William-Lyons; Diggery-Suett; Miss Kitty Sprightly-Miss Collins; Miss Bridget-Mrs Booth.
Event Comment: [Kemble Mem.: Haymes, from Margate.] Afterpiece: Not acted these 2 years. With Alterations and Restorations, particularly the admired Shades and Transparencies representing the Amusements of Harlequin, and the Destruction of the Pantomimical Fleet. Harlequin's Invasion will be performed only Four Times this Season, when it must necessarily give place to Preparations for other Entertainments. Receipts: #183 3s. 6d. (119.4.0; 62.2.0; 1.17.6)

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Haymes (1st appearance on that stage); Stockwell-Aickin; Major O'Flaherty-Moody; Captain Dudley-Packer; Charles Dudley-Barrymore; Fulmer-Suett; Varland-Baddeley; Lady Rusport-Mrs Booth [Public Advertiser: Mrs Hopkins]; Louisa Dudley-Mrs Kemble; Mrs Fulmer-Miss Tidswell; Lucy-Mrs Heard; Charlotte Rusport-Mrs Goodall.

Afterpiece Title: Harlequins Invasion

Performance Comment: Harlequin-R. Palmer; Simon-Moody; Gasconade-Baddeley; Mercury-Dignum; Corporal Bounce-Phillimore; Abram-Waldron; Justice-Maddocks; Forge-Burton; Snip-Suett; Old Woman-Mr Fawcett; Mrs Snip-Mrs Booth; Sukey Chitterlin-Miss Collins; Dolly Snip-Miss Pope.
Event Comment: Receipts: #189 15s. (137.10; 51.8; 0.17)

Performances

Mainpiece Title: The Heiress

Performance Comment: Sir Clement Flint-Bensley; Lord Gayville-Barrymore; Alscrip-Suett; Chignon-Baddeley; Mr Blandish-Whitfield; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-Wroughton; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Lady Emily-Miss Farren.

Afterpiece Title: Comus

Performance Comment: Comus-Wroughton; Bacchanals-Kelly, Dignum, Sedgwick; Spirit-Lamash; Brothers-Benson, Banks; The Lady-Mrs Ward; Pastoral Nymph (1st time)-Miss Hagley; Sabrina-Miss Romanzini; Principal Bacchant-Mrs Edwards; Bacchants-Mrs Fox, Miss Barnes, Mrs Shaw; Euphrosyne-Mrs Crouch; Sweet Echo-Mrs Crouch; accompanied-Forster.

Song: II: song in character-Mrs Crouch

Event Comment: Receipts: #196 5s. 6d. (141.11.0; 54.7.0; 0.7.6)

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Bensley; Lord Trinket-Dodd; Sir Harry Beagle-R. Palmer; Charles-Barrymore; Russet-Aickin; Captain O'Cutter-Moody; William-Phillimore; John-Wilson; Tom-Alfred; Major Oakly-Baddeley; Lady Freelove-Mrs Hopkins; Harriet-Mrs Kemble; Toilet-Miss Tidswell; Chambermaid-Mrs Heard; Mrs Oakly-Miss Farren. [Edition of 1792 (John Bell) adds: Paris-Maddocks; Servant-Lyons.]

Afterpiece Title: The Jubilee

Performance Comment: As17890922.
Event Comment: Mainpiece: Not acted these 20 years [not acted since 13 Oct. 1748. With alterations by John Philip Kemble]. Receipts: #167 18s. 6d. (122.19.0; 42.11.6; 2.8.0)

Performances

Mainpiece Title: King Henry The Fifth Or The Conquest Of France

Performance Comment: English: King Henry-Kemble; Exeter-Aickin; Westmorland-R. Palmer; Duke of Bedford-Dignum; Duke of Gloucester-Benson; Pistol-Suett; Erpingham-Waldron; Bardolph-Alfred; Williams-Whitfield; Nym-Burton; Gower-Williames; Archbishop of Canterbury-Maddocks; Ely-Jones; Grey-Lamash; Scroop-Wilson; Cambridge-Webb; Bates-Banks; Boy-Master Gregson; Fluellen-Baddeley; Hostess-Mrs Booth; French: King-Packer; Duke of Burgundy-Phillimore; Constable-Fawcett; Montjoy-Haymes; Governor-Hollingsworth; Dauphin-Barrymore; Princess Catharine-Miss Collins; Queen of France-Mrs Ward.

