SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.
Event Comment: [Mrs Barnes was from CG.] Receipts: #252 15s. (234/3; l8/7; 0/5)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17821108, but Alicia-Mrs Barnes (1st appearance on that stage) .

Afterpiece Title: The Alchymist

Performance Comment: As17821021.
Event Comment: "The Dress of Belvidera was happily arranged; and the Continuation of the same Dress, without the usual Change in the Fifth Act, is an Alteration for the better. It escapes the well-pointed Reproof of The Critic: 'Enter Tilburina, mad, in white Satin'" {Public Advertiser, 21 Dec.). Receipts: #272 8s. (260/18/0; 11/1/6; 0/8/6)

Performances

Mainpiece Title: Venice Preservd

Performance Comment: As17821214.

Afterpiece Title: The Irish Widow

Performance Comment: As17821008.

Dance: As17821005

Performance Comment: hathi.
Event Comment: Receipts: #166 7s. (163/7; 3/0)

Performances

Mainpiece Title: The Double Gallant

Performance Comment: As17821112.

Afterpiece Title: The Triumph of Mirth

Performance Comment: As17821226.

Dance: As17821205

Performance Comment: hathi.
Event Comment: By Command of Their Majesties. Receipts: #270 10s. 6d. (264/0/0; 6/9/0; 0/1/6)

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: As17821101 .

Afterpiece Title: Too Civil by Half

Performance Comment: As17821109 .

Dance: As17831122 I782

Performance Comment: hathi.
Event Comment: [Miss Kemble was from the York theatre.] Receipts: #277 11s. 6d. (271/4/0; 5/17/6; 0/10/0)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17821108, but Alicia-Miss Kemble (1st appearance on that stage) .

Afterpiece Title: The Apprentice

Performance Comment: As17821204 .
Event Comment: Receipts: #188 16s. (187/8; 1/8)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17821022 .

Afterpiece Title: The Triumph of Mirth

Performance Comment: As17821230 .
Event Comment: By Command of Their Majesties. [Mainpiece in place of Jane Shore, announced on playbill of 8 Jan.] Receipts: #284 12s. 6d. (275/7/0; 9/0/6; 0/5/0)

Performances

Mainpiece Title: Venice Preservd

Performance Comment: As17821214 .

Afterpiece Title: The Apprentice

Performance Comment: As17821204, but Simon-Burton; Watchman-Kenny .
Event Comment: [In mainpiece the playbill retains Aickin as Gloster, but he "being ill, Gloster was played by Hull" (.Public Advertiser, 13 Jan.). Afterpiece in place of The Lyar, announced on playbill of 10 Jan.] Receipts: #277 17s. 6d. (265/11/0; 11/19/6; 0/7/0)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17830106, but Gloster-Hull [of CG] .of CG] .

Afterpiece Title: The Irish Widow

Performance Comment: As17821008 .

Dance: As17821005

Performance Comment: hathi.
Event Comment: Receipts: #294 14s. 6d. (284/5/0; 8/17/0; 1/12/6)

Performances

Mainpiece Title: Venice Preservd

Performance Comment: As17821214 .

Afterpiece Title: The Divorce

Performance Comment: As17820924 .
Event Comment: Receipts: #139 15s. (135/18; 3/17)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17821022 .

Afterpiece Title: The Triumph of Mirth

Performance Comment: As17821230 .
Event Comment: By Command of Their Majesties. Receipts: #288 9s. 6d. (278/2/0; 10/2/6; 0/5/0)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17830106.

Afterpiece Title: The Best Bidder

Performance Comment: As17821211 .
Event Comment: Afterpiece: Not acted these 2 years. Receipts: #294 12s. 6d. (285/18/0; 8/8/0; 0/6/6)

Performances

Mainpiece Title: Venice Preservd

Performance Comment: As17821214 .

Afterpiece Title: The Padlock

Performance Comment: Leander (1st time)-Williames; Don Diego-Barrington (1st appearance on that stage); Mungo-Suett; Ursula-Mrs Love; Leonora-Miss Wright .
Event Comment: By Command of Their Majesties. Receipts: #277 8s. 6d. (270/S/0; 6/13/0; 0/7/6)

Performances

Mainpiece Title: Isabella

Performance Comment: As17821010 .

