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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5325 results for: Keyword - R
We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.

676
20 July 1779 @ Haymarket Theatre

Event Comment: Afterpiece: Not acted these 2 years. [Prologue by George Colman, the elder.

Performances

Mainpiece Title: Summer Amusement

Performance Comment: As17790701.

Afterpiece Title: Bon Ton

Performance Comment: Lord Minikin-R. Palmer; Sir John Trotley-Blissett; Col. Tivy-Wood; Jessamy-Lamash; Davy-Parsons; Lady Minikin-Mrs Hitchcock; Gymp-Mrs Poussin; Miss Tittup-Mrs Kennedy; Original Prologue-Palmer.

677
13 August 1779 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. Tickets to be had of Jewell, in Suffolk-street. Mainpiece: Written by the late $S. Foote, Esq.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: The Devil-Bannister; Sir ThomasMaxwell-Gardner; Invoice-R. Palmer; Dr Julep-Baddeley; Dr Apozem-Jackson; Dr Fingerfee-Painter; Dr O'Sassafras-Davis; Dr Broadbrim-Kenny; Dr Sligo-Egan; Macpherson-Walker; Dr Calomel-Painter [Public Advertiser: Baker]; Dr Habbakuk-Peirce; Dr Camphire-Webb; Forceps-Stevens; Printer's Devil-Master Hitchcock; Dr Last-Parsons; Margaret Maxwell-Mrs Webb; Harriet-Mrs Jewell.

Afterpiece Title: The Flitch of Bacon

Performance Comment: As17790612.

Dance: As17790610

678
17 August 1779 @ Haymarket Theatre

Event Comment: Benefit for Edwin. Tickets to be had of Edwin, No. 9, St. Martin's-street, Leicester-Fields. Mainpiece: Not acted these 4 years [acted 23 Sept. 1776]

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Palmer; Aimwell-Dimond [Public Advertiser: Aickin]; Sir Charles Freeman-R. Palmer; Foigard-Egan; Sullen-Blissett; Gibbet-Gardner; Boniface-Usher; Scrub-Edwin; Dorinda-Mrs Cuyler; Cherry-Mrs Hitchcock; Lady Bountiful-Mrs Poussin; Gipsey-Miss Wood; Mrs Sullen-Miss Farren.

Afterpiece Title: The Waterman

Performance Comment: Tom Tug-Bannister; Bundle-Massey; Robin-Edwin; Mrs Bundle-Mrs Webb; Wilhelmina-Miss Harper.

Song: End IV: Ted Blarney-Master Edwin

Entertainment: Monologue End: Bucks have at ye all-Master Edwin

679
18 August 1779 @ Haymarket Theatre

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Digges; Constant-Dimond; Lord Rake-Egan; Colonel Bully (with a song in character)-Bannister; Justice-Massey; Constable-Stevens; Watchmen-Jackson, Peirce; Razor-R. Palmer; Tailor-Blissett; Heartfree-Aickin; Lady Fanciful-Miss Farren; Belinda-Mrs Hitchcock; Mademoiselle-Miss Walton; Lady Brute-Mrs Lloyd (who performed Maria in The Citizen [on 15 July]).on 15 July]).

Afterpiece Title: The Son in Law

Performance Comment: As17790814.

Dance: End: new Dance, The Spanish Lovers-Master and Miss Byrn

680
24 August 1779 @ Haymarket Theatre

Event Comment: Benefit for Digges. Tickets to be had of Digges at Addinal's, painter, Whitehall. Tickets delivered out for Henry IV will be taken

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: Cardinal Wolsey-Digges; Buckingham-Palmer; Cranmer-Gardner; Surry-Aickin; Cromwell-R. Palmer; Gardiner-Parsons; Lord Sands-Massey; Lord Chamberlain-Egan; Chancellor-Blissett; Sir T. Lovell-Stevens; Norfolk-Davis; Suffolk-Lamash; Capucius-Kenny; Campeius-Painter; King Henry-Usher; Anne Bullen-Mrs Cuyler; Patience (with a song)-Miss Twist; Queen Catherine-Mrs Massey.

Afterpiece Title: The Flitch of Bacon

Performance Comment: As17790612.

Dance: As17790610

681
08 September 1779 @ Haymarket Theatre

Event Comment: Afterpiece: Never acted here

Performances

Mainpiece Title: The Separate Maintenance

Performance Comment: As17790831.

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Sir Patrick O'Neale-Egan; Bates-Usher; Nephew-R. Palmer; Thomas-Jackson; Kecksey-Blissett; The Irish Widow-Mrs Lloyd (1st appearance in that character).