Afterpiece Title: The Virgin Unmaskd

Performance Comment: Coupee-Bannister Jun.; Blister-Suett; Quaver-Dignum; Goodwill-Packer; Thomas-Phillimore; Miss Lucy (1st time)-Miss Romanzini.
Event Comment: Receipts: #211 5s. 6d. (149.8.0; 61.2.6; 0.15.0)

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Millamour-Wroughton; Bygrove-Aickin; Captain Bygrove-Haymes; Sir John Millamour-Packer; Charles-R. Palmer; Malvil-Whitfield; Sir Harry Lovewit-Lamash; Dashwould-Bannister Jun.; Miss Neville-Mrs Kemble; Mrs Bromley-Mrs Ward; Lady Jane-Mrs Powell; Madame Le Rouge-Mrs Heard; Lady Bell (with a song)-Miss Farren (1st appearance in that character).

Afterpiece Title: Selima and Azor

Performance Comment: Azor-Kelly; Scander-Sedgwick; Ali-Dodd; Fatima-Miss Romanzini; Lesbia (1st time)-Miss Hagley; Selima-Mrs Crouch.
Event Comment: Books of the Songs [in The Tempest] to be had at the Theatre. Receipts: #244 5s. (220.14; 22.11; 1.0)

Performances

Mainpiece Title: The Tempest

Performance Comment: As17891013.

Afterpiece Title: Whos the Dupe

Performance Comment: . Mr Doiley-Parsons; Granger-Barrymore; Sandford-R. Palmer; Gradus-Bannister Jun.; Charlotte-Miss Collins; Miss Doiley-Mrs Kemble.

Song: As17891013, but Vocal Parts-Miss Hagley

Event Comment: Afterpiece: Not acted these 4 years. [Bannister Jun.'s 1st appearance as Young Philpot was at the hay, 7 Sept. 1789.] Receipts: #191 5s. 6d. (162.7.0; 27.3.0; 1.15.6)

Performances

Mainpiece Title: The Tempest

Performance Comment: As17891013.

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Bannister Jun. (1st appearance in that character on that stage); Wilding-R. Palmer; Sir Jasper Wilding-Burton; Beaufort-Haymes; Quildrive-Banks; Dapper-Fawcett; Old Philpot-Baddeley; Corinna-Miss Tidswell; Maria-Miss Farren.

Song: As17891017

Event Comment: Mainpiece: Not acted these 5 years. [Keating is identified in Kemble Mem.] Receipts: #120 1s. 6d. (95.4.0; 23.6.0; 1.11.6)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Performance Comment: Oroonoko-A Young Gentleman (who never appeared on any stage [Keating]); Blandford-Barrymore; Governor-Whitfield; Stanmore-R. Palmer; Captain Driver-Maddocks; Hotman-Williames; Jack Stanmore-Benson; Daniel-Suett; 1st Planter-Fawcett; 2nd Planter-Hollingsworth; 3rd Planter-Wilson; 4th Planter-Jones; Slaves-Phillimore, Banks, Alfred, Webb; Aboan-Bensley; Widow Lackit-Mrs Hopkins; Charlotte Weldon-Mrs Goodall; Lucy Weldon-Miss Collins; Imoinda-Mrs Powell.

Afterpiece Title: The Humourist

Performance Comment: As17891022.
Event Comment: Mainpiece: Not acted these 7 years [not acted since 25 Apr. 1780]. Receipts: #110 18s. (77.4; 32.3; 1.11)

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Performance Comment: Mirabel-Wroughton; Old Mirabel-Aickin; Petit-R. Palmer; Dugard-Haymes; Bravoes-Maddocks, Phillimore, Alfred, Webb; Duretete-Dodd; Oriana-Mrs Goodall; Lamorce-Miss Tidswell; Bisarre-Miss Farren.

Afterpiece Title: Arthur and Emmeline

Performance Comment: As17891028, but Vocal Parts-_Fawcett, _Alfred, _Lyons.
Event Comment: Mainpiece [1st time; T 3, by William Hayley, based on The Changeling, by Thomas Middleton. And see cg, 10 Nov.]: With new Dresses and Decorations. Afterpiece: 1st time in 3 acts [see cg, 14 Dec. 1784]. Receipts: #120 10s. 6d. (84.15.0; 29.17.6; 5.18.0)

Performances

Mainpiece Title: Marcella

Performance Comment: Characters-Kemble, Barrymore, Whitfield, Benson, Wroughton, Mrs Powell. [Cast from European Magazine, Nov. 1789, p. 378: Hernandez-Kemble; Alonzo [in text, Plays written for a Private Theatre (T. Cadell, 1784): Mendoza]-Barrymore; Lupercio-Whitfield; Lopez-Benson; Governor of Barcelona-Wroughton; Marcella-Mrs Powell. [For the change from Mendoza to Alonzo, see cg, 10 Nov.]For the change from Mendoza to Alonzo, see cg, 10 Nov.]

