SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.
Event Comment: Benefit for Mrs Bulkley. 2nd piece: Never acted here. 4th piece: 1st time at this Theatre

Performances

Mainpiece Title: The Life And Death Of Common Sense

Performance Comment: As17820813.

Afterpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-Cheek-Edwin (1st appearance in that character); Malvolio-Bensley; Duke-Staunton; Sebastian-R. Palmer; Clown (with the Epilogue Song)-Parsons; Fabian-Stevens; Sir Toby Belch-Palmer; Olivia (with a song)-Miss Harper (1st appearance in that character); Maria-Miss Kirby; Viola-Mrs Bulkley (1st appearance in that character) .

Afterpiece Title: The Tobacco Box

Performance Comment: As17820813.

Afterpiece Title: The Maid of the Oaks

Performance Comment: Dupely-Palmer; Oldworth-Aickin; Sir Harry Groveby-Bannister Jun.; Hurry-Parsons; Old Groveby-Baddeley; Maria (with a song)-Miss Morris; Lady Bab Lardoon-Mrs Bulkley (1st appearance in that character) .

Dance: In Act II of 4th piece (for that night only) the Minuet de la Cour by Giorgi and Mrs Bulkley

Performance Comment: hathi.
Event Comment: Benefit for Bannister. Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Bustleton-Palmer; Manager-Aickin; Gentleman in Balcony-Bannister Jun.; Easy-R. Palmer; Irishman in Pit-Egan; Prompter-Davis; Actresses-Miss Hale, Mrs Poussin, Miss Francis; Caller-Mrs Love; Ladies in Upper Boxes-Mrs Lefevre, Mrs W. Palmer; Lady in Balcony-Mrs Webb .

Afterpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Palmer; Doctor Bartholo-Parsons; Basil (with songs)-Bannister (1st appearance in that character); Argus-Wewitzer; Tall Boy-R. Palmer; Alguazile-Egan; Notary-Stevens; Lazarillo-Edwin; Rosina (with additional airs)-Miss Harper .

Afterpiece Title: The Son in Law

Performance Comment: As17820610 but Wilson in place of Parsons .

Monologue: 1782 08 27 End of Act I of 2nd piece Joe Haynes's Epilogue, on an Ass, by Dick Wilson, after the manner of Ned Shuter. imitations. End of 2nd piece, as 9 Aug

Performance Comment: imitations. End of 2nd piece, as 9 Aug .
Event Comment: [In mainpiece the playbill assigns Young Bevil to Smith, but on the Kemble playbill his name is deleted and a MS annotation substitutes Brereton's.] Receipts: #141 9s. 6d. (106/19/0; 34/6/6; 0/4/0)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Brereton; Myrtle-Palmer; Cimberton-Parsons; Mr Sealand-Aickin; Sir John Bevil-Packer; Humphrey-Wrighten; Daniel-Burton; Tom-King; Phillis-Miss Pope; Lucinda-Miss Wheeler; Isabella-Mrs Hedges; Mrs Sealand-Mrs Love; Indiana-Miss Farren .

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Dodd; Gayless-R. Palmer; Dick-Suett; Melissa-Miss Collett; Mrs Gadabout-Mrs Booth; Kitty Pry-Mrs Wells .

Dance: As17820917

Performance Comment: hathi.

Song: In Act II of mainpiece song by Miss Field

Performance Comment: hathi.

Monologue: 1782 09 19 As 17 Sept

Performance Comment: hathi.
Event Comment: Mainpiece: As originally written by Shakespeare. Paid Properties 18s. 4d.; Mantuamaker #5 19s. 9d.; Butler, carpenter, #15; Lampmen #3 18s.; Billstickers #3 3s. Receipts: #189 14s. 6d. (147/3/0; 42/8/6; 0/3/0)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Packer; Horatio-Farren; Polonius-Baddeley; Laertes-Aickin; Ostrick-Lamash; Rosencraus-R. Palmer; Guildenstern-Williames; Player King-Chaplin; Marcellus-Wrighten; Lucianus-Waldron; Sailor-Wright; Francisco-Norris; Bernardo-Phillimore; Grave-diggers-Parsons, Burton; Ghost-Bensley; Ophelia-Miss Field; Queen-Mrs Hopkins. [Edition of 1782 (Bathurst) adds: Player Queen-Mrs Booth.] hathi. hathi.