Dance: End I afterpiece: As17790818

682
18 September 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: With alterations [by David Garrick]. "The managers, to our astonishment, continue to play with Garrick's alterations. [The original play] is materially injured by those which Garrick adopted in compliance to the French criticks" (Morning Chronicle, 20 Sept.). [For a summary of these alterations see my Shakespeare in the Theatre, II, 188-89.] Boxes 5s. Pit 3s. Ist Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook, at the Stage-door. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #174 6s. 6d. (135.1.0; 38.17.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Packer; Horatio-Farren; Polonius-Baddeley; Laertes-Aickin; Rosencraus-R. Palmer; Guildenstern-Fawcett; Marcellus-Wrighten; Player King-Chaplin; Lucianus-Waldron; Messenger-Wright; Francisco-Norris; Bernardo-Philimore; Ghost-Palmer; Queen-Mrs Hopkins; Player Queen-Mrs Colles; Ophelia-Mrs Robinson.

Afterpiece Title: Comus

Performance Comment: Comus-Webster; 1st Spirit-Aickin; Brothers-Farren, R. Palmer; Principal Bacchanals-Davies; The Lady-Mrs Sharp; Pastoral Nymph-Miss Collett; Sabrina-Miss Field; Principal Bacchant, Euphrosyne-Mrs Wrighten; with song Sweet Echo-Mrs Wrighten.

683
21 September 1779 @ Drury Lane Theatre

Event Comment: Afterpiece: To conclude with the Scene of the Water-fall, as it was originally performed. [This scene was included in all subsequent performances.] Receipts: #214 16s. (181.7; 33.6; 0.3)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King; Sir Oliver Surface-Yates; Joseph Surface-Palmer; Sir Benjamin Backbite-Dodd; Crabtree-Parsons; Rowley-Aickin; Moses-Baddeley; Snake-Packer; Careless-Farren; Trip-R. Palmer; Charles-Smith; Mrs Candour-Miss Pope; Maria-Mrs Brereton; Lady Sneerwell-Miss Sherry; Lady Teazle-Mrs Abington.

Afterpiece Title: The Elopement

Performance Comment: Harlequin-Wright; Clown-Grimaldi; Pantaloon-Burn; Lover-Burton; Drunken Valet-Chaplin; Scaramouch-R. Palmer; Country Girls-Miss Simson, Miss Kirby; Colombine-Miss Collett.

Song: III: song-Vernon. [This was sung, as here assigned, in all subsequent performances, except on 22 Oct., and 29 Feb. 1780.

Performance Comment: [This was sung, as here assigned, in all subsequent performances, except on 22 Oct., and 29 Feb. 1780.]

684
25 September 1779 @ Drury Lane Theatre

Event Comment: Receipts: #168 0s. 6d. (122.3.0; 44.7.6; 1.10.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Smith; Richmond-Brereton; Buckingham-Aickin; Tressel-Davies; Lord Stanley-Chaplin; Norfolk-Fawcett; Catesby-Packer; Lieutenant of the Tower-R. Palmer; Ratcliffe-Wright; Lord Mayor-Philimore; Prince Edward-Master Pulley; King Henry-Bensley; Lady Anne-Mrs Robinson; Dutchess of York-Mrs Davenett; Queen-Mrs Hopkins.

Afterpiece Title: Harlequins Invasion

Performance Comment: Harlequin-Wright; Mercury-Davies; Snip-Parsons; Simon-Moody; Gasconade-Baddeley; Corporal Bounce-Chaplin; Abram-Waldron; Justice-Wrighten; Forge-Burton; Bogg-Holcroft; Taffy-R. Palmer; Old Woman-Mr Davies [i.e. doubled Mercury]; Mrs Snip-Mrs Bradshaw; Sukey Chitterlin-Mrs Davies; Dolly Snip-Miss Pope.

685
28 September 1779 @ Drury Lane Theatre

Event Comment: Receipts: #160 17s. (125.1.0; 35.12.6; 0.3.6)

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Smith; Aimwell-Brereton; Foigard-Moody; Bonniface (1st time)-Aickin; Sir Charles Freeman-R. Palmer; Sullen-Wrighten; Gibbet-Wright; Scrub-Yates; Cherry-Miss Pope; Dorinda (1st time) -Mrs Brereton; Lady Bountiful-Mrs Davenett; Gipsy-Miss Kirby; Mrs Sullen-Mrs Abington.

Afterpiece Title: The Elopement

Performance Comment: As17790921.

