SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prompter"/1) | (@(roleclean,performerclean) "Prompter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 476 matches on Roles/Actors, 199 matches on Event Comments, 59 matches on Performance Comments, 1 matches on Performance Title, and 0 matches on Author.
Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: Benefit the Prompter. Tickets for Bencraft and Mrs Ogden also taken

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Music: I: Lesson on the Harpsichord by Miss Baston. V: The celebrated Water-Musick compos'd by Handel and accompany'd with French Horns, in which a Preamble on the Kettle Drums will be beat by Ben. Baker

Dance: II: Tambourine, as17340504. III: Peasant by Maker. IV: Saraband by Miss Baston. V: Swedish Dal Karl by Delagarde and Mrs Ogden

Song: In the role of the Gravedigger will be introduc'd some additional Songs in the Ballad Stile by Leveridge. III: By Leveridge and Mrs Wright

Event Comment: Mainpiece: Written by the late Mr Congreve. [For a long comment on Cibber Sr as actor, see Prompter, 19 Nov.]

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Drunken Peasant by Le Brun. II: Dutchman and his Frow by Le Brun and Miss Brett. V: Revellers, as17341116

Event Comment: Never Acted before. [By William Duncombe.] 5s., 3s., 2s., 1s. Prompter, 18 Feb.: Accordingly, the Reception it met with, answer'd what the Author might have expected, if parental Fondness had not over-rated it in his Esteem.... The ill Success then this Play met with, gave me as much Satisfaction, as I had already conceived Indignation against the Poet, for having been so servile, as to stoop to translate a Frenchman's Plagiarism

Performances

Mainpiece Title: Junius Brutus

Event Comment: Mainpiece: Written by the late Sir Richard Steele. [For an essay on the state of the drama, see Prompter, 13 Dec]

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Merlin

Event Comment: Never Acted before. [By George Lillo.] Prompter, 18 Feb.: And, indeed, the Pulpit seems the properest Theatre for such Representations, and the Clergy, the properest Actors in the Religious Drama. This then, of itself, sufficiently justified the Town in its Reception of this Piece

Performances

Mainpiece Title: The Christian Hero

Event Comment: Afterpiece: A New Farce of one Act. [By Robert Dodsley.] Prompter, 18 Feb.: This little Performance, without any Theatrical Merit whatsoever, received the loudest Applauses that I have heard this long while, only on Account of its General and Well-Adapted Satire on the Follies of Mankind

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Toy-Shop

Dance: Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De l'Orme. Tambourine by Miss Rogers. The Medley by S. Lally, de la Garde, Miss Baston

Event Comment: Never Acted before. [By Henry Fielding.] Admission: 5s., 3s., 2s., 1s. Preface: What could incense a Number of People to attack it with such an inveterate Prejudice, is not easy to determine; for Prejudice must be allowed, be the Play good or bad, when it is condem'd unheard. Prompter, 18 Feb.: Here I had an Opportunity of making an Observation very much in Favour of the Town; viz, That the Accusation of Bad Taste is very falsly and unjustly brought against them, since if the Town had really the bad Taste, they are represented to have, the Play would have run the remaining Part of the Season, in an uninterrupted Course of Applause. I had likewise an Opportunity of observing much more Impartiality than I expected, in the Behaviour of the Audience, for till almost the third Act was over, they sat very quiet, in hopes it would mend

Performances

Mainpiece Title: The Universal Gallant; Or, The Different Husbands

Event Comment: Afterpiece: Written by Moliere. [For a survey of the principal new pieces of the season, see Prompter, 18 Feb., and for a discussion of foreign companies, see Grub St. Journal, 20 Feb.]

Performances

Mainpiece Title: L'heureux Naufrage; Or, Harlequin Supposed Colombine, And Colombine Supposed Harlequin

Afterpiece Title: Le Mariage Force

Event Comment: Benefit the Author [of Mainpiece. For an essay on the play, see Prompter, 11 March.]

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

Event Comment: Benefit Machen. [For an essay on the bill proposing regulation of the stage, see Prompter, 21 March.]

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Covent Garden Tragedy

Dance: By Le Sac, from DL

Song: By E. Roberts, from DL

Event Comment: Benefit Johnson. [For a discussion of the impending bill to restrain the playhouses, see Prompter, 27 March.]