Afterpiece Title: The Divorce

Performance Comment: Sir Harry Trifle-Palmer; Qui-Tam-Parsons; Tom-Suett; Timothy-Phillimore; Sambo-Chaplin; Dennis Dogherty-Moody; Biddy-Mrs Wrighten; Mrs Anaseed-Mrs Hopkins; Lady Harriet-Miss Farren .

Monologue: 1782 09 24 As 17 Sept

Performance Comment: hathi.
Event Comment: Paid Printers to 21st Inst. #15 3s. 6d.; Booth, tailor, #1 6s. Receipts: #167 19s. 6d. (124/15/0; 42/14/6; 0/10/0)

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Brereton; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; Silvius-R. Palmer; Jaques de Bois-Lamash; Corin-Waldron; Charles-Wrighten; William-Burton; Le Beu-Phillimore; Jaques-Palmer; Caelia (with the Cuckow song)-Miss Wheeler; Audrey-Mrs Wrighten; Phoebe-Miss Wright; Rosalind-Mrs Bulkley .

Afterpiece Title: The Englishman in Paris

Performance Comment: Buck-Palmer; Classic-Packer; Subtle-Waldron; Sir John Buck-Wrighten; Mrs Subtle-Mrs Love; Luanda (with a song)-Miss Collett .

Song: In Act v of mainpiece song by Miss Field

Performance Comment: hathi.
Event Comment: Receipts: #55 12s. (32/11/0; 22/18/6; 1/2/6)

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: Loveless-Smith; Young Fashion-Palmer; Sir Tunbelly Clumsey-Moody; Colonel Townly-Brereton; Probe-Parsons; Lory-R. Palmer; Lord Foppington-Dodd; Miss Hoyden-Mrs Bulkley; Amanda-Mrs Brereton; Nurse-Mrs Love; Berinthia-Miss Farren .

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Sir Patrick O'Neale-Moody; Nephew-R. Palmer; Bates-Wrighten; Thomas-Burton; Kecksey-Dodd; Widow Brady (with an Epilogue song)-Mrs Wells .

Dance: As17821005

Performance Comment: hathi.
Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill does not list the Child; for the assignment see Morning Post, 10 Oct., and edition of 1787 (Rachael Randall).] "[Mrs Siddons's] merit in the character was infinite, and the applause she received unbounded. In various of her scenes the plaudits were repeated . . . During the fourth and fifth acts there was almost an incessant clapping, and when Isabella expired her death was rendered glorious by the theatre's resounding with thundering applause for more than a minute" (Morning Chronicle, 11 Oct.). "L'actrice la plus noble dans ses manieres, madame Siddons, ne perd rien de sa dignite quand elle se prosterne contre terre . . . Enfin, il arriva ce moment terrible ou Isabelle, s'etant echappee des mains des femmes qui veulent l'empechcr de se tuer, rit, en se donnant un coup de poignard, de l'inutilite de leurs efforts. Ce rire du desespoir est l'effet le plus difficile et le plus remarquable que le jeu dramatique puisse produire; il emeut bien plus que les larmes: cette amere ironie du malheur est son expression la plus dechirante. Qu'elle est terrible la souffrance du coeur, quand elle inspire une si barbare joie, quand elle donne, a l'aspect de son propre sang, le contentement feroce d'un sauvage ennemi qui se serait venge!" (Mme de Stael: Corinne, livre XVII, chapitre iv). Receipts: #181 11s. (147/0; 34/6; 0/5)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Performance Comment: Biron-Smith; Count Baldwin-Packer; Carlos-Farren; Belford-R. Palmer; Child-Master Siddons; Sampson-Wrighten; Villeroy-Palmer; Nurse-Mrs Love; Isabella-Mrs Siddons (from the Theatre Royal, Bath) .

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Cupid (with a song in character)-Miss Field; Sotherton-Norris; Chamberlain-Burton; Jemmy Twinkle-Lamash; Fillagree-Mrs Hopkins; Landlady-Mrs Love; Chambermaid-Miss Simson; Miss Flack-Miss Wright; Miss Griskin-Mrs Brereton .

