SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.
Event Comment: Receipts: #371 12s. (315.19; 53.0; 2.10; ticket not come in: 0.3)

Performances

Mainpiece Title: Cymon

Performance Comment: As17920104.

Afterpiece Title: High Life below Stairs

Performance Comment: As17911122, but Freeman-Benson.
Event Comment: [In mainpiece the playbill retains Mrs Crouch as Urganda, but "Owing to the sudden indisposition of Mrs Crouch [the] part of Urganda was read by Mrs Powell" (Morning Herald,27 Jan.).] Receipts: #334 0s. 6d. (286.14.6; 44.1.0; 3.5.0)

Performances

Mainpiece Title: Cymon

Performance Comment: As17920104, but Urganda-Mrs Powell.

Afterpiece Title: The Devil to Pay

Performance Comment: As17911018, but Footman-_; Doctor-_.
Event Comment: Mainpiece: Not acted these 3 years. Receipts: #447 11s. (402.9; 43.7; 1.9; tickets not come in: 0.6)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Sciolto-Aickin; Altamont-Barrymore; Horatio-Bensley; Lothario-Palmer; Rossano-Caulfield; Servants-Phillimore, Alfred, Lyons; Calista-Mrs Siddons; Lavinia-Mrs Powell; Lucilla-Miss Palmer.

Afterpiece Title: Katharine and Petruchio

Performance Comment: As17911130.
Event Comment: Receipts: #529 13s. 6d. (490.7.6; 36.14.0; 2.6.0; tickets not come in: 0.6.0)

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Kemble; Lewson-Bensley; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Phillimore; Mrs Beverley-Mrs Siddons; Charlotte-Mrs Kemble; Lucy-Mrs Heard; Edition of 1792 (John Bell) added: Waiter-Lyons.

Afterpiece Title: High Life below Stairs

Performance Comment: As17911122.
Event Comment: Receipts: #287 1s. (242.16; 41.19; 2.3; ticket not come in: 0.3)

Performances

Mainpiece Title: Cymon

Performance Comment: As17920206.

Afterpiece Title: The First Floor

Performance Comment: As17911110.
Event Comment: Receipts: #331 12s. (270.10; 53.13; 6.8; tickets not come in: 1.1)

Performances

Mainpiece Title: Cymon

Performance Comment: As17920206.

Afterpiece Title: The Pannel

Performance Comment: As17911215, but Octavio-Hollingsworth.
Event Comment: Receipts: #398 6s. 6d. (362.4.6; 33.18.0; 2.1.0; ticket not come in: 0.3.0)

Performances

Mainpiece Title: Othello

Performance Comment: Duke of Venice-Fawcett; Brabantio-Aickin; Gratiano-Phillimore; Lodovico-Packer; Othello-Kemble; Cassio-Barrymore; Iago-Bensley; Roderigo-Dodd; Montano-Whitfield; Desdemona-Mrs Siddons; AEmilia-Mrs Ward.

Afterpiece Title: The Citizen

Performance Comment: As17911121, but Quildrive-Banks.
Event Comment: Receipts: #231 1s. (178.16; 49.4; 3.1)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17911011.

Afterpiece Title: The Devil to Pay

Performance Comment: As17911018, but Coachman-Alfred.

Song: As17910927

Event Comment: Receipts: #252 15s. 6d. (205.6.6; 44.19.0; 2.10.0)

Performances

Mainpiece Title: Cymon

Performance Comment: As17920206.

Afterpiece Title: High Life below Stairs

Performance Comment: As17911122.
Event Comment: By Command of Their Majesties. Ladies and Gentlemen are respectfully informed that no Places can be kept after their Majesties are seated; in order to prevent confusion they are likewise requested to send their Servants to the Theatre by half past four o'Clock. Receipts: #292 2s. (264.17; 22.12; 4.13)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: As17911104.

Afterpiece Title: The Pannel

Performance Comment: As17920213.
Event Comment: Receipts: #275 8s. 6d. (226.13.6; 39.15.0; 3.18.0; tickets not come in: 5.2.0)

Performances

Mainpiece Title: Cymon

Performance Comment: As17920206.

Afterpiece Title: The Devil to Pay

Performance Comment: As17911018.
Event Comment: Receipts: #217 15s. (176.0; 40.0; 1.15)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17911011 but Sir Benjamin Backbite-Benson.

Afterpiece Title: The Pannel

Performance Comment: As17920213, but Leonarda-Miss Tidswell.