Dance: End IV: New Dance-Sg and Sga Zuchelli, Henry, Sga Crespi

686
05 October 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. [Miss Wright's 1st appearance, as an actress, was at this theatre on 7 May 1779.] Afterpiece: With Alterations and Additions; To conclude with a Grand View of Greenwich Hospital, designed by DeLoutherbourg. Paid Land Tax 3rd & 4th Qtrs. to Lady Day #41 16s. Receipts: #187 3s. 6d. (151.3.0; 35.15.6; 0.5.0)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Capt. Macheath-Webster; Peachum-Moody; Filch-Parsons; Lockit-Baddeley; Mat o' th' Mint-Gaudry; Ben Budge-Burton; Player-Wrighten; Beggar-Waldron; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Hopkins (1st appearance in that character); Diana Trapes-Mrs Bradshaw; Polly-Miss Wright (2nd appearance on any stage).

Afterpiece Title: Queen Mab

Performance Comment: Harlequin-Wright; Pantaloon-Grimaldi; Clod-Holcroft; Silvio-Burton; Meagre-R. Palmer; Fat Cook-Nash; Watchman-Chaplin; Farmer-Philimore; Queen Mab-Miss Abrams; Colombine-Miss Collett.

Dance: III: Hornpipe-Walker. [This was danced, as here assigned, in all subsequent performances.

Performance Comment: [This was danced, as here assigned, in all subsequent performances.]

687
23 October 1779 @ Drury Lane Theatre

Event Comment: Afterpiece: To conclude as 5 Oct. Receipts: #98 5s. 6d. (75.1.0; 22.5.6; 0.19.0)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague@cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Davies; Fabian (1st time)-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Vernon; Malvolio-Yates; Viola-Mrs Robinson (1st appearance in that character); Maria-Mrs Brereton; Olivia (with a song)-Mrs Baddeley.

Afterpiece Title: Queen Mab

Performance Comment: As17791005, but Clod-Williamson; Fat Cook-Johnston; Queen Mab (1st time)-Miss Stageldoir.

688
30 October 1779 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17790918, but King (1st time)-Hurst; Guildenstern-Lamash; Ophelia-Mrs Baddeley; Player King-_.

Afterpiece Title: The Critic or A Tragedy Rehearsd

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians by Moody, Farren, Aickin, Waldron, Lamash, Burton, Chaplin, Holcroft, Hurst, Wright, Wrighten, Grimaldi, Bannister Jun, Mrs Bradshaw, Mrs Davenett, Miss Pope; [Cast from text (T. Becket, 1781): Puff-King; Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Signor Pasticcio Ritornello-Delpini; Under Prompter-Philimore; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Field, Miss Abrams; [Tragedians: Lord Burleigh-Moody; Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Son-Lamash; Sir Walter Raleigh-Burton; Beefeater-Wright; Governor of Tilbury Fort-Wrighten; Don Ferolo Whiskerandos-Bannister Jun.; Master of the Horse-Kenny; Justice-Packer; Constable-Fawcett; Thames-Gaudry; Confidante-Mrs Bradshaw; Justice's Lady-Mrs Davenett [in text: Mrs Johnston]; Tilburina-Miss Pope; Nieces-Miss Collett, Miss Kirby; unassigned-Aickin, Chaplin, Holcroft, Hurst, Grimaldi; Prologue-King. [This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]

689
24 November 1779 @ Drury Lane Theatre

Event Comment: Receipts: #167 4s. 6d. (122.16.0; 42.15.6; 1.13.0)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Smith; Old Knowell-Aickin; Young Knowell-Brereton; Wellbred-Farren; Master Stephen-Dodd; Brainworm-Baddeley; Justice Clement-Parsons; Downright-Hurst; Cob-Wright; Master Mathew-Burton; Cash-R. Palmer; Capt. Bobadil-Palmer (1st appearance in that character); Bridget-Mrs Davies; Tib-Mrs Bradshaw; Mrs Kitely-Mrs Brereton.

Afterpiece Title: The Critic

Performance Comment: As17791111, but Prologue-_[and thereafter, except on 3 and 10 Dec.].and thereafter, except on 3 and 10 Dec.].

690
20 December 1779 @ Drury Lane Theatre

Event Comment: Receipts: #106 16s. (80.9.0; 25.10.6; 0.16.6)

Performances

Mainpiece Title: The First Part Of King Henry Iv

Performance Comment: Hotspur-Smith; King Henry-Bensley; Prince of Wales-Brereton (1st appearance in that character); Worcester-Aickin; Sir Richard Vernon-Farren; Northumberland-Packer; Sir W. Blunt-Hurst; P. John-Master Benson; Westmoreland-Wrighten; Douglas-Chaplin; Poins-R. Palmer; Carriers-Moody, Parsons; Francis-Waldron; Bardolph-Wright; Falstaff-Palmer (1st appearance in that character); Hostess-Mrs Bradshaw; Lady Piercy-Mrs Cuyler.