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Performance Comment: [This was danced in all subsequent performances.] hathi.

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Performance Comment: [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.] hathi.
Event Comment: Receipts: #113 10s. 6d. (90/5/0; 23/3/0; 0/2/6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17820926, but Trip-R. Palmer; Lady Sneerwell-Mrs Ward .

Afterpiece Title: Whos the Dupe

Performance Comment: As17820917, but Gradus (1st time)-Bannister Jun .

Dance: As17821005

Performance Comment: hathi.
Event Comment: Receipts: #174 (150/15/0; 22/18/6; 0/6/6)

Performances

Mainpiece Title: Isabella

Performance Comment: As17821010.

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17820918, but Biondella-R. Palmer .
Event Comment: [Miss Brown is identified in European Magazine, Oct. 1782, p. 309.] Receipts: #113 15s. (91/11/0; 22/2/6; 0/1/6)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth (1st time)-Barrymore; Sir Harry Sycamore-Parsons; Fairfield-Aickin; Mervin-Williames; Ralph-Suett; Giles (1st time)-Chapman; Fanny-A Young Lady (1st appearance on any stage [Miss Brown]); Lady Sycamore-Mrs Hopkins; Theodosia-Miss Collett; Patty-Miss Phillips (1st appearance in that character) .

Afterpiece Title: The Lyar

Performance Comment: Young Wilding-Palmer; Old Wilding-Aickin; Sir James Elliot-R. Palmer; Papillion-Burton; Miss Godfrey-Miss Wright; Kitty-Miss Hale; Miss Grantham-Mrs Brereton .

Dance: As17821017

Performance Comment: hathi.
Event Comment: Receipts: #225 6s. 6d. (193/7/0; 31/13/6; 0/6/0)

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: As17821030, but R. Palmer's name listed in playbill .

Afterpiece Title: The Apprentice

Performance Comment: Dick-Bannister Jun.; Gargle-Wrighten; Simon-Suett; Watchman-Burton; Spouters-R. Palmer, Phillimore, Norris, Alfred, Williames, &c.; Wingate-Baddeley; Charlotte-Miss Simson .
Event Comment: Receipts: #88 16s. 6d. (68/5/0; 20/9/0; 0/2/6)

Performances

Mainpiece Title: The Runaway

Performance Comment: George Hargrave-Smith; Drummond-Bensley; Justice-Waldron; Sir Charles Seymour-Brereton; Jarvis-R. Palmer; Mr Morley-Aickin; Mr Hargrave-Moody; Lady Dinah-Mrs Hopkins; Emily-Miss Phillips; Susan-Mrs Wrighten; Harriet-Mrs Brereton; Bella-Miss Farren .

Afterpiece Title: The Alchymist

Performance Comment: As17821021.
Event Comment: Mainpiece: Not acted these 2 years. "There was, in my early days, such a permanent property as a stage-door in our theatres, and the proscenium beyond it; so that when [Jane] Shore was pushed from the door, she was turned round and staggered till supported by the firm projection behind her. Here was a terrific picture full in the eye of the pit, and this most picturesque of women knew the amazing value of it" (Boaden, Siddons, I, 326). Receipts: #232 (209/8; 21/18; 0/14)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Smith; Glostcr-Aickin; Bellmour-Packer; Ratcliff-R. Palmer; Catesby-Phillimore; Derby-Chaplin; Shore-Bensley; Alicia-Mrs Ward; Jane Shore-Mrs Siddons .

Afterpiece Title: Whos the Dupe

Performance Comment: As17821022.

Dance: As17820917

Performance Comment: hathi.
Event Comment: Mainpiece: Not acted these 4 years [acted 19 Apr. 1779]. Receipts: #97 11s. 6d. (67/7/0; 29/17/0; 0/7/6)

Performances

Mainpiece Title: The Double Gallant Or The Sick Ladys Cure

Performance Comment: Atall-King; Sir Solomon Sadlife-Parsons; Careless-Brereton; Clerimont-Farren; Old Wilful-Wrighten; Sir Harry Atall-Fawcett; Finder-R. Palmer; Supple-Suett; Dr Blister-Norris; Rhubarb-Chaplin; Clarinda-Mrs Bulkley; Lady Dainty-Mrs Ward; Sylvia-Mrs Brereton; Wishwell-Mrs Wrighten; Lady Sadlife-Miss Farren .