Afterpiece Title: The Divorce

Performance Comment: As17820924 .

Performances

Mainpiece Title: Convito

Performance Comment: As17821102, but Sga Salpietro in place of Sga Pollone .

Dance: End of Act I New Divertisement, as17830125; End of Act II Le Tuteur Trompe, as17830111, but omitted: Pas de Basque

Performance Comment: hathi.
Event Comment: [As afterpiece the playbill announces The Best Bidder, but in the Account-Book it is deleted, with the note, "Chang'd to Englishman in Paris."] Receipts: #275 5s.(262/13/0; 12/4/6; 0/7/6)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17830106.

Afterpiece Title: The Englishman in Paris

Performance Comment: Probably as17821123 .

Dance: Probably as17821206

Performance Comment: hathi.
Event Comment: Receipts: #289 18s. (283/10/0; 6/j/6; 0/2/6)

Performances

Mainpiece Title: Venice Preservd

Performance Comment: As17821214 .

Afterpiece Title: Too Civil by Half

Performance Comment: As17821109 .
Event Comment: Receipts: #137 12s. (135/7; 2/5)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17820924, but Ostrick-Barrymore; omitted: Sailor, Francisco . omitted: Sailor, Francisco .

Afterpiece Title: The Triumph of Mirth

Performance Comment: As17821230 .
Event Comment: Benefit for the Author [of mainpiece: Frederick Pilon]. The 9th Night [i.e., the 1st 7 nights had occurred in the preceding season]. Receipts: #147 3s. 6d. (121/4/0; 25/19/6; 0/0/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair American

Performance Comment: As17830207, but added: Groom-Wright; Fribourg-Kenny; Servants-Phillimore, Chaplin .

Afterpiece Title: All the Worlds a Stage

Performance Comment: As17830104.
Event Comment: Receipts: #279 4s. 6d. (270/10/0; 8/10/0; 0/4/6)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17830106.

Afterpiece Title: Too Civil by Half

Performance Comment: As17831109.
Event Comment: Receipts: #293 6s. 6d. (285/12/0; 7/4/0; 0/7/6)

Performances

Mainpiece Title: Isabella

Performance Comment: As17821010 .

Afterpiece Title: The Lyar

Performance Comment: As17821026 .
Event Comment: Receipts: #297 1s. (289/14; 6/17; 0/10)

Performances

Mainpiece Title: Venice Preservd

Performance Comment: As17821214 .

Afterpiece Title: Whos the Dupe

Performance Comment: As17821022 .

Dance: As17820917

Performance Comment: hathi.
Event Comment: [Afterpiece in place of All the World's a Stage, announced on playbill of 18 Feb.] Receipts: #284 10s. 6d. (274/15/0; 7/13/0; 0/15/0; tickets not come in 1/7/6)

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: As17821101 .

Afterpiece Title: The Apprentice

Performance Comment: As17821204 .
Event Comment: [Mainpiece in place of Isabella, announced on playbill of 22 Feb.] Receipts: #300 8s. 6d. (284/0/0; 9/15/6; 0/8/0; tickets not come in: 6/5/0)

Performances

Mainpiece Title: Venice Preservd

Performance Comment: As17821214 .

Afterpiece Title: The Englishman in Paris

Performance Comment: As17821123 .

Dance: As17821206

Performance Comment: hathi.
Event Comment: Receipts: #74 8s. (72/13; 1/0; tickets not come in: 0/15)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17830218.

Afterpiece Title: The Triumph of Mirth

Performance Comment: As17821230. DANCING and.

Song: As17830218

Performance Comment: hathi.
Event Comment: Receipts: #293 14s. 6d. (280/7/0; 8/15/0; 0/5/0; tickets not come in: 4/7/6)

Performances

Mainpiece Title: Isabella

Performance Comment: As17821010 .

Afterpiece Title: Too CIVIL BY HALF

Performance Comment: As17821109 .