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Bannister Jun.; Antonio-R. Palmer; Doctor Bartholo-Suett; Page (with a song)-Miss Romanzini; Bazil-Phillimore; Figaro-Wroughton; Countess-Mrs Ward; Marcelina-Mrs Hopkins; Agnes-Miss Stageldoir; Susan-Miss Farren.
Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin [1790]. Sga Storace had 1st appeared in concerts from 1774 to 1778, and at king's on 24 Apr. 1787 and thereafter]: With new Scenes, Dresses and Decorations. The new Music composed by Storace, the rest compiled from Linley? Sen., Purcell, Sarti, Paisiello, Martin y Soler?, Pleyel, &c. The Scenes designed and executed by Greenwood. Books of the Songs to be had at the Theatre. "In her own particular line on the stage [Sga Storace] was unrivalled, being an excellent actress, as well as a masterly singer. She settled entirely in England, and after quitting the opera (to which she was frequently recalled in times of distress, as was too often the case), she engaged at Drury Lane, where the English opera was raised to an excellence not known before, by her singing, with that of Mrs Crouch, Mrs Bland, Kelly, and Bannister, and under the direction of her brother Stephen Storace, who composed, or rather compiled, several very pretty operas, of which the Haunted Tower, and the Siege of Belgrade still remain favorites, and are frequently performed" (Mount-Edgcumbe, 65). Account-Book, 4 Jan. 1790: Paid Cobb on Acct. of the Purchase of the Copyright of the Haunted Tower #157 10s.; 27 Feb. 1790: Paid Cobb in full for Copyright #52 10s. Receipts: #219 9s. 6d. (200.13.0; 17.14.6; 1.2.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: [Characters-Kelly, Baddeley, Moody, Suett, Dignum, Sedgwick, Whitfield, Williames, Bannister Jun.; Sga Storace (1st appearance on the English stage i.e. in a speaking part]), Miss Romanzini, Mrs Booth, Mrs Crouch. [Cast from Songs (J. Jarvis, 1789): Lord William-Kelly; Baron of Oakland-Baddeley; Hugo-Moody; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; De Courcy-Whitfield; Martin-Williames; Edward-Bannister Jun.; Hubert-Webb; Servant-Lyons; Adela-Sga Storace; Cicely-Miss Romanzini; Maud-Mrs Booth; Lady Elinor-Mrs Crouch.

Afterpiece Title: The Miller of Mansfield

Performance Comment: The King-Whitfield; Richard-R. Palmer; Joe (with a song)-Williames; Lord Lurewell-Benson; The Miller-Moody; Kate-Mrs Wilson; Peggy-Miss Collins; Margery-Mrs Hopkins [Public Advertiser: Mrs Booth].Public Advertiser: Mrs Booth].
Event Comment: Receipts: #215 8s. 6d. (193.15.0; 20.15.0; 0.18.6)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17891124.

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Bannister Jun.; Duke's Servant-R. Palmer; Sir Harry's Servant-Whitfield; Philip-Baddeley; Freeman-Fawcett; Kitty-Miss Pope.

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Performance Comment: Palmer, Miss Pope.
Event Comment: Afterpiece: Not acted these 12 years [never previously acted at this theatre. Baker had acted at Dublin and at Margate (Thespian Dictionary)]. Receipts: #214 2s. 6d. (188.12.0; 24.8.6; 0.19.6; ticket not come in: 0.2.6)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17891208.

Afterpiece Title: Cross Purposes

Performance Comment: Mr Grub-Baker (1st appearance on that stage); Consol-Suett; George Bevil-Whitfield; Francis Bevil-Lamash; Harry Bevil-Haymes; Robin-Burton; Chapeau-R. Palmer; House Maid-Mrs Wilson; Emily-Miss Collins; Mrs Grub-Mrs Hopkins.