Afterpiece Title: Too Civil by Half

Performance Comment: As17821109.

Dance: End of Act IV of mainpiece The Devonshire Minuet, as17821003

Performance Comment: hathi.
Event Comment: Receipts: #74 4s. 6d. (48/11/0; 25/11/0; 0/2/6)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Smith; Old Knowell-Aickin; Young Knowell-Brereton; Wellbred-Farren; Master Stephen-Dodd; Brainworm-Baddeley; Justice Clement-Parsons; Downright-Wrighten; Master Mathew-Burton; Cob-Wright; Cash-R. Palmer; Formal-Fawcett; Capt. Bobadil-Palmer; Bridget-Miss Collett; Tib-Mrs Love; Mrs Kitely-Mrs Brereton .

Afterpiece Title: Too Civil by Half

Performance Comment: As17821109.

Dance: End of mainpiece The Devonshire Minuet, as17821003

Performance Comment: hathi.
Event Comment: Receipts: #83 6s. 6d. (51/16/0; 30/10/6; 1/0/0)

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Smith; Aim well-Brereton; Foigard-Moody; Bonniface-Aickin; Sir Charles Freeman-R. Palmer; Sullen-Wrighten; Gibbet-Wright; Scrub-Dodd; Cherry-Miss Pope; Dorinda-Mrs Brereton; Lady Bountiful-Mrs Love; Gipsey-Miss Simson; Mrs Sullen-Miss Farren .

Afterpiece Title: The Gentle Shepherd

Performance Comment: As17821016.

Dance: End of Act IV of mainpiece, as17820917

Performance Comment: hathi.
Event Comment: Receipts: #86 0s. 6d. (57/15/0; 27/9/6; 0/16/0)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Col. Feignwell-Palmer; Sir Philip Modclove-Baddcley; Obadiah Prim-Moody; Freeman-Farren; Sackbut-Wrighten; Tradclove-Fawcett; Simon Pure-R. Palmer; Periwinkle-Waldron; Mrs Prim-Mrs Love; Ann Lovely-Miss Farren .

Afterpiece Title: The Irish Widow

Performance Comment: As17821031.

Dance: End of Act IV of mainpiece The Devonshire Minuet, as17821003; End of Act I of afterpiece, as17821005

Performance Comment: hathi.
Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 10 Dec: Tickets to be had of Mrs Siddons, No. 149 in the Strand. [The most famous "point" in this play was the parting of Belvidera and Jaffier in Act III, and her words, "Remember twelve!" Boaden, Siddons, 1, 354, refers to Mrs Siddons's "querulous melancholy of tone, partaking of doubt, though still hoping for the best," in uttering these words.] Receipts: #335 5s. (157/15/0; 4/0/6; 0/12/6; tickets: 172/17/0) (charge: free). [Thus, officially, the Account-Book, but Mrs Siddons's total profit, from presents and from additional sums being added by her admirers to the usual price of her tickets, was, according to Public Advertiser, 25 Dec, over #800. This figure is almost certainly an accurate reckoning.]

Performances

Mainpiece Title: Venice Preservd

Performance Comment: Jaffier-Brereton; Priuli-Aickin; Renault-Packer; Bedamar-R. Palmer; Duke-Chaplin; Elliot-Fawcett; Spinosa-Wright; Officer-Phillimore; Pierre-Bensley; Belvidera-Mrs Siddons .

Afterpiece Title: Bon Ton

Performance Comment: As17821114.

Dance: End of mainpiece, as17820917

Performance Comment: hathi.
Event Comment: Receipts: #171 10s. (161/n; 9/19)

Performances

Mainpiece Title: The Gamesters

Performance Comment: As17821005, but Sellaway-R. Palmer .

Afterpiece Title: The Triumph of Mirth

Performance Comment: As17821226.
Event Comment: Receipts: #256 4s. 6d. (243/6/0; 12/18/6; 0/0/0)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17821129 .