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: An Old Man Taught Wisdom

Dance: Amorous Swain and Rival Nympbs by Lalauze, Mrs Walter, Miss Mann. Russian Sailor by Denoyer, &c. French Peasant by Nivelon

Event Comment: As 28 Feb. [For a discussion of the proposed bill to restrain the theatres and the petitions submitted concerning it, see the Journal of the House of Commons, XXII, April 1735, 444-81. See also a discussion of plays in Prompter, 1 April and 4 April, and a discussion of the drama in Universal Spectator, 5 April.]

Performances

Mainpiece Title: David

Event Comment: Benefit the Prompter. Tickets for Bencraft also taken

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Toy Shop

Dance: The Medley; or, The Scene of a Drunken Man by Hippisley

Song: In Praise of Roast Beef

Event Comment: Benefit Wood. [For a further discussion of licensing the stage, see Prompter, 2 May.]

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Toy Shop

Music: Select Pieces, particularly Mr Handel's Overture to Ariadne

Dance: By Mlle Salle. Richmond Maggot by Le Sac and Miss Rogers. The Flanderkins (new) by Duke and Mrs Ogden. Scot's Dance by Glover, Miss Rogers, &c

Song: By Leveridge and Mrs Wright, particularly Leveridge's Song in Praise of English Roast Beef

Event Comment: Benefit Ford and Mrs Forrester. [For a discussion of the production of plays, see Prompter, 6 May.]

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Music: Handel's Overture to Ariadne

Dance: The Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Harlequin by Miss Norsa Jr. Scot's Dance, as17350311

Song: As17350422

Event Comment: At the Desire of several Persons of Quality. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. 6:30 P.M. [The Epilogue to Zara by Miss ---- in Boy's Cloaths is in Prompter, 4 July.]

Performances

Mainpiece Title: Zara

Event Comment: For the Entertainment of his Highness the Prince of Modena. [For a discussion of The Double Dealer, see Prompter, 11 Nov.]

Performances

Mainpiece Title: Greenwich Park

Afterpiece Title: Harlequin Restor'd

Music: As17351018

Event Comment: At Common Prices. Written by Dryden and Lee. Receipts: #41 14s. [For a discussion of the recent revival of The Rival SLueens, see Prompter, 11 Nov.]

Performances

Mainpiece Title: Oedipus, King Of Thebes

Dance: Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, and Mlle Delorme. Two Pierrots by Nivelon and Lalauze

Event Comment: Mainpiece: Not Acted these Eight Years. Written by Beaumont and Fletcher. [For an attack upon this play on moral grounds, see Prompter, 25 Nov.]

Performances

Mainpiece Title: The Ma1d's Tragedy

Afterpiece Title: The Virgin Unmask'd

Music: Select Pieces

Dance: Le Badinage by Poitier, Mlle Roland, &c

Event Comment: By Command of his Royal Highness the Duke and their Highnesses the Princesses [who were present]. Prompter, 13 Jan.: the Rehearsal was perform'd by Command . . . Prince Prettyman's refusing to act. [See also a complaint in Grub St. Journal, 8 Jan., about Mlle Roland's immodest

Performances

Mainpiece Title: The Rehearsal

Dance: ]

Event Comment: Daily Journal, 27 Jan.: We hear that the Beggar's Opera is soon to be acted at [DL]; the Part of Lucy ... by Mrs Clive . . . Polly by Mr Cibber's Wife, who is to have all the first Parts, having, during the Run of Zara, shewn her natural Genius, by never any one Night varying in either Tone of Voice or Action from the Way she was taught. [See Prompter, 27 Jan., for an essay on the corruption of the stage by pantomime.]

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin Restor'd

Event Comment: Mainpiece: Taken from Plautus and Moliere. [For a further discussion of theatrical taste, see Prompter, 30 Jan. and Daily Advertiser, 31 Jan.]

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Restor'd

Event Comment: For an essay on this play and current drama, see The Prompter, 2 April

Performances

Mainpiece Title: Pasquin

Event Comment: Benefit Vallois. At the Desire of several Ladies of Quality. [Tickets delivered by Mr World, the Prompter, taken also.]

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: The Lover His Own Rival

Dance: II: Minuet and Louvre (at the Desire of several Persons of Quality) by Vallois and Mrs Bullock. III: French Peasant by Vallois and Mrs Bullock. V: Pierrots by Vallois and Delagarde. End of Afterpiece: Dutch Skipper by Vallois and Mrs Bullock

Song: IV: Italian Song by Mrs Chambers