Afterpiece Title: Comus

Performance Comment: As17790923, but Principal Bacchanals-Bannister, Gaudry.

Dance: End II: The Sportsman Deceiv'd, as17791210

691
27 December 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years [acted 23 May 1778. As afterpiece the playbill announces the 24th night of The Critic, but it was not acted (see 1 Jan. 1780). Its substitute is listed in the Account-Book.]. Receipts: #162 2s. (135.2; 26.9; 0.11)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Brereton; Fryar Lawrence-Packer; Capulet-Aickin; Benvolio-Davies; Tibalt-R. Palmer; Prince-Norris; Paris-Philimore; Peter-Burton; Apothecary-Waldron; Balthazar-Chaplin; Mercutio-Dodd; Lady Capulet-Mrs Davenett; Nurse-Mrs Love; Juliet-Mrs Robinson.

Afterpiece Title: The Camp

Performance Comment: See17791113.

Dance: I: Masquerade, Dance-

Song: With the Funeral Procession. Vocal Parts-Gaudry, Edwards, Fawcett, Holcroft, Chaplin, Shaw, Miss Abrams, Miss Collett, Miss Kirby, Miss Coats, Mrs Granger, Mrs Booth, Mrs Smith, the Miss Stageldoirs, Miss Simson

Performance Comment: Vocal Parts-Gaudry, Edwards, Fawcett, Holcroft, Chaplin, Shaw, Miss Abrams, Miss Collett, Miss Kirby, Miss Coats, Mrs Granger, Mrs Booth, Mrs Smith, the Miss Stageldoirs, Miss Simson.

692
17 January 1780 @ Covent Garden

Event Comment: Mainpiece: Not acted these 7 years. Receipts: #201 (196.19; 4.1)

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: Phocyas-Wroughton; Eumenes-Hull; Abudah-Clarke; Herbis-Fearon; Artamon-Peile; Daran-L'Estrange; Sergius-R. Smith; Officers-Thompson, J. Wilson, Egan; Caled-Aickin; Eudocia-Mrs Hartley.

Afterpiece Title: Harlequin Every where

Performance Comment: As17800110, but added: With an Entire New Scene, never introduced before.

693
24 January 1780 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 25 years [not acte since 30 Apr. 1747. The playbill assigns Caska to Aickin, but "Gardner...read Caska, at a short notice, on Aickin's being taken ill" (Gazetteer, 25 Jan.).]. Receipts: #238 4s. (211.8; 25.18; 0.18)

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Mark Anthony-Smith; Cassius-Henry; Caska-read by Gardner [of hay]; Julius Caesar-Packer; Octavius Caesar-Farren; Trebonius-Chaplin; Decius Brutus-Wrighten; Metellus Cimber-Williams; Cinna-Norris; Pindarus-R. Palmer; Soothsayer-Fawcett; Servant to Anthony-Philimore; Lucius-Master Pulley; Plebians-Baddeley, Waldron, Burton, Holcroft; Brutus-Palmer; Calphurnia-Miss Sherry; Portia-Mrs Baddeley.

Afterpiece Title: Fortunatus

Performance Comment: As17800112.

694
07 April 1780 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Robinson. Morning Chronicle, 25 Mar.: Tickets to be had of Mrs Robinson at her house, the corner of Tavistock-row, Covent-Garden. Receipts: #201 12s. (67.4.0; 32.6.6; 0.11.6; tickets: 101.10.0) (charge: #105)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17800128, but Adam-Moody; Jaques (for that night only)-Henderson (of cg); Jaques de Bois-Lamash; Silvius-R. Palmer; Le Beau-Philimore; Charles-Wrighten.

Afterpiece Title: The Quaker

Performance Comment: As17791118.

Dance: As17800316

Song: End I: He's aye kissing me-Mrs Wrighten

695
12 April 1780 @ Drury Lane Theatre

Event Comment: Receipts: #107 5s. 6d. (79.12.0; 25.8.0; 2.5.6)

Performances

Mainpiece Title: The Winters Tale

Performance Comment: As17791129.

Afterpiece Title: The Critic

Performance Comment: As17800410, but Earl of Leicester-R. Palmer in place of Farren.