Song: As17910927

Event Comment: Receipts: #308 (270.0; 31.17; 6.3)

Performances

Mainpiece Title: Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Kemble; Sir William Cecil-Aickin; Lord Herries-Barrymore; Davison-Packer; Earl of Shrewsbury-Benson; Earl of Huntingdon-Phillimore; Sir Amias Paulet-Fawcett; Beton-Whitfield; Nawe-Alfred; Lieutenant-Maddocks; Sheriff-Lyons; Queen Mary-Mrs Siddons; Queen Elizabeth-Mrs Ward; Lady Douglas-Mrs Powell; Lady Scroop-Miss Tidswell.

Afterpiece Title: Bon Ton

Performance Comment: As17911010, but Lord Minikin-Whitfield; Davy-Suett.
Event Comment: Receipts: #310 19s. (253.17; 55.1; 2.1)

Performances

Mainpiece Title: Cymon

Performance Comment: As17920206, but Dorus-Wewitzer.

Afterpiece Title: The Devil to Pay

Performance Comment: As17911018.
Event Comment: Receipts: #431 7s. 6d. (390.0.6; 38.13.0; 2.11.0; ticket not come in: 0.3)

Performances

Mainpiece Title: Isabella

Performance Comment: As17920121, but Gentlemen-_Caulfield, Fawcett.

Afterpiece Title: The Devil to Pay

Performance Comment: As17911018.

Song: As17920121

Event Comment: Benefit for Mrs Crouch. Morning Herald, 5 Mar.: Tickets to be had of Mrs Crouch, No. 4, Pall-Mall. Receipts: #455 1s. 6d. (166.0.0; 45.2.6; 3.11.6; tickets: 240.7.6) (charge: #175 7s. 6d. )

Performances

Mainpiece Title: Cymon

Performance Comment: As17920206.

Afterpiece Title: No Song No Supper

Performance Comment: As17910927, but Dorothy-Mrs Bland; Louisa-Miss Hagley; Margaretta (for this night only)-Mrs Crouch; Nelly-_.
Event Comment: Mainpiece: In II an Ovation, or, Entry of Coriolanus into Rome. In V A Procession of Roman Matrons to the Volscian Camp. A new Edition of Coriolanus to be had at the Theatre. [Afterpiece in place of The Pannel, advertised on playbill of 29 Mar. Diary, 2 Apr. states that this was Kemble's benefit, but it is not referred to as such on the playbill, in the Account-Book or in Kemble Mem.] Receipts: #377 13s. (333.13; 42.13; 1.7)

Performances

Mainpiece Title: Coriolanus Or The Roman Matron

Performance Comment: Caius Marcius Coriolanus-Kemble; Attius Tullus Aufidius-Wroughton; Menenius Agrippa-Baddeley; Cominius-Aickin; Sicinius Velutus-Barrymore; Junius Brutus-Whitfield; Volusius-Benson; Young Marcius-Master Chatterley; Roman Officer-Caulfield; Volscian Officer-Alfred; Citizens-Suett, Maddocks, Fawcett, Jones; Volumnia-Mrs Siddons; Virgilia-Mrs Powell; Valeria-Mrs Ward; Gentlewoman-Miss Tidswell.

Afterpiece Title: The Devil to Pay

Performance Comment: As17911018, but Butler-Maddocks.
Event Comment: Benefit for Miss Pope. 1st piece: Not acted these 8 years [acted 8 Nov. 1788]. 3rd piece: To conclude as 3 Oct. 1791. Morning Herald, 24 Mar.: Tickets to be had of Miss Pope, No.62, Great Queen-street, Lincoln's Inn-fields. Receipts: #336 19s. (95.15.6; 35.7.0; 2.15.0; tickets: 203.1.6) (charge: #168 4s.)

Performances

Mainpiece Title: The Double Gallant

Performance Comment: Sir Solomon Sadlife-Parsons; Clerimount-Barrymore; Careless-Wroughton; Atall-Palmer; Old Sir Wilfull-Burton; Sir Harry Atall-Hollingsworth; Supple-Suett; Dr Blister-Waldron; Rhubarb-Jones; Finder-Benson; Lady Dainty-Miss Pope; Lady Sadlife-Miss Farren; Clarinda-Mrs Goodall; Sylvia-Mrs Kemble; Wishwell-Mrs Edwards; Situp-Miss Tidswell.

Afterpiece Title: The Court of Apollo i

Performance Comment: e. The Sons of Anacreon]. In which the Anacreontic Song-Bannister; My Poll and my Partner Joe-Dignum; Could a Man be Secure-Sedgwick, Dignum; Catches, Glees-; The President-Palmer.