Afterpiece Title: All the Worlds a Stage

Performance Comment: As17821015, but Harry Stukely-R. Palmer .
Event Comment: Mainpiece: Not acted these 3 years. [Mrs Mills was from the Edinburgh theatre.] Receipts: #173 6s. 6d. (140/13/0; 32/11/0; 0/0/0; ticket not come in: 0/2/6)

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Brereton; Bellarius-Aickin; Guiderius-Farren; Arviragus-Barry more; Cymbeline-Wrighten; Pissanio-Packer; Lucius-Phillimore; French Gentleman-Fawcett; Philario-Wright; Cornelius-Chaplin; Cloten (1st time)-R. Palmer; Iachimo-Smith; Queen-Mrs Hopkins; Imogen-Mrs Mills (1st appearance on that stage) .

Afterpiece Title: Bon Ton

Performance Comment: As17821114, but Lord Minikin-R. Palmer .

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III, as17820917

Performance Comment: Stageldoir; End of Act III, as17820917 .

Song: In Masquerade, by Miss Romanzini

Performance Comment: hathi.
Event Comment: The Clandestine Marriage [announced on playbill of 4 Mar.] is obliged to be deferred on account of the Indisposition of Parsons. Afterpiece: To conclude with a perspective Representation of the Camp at Cox-Heath [see 15 Oct. 1778]. Receipts: #145 4s. (99/7/0; 45/4/6; 0/0/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17821128 .

Afterpiece Title: The Camp

Performance Comment: Gage-Waldron; O'Daub-Moody; Mons. Bluard-Baddeley; Sir Harry Bouquet-R. Palmer; William (1st rime)-Barrymore; Serjeant Drill (1st time)-Staunton; Nancy-Mrs Wells; Nell-Mrs Wrighten. The other Characters by Burton, Fawcett, Wrighten, Wright, Chaplin, Kenny, Phillimore, Norris, Alfred, &c.; Miss Wright, Miss Simson, Miss Collett . Miss Wright, Miss Simson, Miss Collett .

Dance: In Act I of mainpiece, as17821003; End of Act II, as17821016

Performance Comment: hathi.
Event Comment: Receipts: #148 16s. (145/11/0; 2/17/6; tickets not come in: 0/7/6)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Smith; Richmond-Palmer; Buckingham-Aickin; Tressel-Farren; Lord Stanley-Chaplin; Norfolk-Fawcett; Catesby-Packer; Lieut, of the Tower-R. Palmer; Ratcliff-Wright; Lord Mayor-Phillimore; Prince Edward-Miss M. Stageldoir; Duke of York-Miss Heard; King Henry-Bensley; Lady Anne-Mrs Brereton; Dutchess of York-Mrs Hedges; Queen-Mrs Hopkins .

Afterpiece Title: The Triumph of Mirth

Performance Comment: As17830303athi .
Event Comment: Receipts: #151 2s. 6d.(142/5/0; 8/0/0; tickets not come in: 0/17/6)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Performance Comment: Oroonoko-Bannister Jun.; Blandford-Aickin; Governor-Farren; Captain Driver-Wrightcn; Stanmore-R. Palmer; Hotman-Williames; Daniel-Suett; Jack Stanmore-Norris; Aboan-Palmer; Widow Lackit-Mrs Hopkins; Charlotte Weldon-Miss Collett; Lucy Weldon-Miss Simson; Imoinda-Miss Kemble .

Afterpiece Title: The Triumph of Mirth

Performance Comment: As17830303athi .
Event Comment: Benefit for Mrs Siddons [who had 1st acted Zara at Liverpool, 21 Oct. 1776]. Mainpiece: Not acted these 2 years. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Receipts: #329 16s. 6d. (154/17/0; 3/4/6; 0/0/0; tickets: 171/15/0) (charge: #108 17s. 4d.)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Smith; Gonzalez-Packer; Garcia-Farren; Heli-R. Palmer; Selim-Fawcett; Alonzo-Wrighten; Perez-Norris; The King-Aickin; Almcria (1st time)-Miss Kemble; Leonora-Miss Tidswell; Zara-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: All the Worlds a Stage

Performance Comment: As17830104.