Dance: As17791126

696
18 April 1780 @ Drury Lane Theatre

Event Comment: Benefit for Henry. Mainpiece: Not acted these 2 years. Receipts: #147 15s. 6d. (80.0.0; 29.6; 0.11.0; tickets: 37.5.0) (charge: #105)

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus (1st time)-Henry; Cloten-Dodd; Cymbeline-Hurst; Pissanio-Packer; Bellarius-Aickin; Guiderius (1st time)-R. Palmer; Arviragus-Davies; Lucius-Wrighten; French Gentleman-Chaplin; Philario-Wright; Iachimo-Smith; Queen-Miss Sherry; Imogen-Mrs Robinson (1st appearance in that character).

Afterpiece Title: The Padlock

Performance Comment: As17791012, but Mungo-Henry (1st appearance in that character in Europe); Leonora-A Young Lady (1st appearance upon that stage [unidentified]).unidentified]).

Dance: II: Masquerade scene with Dancing-Henry, Menage, Miss Armstrong; End III: Minuet-Henry, Miss Armstrong

Song: II: song-Miss Abrams; End afterpiece: song, Ellen a Roon, with the original Irish words-the Young Lady who performs Leonora

697
20 April 1780 @ Drury Lane Theatre

Event Comment: Receipts: #132 13s. 6d. (108.12.0; 23.12.6; 0.9.0)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17791125, but Snake-Wrighten; Careless-R. Palmer.

Afterpiece Title: The Artifice

Performance Comment: As17800414.

698
21 April 1780 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. Mainpiece: As originally written by Shakespeare. [Genest's remark (VI, 133), "Garrick's alteration [which had been performed uninterruptedly at this theatre since Dec. 1772] seems never to have been acted after this night", is correct.] Public Advertiser, 15 Apr.: Tickets to be had of Bannister Jun., No. 8, Air-street, Piccadilly. Receipts: #280 8s. 6d. (124.18.0; 20.0.0; 0.5.6; tickets: 135.5.0) (charge: #105)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Bannister Jun. (1st appearance in that character); King-Hurst; Horatio-Davies; Polonius-Baddeley; Laertes-Aickin; Ostrick-Lamash; Rosencraus-R. Palmer; Guildenstern-Williams; Player King-Chaplin; Marcellus-Wrighten; Grave@Diggers-Parsons, Burton; Ghost-Henry (1st appearance in that character); Queen-Mrs Hopkins; Ophelia-Mrs Baddeley.

Afterpiece Title: The Critic

Performance Comment: As17800412.

Entertainment: Imitations. End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun

Performance Comment: End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun.

699
02 May 1780 @ Drury Lane Theatre

Event Comment: Benefit for Delpini and Sga Crespi. Morning Chronicle, 22 Apr.: Tickets to be had of Delpini, No. 1, Hay-Market [Sga Crespi not listed]. Afterpiece: With Storming of Fort Omoa, as 12 Jan. Receipts: #163 11s. (42.4.0; 15.10.6; 0.12.6; tickets: 105.4.0) (charge: #89 17s.)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17800128, but Adam-Moody; Corin-Waldron; Jaques de Bois-Lamash; Silvius-R. Palmer; Le Beau-Philimore; Charles-Wrighten; William-Burton.

Afterpiece Title: Fortunatus

Performance Comment: Harlequin-Wright; Clown (for that night)-Delpini; Colombine (for that night)-Sga Crespi; the other Characters-Chaplin, Burton, Wrighten, Philimore, Williams, Norris, Miss Kirby; Principal Sailors [in Storming scene]-Vernon, Gaudry.

Dance: End I: a new Comic Pantomime Dance, The Savoyards-Delpini, Sga Crespi, Henry, Miss Armstrong; End IV: Minuet, Allemande-Delpini, Sga Crespi

700
09 June 1780 @ Haymarket Theatre

Event Comment: The Beggar's Opera is obliged to be deferred. [Mrs Hedges is identified in Morning Chronicle, 9 Dec. 1780.

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: As17800605.

Afterpiece Title: The Stratagem

Performance Comment: Archer-Palmer; Aimwell-Aickin; Boniface-Usher; Sullen-Gardner? [Public Advertiser: Blissett]; Sir Charles Freeman-R. Palmer; Foigard-Egan; Hounslow-Kenny; Bagshot-Painter; Scrub-Barrett; Dorinda-Mrs Cuyler; Lady Bountiful-Mrs Poussin; Cherry-Mrs Hitchcock; Gipsey-Miss Wood; Mrs Sullen-A Lady (1st appearance on any stage [Mrs Hedges]).Mrs Hedges]).

Afterpiece Title: The Apprentice

Performance Comment: As17800606.

Dance: End IV 2nd piece: As17800530