Afterpiece Title: The Critic

Performance Comment: As17911003, but Dangle-Benson; Italian Girls-Mrs Bland, Miss _Daniels; In the Tragedy Governor-Maddocks; Sir Christopher Hatton-_; Master of the Horse-_; Beef@eater-_; Justice-_; Son-_; Constable-_; Nieces-_; Justice's Lady-_; Confidant-_.
Event Comment: Benefit for Bensley. Morning Herald, 23 Mar.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #410 11s. (178.12; 41.14; 4.13; tickets: 185.12) (charge: #167 1s. 8d.)

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: As17920329but Carpenters-_Alfred, Burton.

Afterpiece Title: The Spoild Child

Performance Comment: As17911001, but Tag-Benson; John-_; Margery-_; Susan-_.
Event Comment: Mainpiece: Banquet, Trial, Procession as 26 Mar. Reciepts: #221 15s. (178.6; 39.5; 2.17; tickets not come in: 1.7)

Performances

Mainpiece Title: King Henry The Viii

Performance Comment: As17920326but Lord Chamberlain-Benson; Surveyor-Webb; D. of Suffolk-Caulfield.

Afterpiece Title: Comus

Performance Comment: As17920312 .
Event Comment: Benefit for a Fund for the Relief of those whose Infirmities oblige them to retire from the Stage. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #372 1s. (224.10; 44.7; 1.10; tickets: 101.14) (charge: free)

Performances

Mainpiece Title: Othello

Performance Comment: As17920214, but Duke of Venice-Maddocks.

Afterpiece Title: The Devil to Pay

Performance Comment: As17911018, but Cook-Jones; Footman-_.
Event Comment: Benefit for Mrs Goodall. [In mainpiece the playbill retains King as Trappanti, but "King being indisposed, Trappanti...was represented by Benson" (unidentified clipping on playbill of 27 Apr., BM: Harris, Vol. III).] Morning Herald, 9 Apr.: Tickets to be had of Mrs Goodall, No. 13, Great Russell-street, Covent-garden. Receipts: #364 8s. 6d. (125.13.6; 36.15.0; 4.7.0; tickets: 197.13.0) (charge: #157 11s. 2d.)

Performances

Mainpiece Title: She Woud And She Woud Not

Performance Comment: As17920312but Trappanti-Benson; Corrigidore-Banks.

Afterpiece Title: The Follies of a Day

Performance Comment: As17911111, but Susan-Mrs Goodall.

Dance: End: a Dance-

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill. In mainpiece the playbill retains King, but "Mr King being ill I acted his Part to-night" (Kemble Mem.).]. Account-Book, 12 May: Author's Charge 3rd night of Fugitive enter'd short by error #12 16s. Receipts: #408 5s. (365.1; 41.0; 2.4; tickets: none listed) (charge: #147)

Performances

Mainpiece Title: The Fugitive

Performance Comment: As17920420, but Admiral Cleveland-Kemble in place of King; O'Donnal-Alfred of Phillimore.

Afterpiece Title: High Life below Stairs

Performance Comment: As17920120.
Event Comment: [Mrs Siddons's 1st appearance as Mrs Oakly was at Manchester, 21 Mar. 1777.] Receipts: #241 14s. 6d. (199.1.6; 39.17.0; 2.16.0)

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17920208, but Oakly-Kemble; Major Oakly-Palmer (Their 1st appearance in those characters); Paris-Wewitzer; Mrs Oakly-Mrs Siddons (1st appearance in that character [in London]); Lady Freelove-Mrs Hopkins; William-Maddocks; John-Webb; Tom-Alfred; Robert-Lyons.

Afterpiece Title: The First Floor

Performance Comment: As17911110, but Simon-Benson; Nancy-_.
Event Comment: Benefit for Suett. Morning Herald, 21 Apr.: Tickets to be had of Suett, No. 21, King-street, Bloomsbury-square. Receipts: #406 9s. 6d. (106.10.0; 42.14.0; 6.14.0; tickets: 250.11.0) (charge: #166 17s. 10d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: As17911104, but Priest-_.

Afterpiece Title: Richard Coeur de Lion

Performance Comment: As17920409, but Matthew-Maddocks; Julia-_.

Song: for this Night only a new Song by Suett-Mrs Jordan In Character of Viola; accompaniments for the Oboe and Grand Piano Forte-; End: a favourite Song by Dibdin-Suett