Dance: As17891204

Event Comment: By Command of Their Majesties. To prevent Confusion Ladies and Gentlemen are requested to send their Servants to keep Places by Half past Four o'Clock. God save the King was sung "by the performers and by the audience five times: twice on the entrance of the King and Queen, once after the Play, twice after the Farce" (World, 19 Dec.). And see 23 Apr. 1790. Account-Book: In the Pit of this Night 525 Persons, this is the greatest Number ever remembered to be in at any One Time. R. P. [i.e. Richard Peake, sub-treasurer]. Receipts: #290 11s. 6d. (279.13.0; 9.18.6; 1.0.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17891124.

Afterpiece Title: Whos the Dupe

Performance Comment: As17891017.

Dance: As17891204

Event Comment: Afterpiece: Not acted these 4 years [not acted since 9 May 1785]. Receipts: #236 5s. 6d. (200.5.0; 35.1.6; 0.19.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17891124.

Afterpiece Title: The Deaf Lover

Performance Comment: Captain Meadows-R. Palmer; Canteen-Lamash; Young Wrongward-Haymes; Robert-Burton; Groom-Fawcett; Sternhold-Maddocks; William-Alfred; Old Wrongward-Waldron; Sophia-Miss Collins; Chambermaid-Miss Tidswell; Betsey Blossom-Miss Romanzini; song-Miss Romanzini.

Dance: As17891204

Event Comment: [Bland was from the Liverpool theatre.] Receipts: #218 16s. (175.0.0; 41.1.0; 2.12.6; ticket not come in: 0.2.6)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Orsino-Whitfield; Sebastian-Bland (1st appearance in London); Antonio-Phillimore; Curio-Lyons; Sir Toby Belch-Moody; Sir Andrew Ague@cheek-Dodd; Sea Captain-Benson; Fabian-R. Palmer; Malvolio-Bensley; Clown-Suett; Olivia-Mrs Crouch; Viola-Mrs Jordan; Maria-Mrs Kemble.

Afterpiece Title: The Pannel

Performance Comment: Don Guzman-Baddeley; Don Ferdinand-Barrymore; Don Carlos-Whitfield; Don Pedro-Williames; Octavio-Phillimore; Muskato-Bannister Jun.; Lazarillo-R. Palmer; Lawyer-Maddocks; Notary-Fawcett; Servant-Lyons; Alguaziles-Jones, Webb, Alfred; Marcella-Mrs Ward; Aurora-Mrs Kemble; Beatrice-Mrs Jordan; Leonarda-Mrs Booth.

Dance: End: The Irish Bird Catchers, as17900123

Event Comment: [Afterpiece: Epilogue by David Garrick]. Receipts: #232 10s. 6d. (188.17.0; 42.11.6; 1.2.0)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17890922, but Touchstone-Bannister Jun.; Le Beau [sic]-Banks; Rosalind-Mrs Jordan; Cuckoo Song-Mrs Jordan; Jaques de Bois-Fawcett; Sylvius-Benson; Dennis-Alfred.

Afterpiece Title: Polly Honeycombe

Performance Comment: Honeycombe-Suett; Ledger-Williames; Scribble-R. Palmer; Mrs Honeycombe-Mrs Hopkins; Polly (with a new song, and the original Epilogue)-Mrs Jordan (1st appearance in that character); Nurse-Mrs Booth.

Dance: As17900210

Song: As17890922

Event Comment: Paid Duke of Bedford 1 Yrs. Rent #343 5s. 1d. Afterpiece [1st time; F 2, by Edward Morris. Author of Prologue unknown]: With new Dresses and Decorations. Public Advertiser, 8 Apr. 1790: This Morning is published The Adventurers (1s.). Receipts: #260 8s. (226.5.0; 31.16.0; 2.4.6; ticket not come in: 0.2.6)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17891124.

Afterpiece Title: The Adventurers

Performance Comment: Characters-Suett, R.Palmer, Bannister Jun., Whitfield, Burton, Maddocks, Benson, Mrs Hopkins, Miss Collins, Miss Heard. [Cast from text (C. Dilly, 1790): Sir Peregrine Bramble-Suett; Lord Gleanwell-R. Palmer; Peregrine Bramble-Bannister Jun.; Metaphor-Whitfield; Peter-Burton; Landlord-Maddocks; Waiter-Benson; Lady Bramble-Mrs Hopkins; Harriet Bramble-Miss Collins; Kitty-Miss Heard; Prologue-Whitfield. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Dance: As17891204