SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Professor John B Shipley"/1) | (@(roleclean,performerclean) "Professor John B Shipley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11271 matches on Author, 1721 matches on Performance Comments, 1219 matches on Event Comments, 329 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): John Dany
Related Work: The Irish Mimick; or, Blunders at Brighton Author(s): John O'Keeffe

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): John Dany
Related Work: The Irish Mimick; or, Blunders at Brighton Author(s): John O'Keeffe

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): John Dany
Related Work: The Irish Mimick; or, Blunders at Brighton Author(s): John O'Keeffe

Afterpiece Title: The Irishman in London

Performance Comment: Capt. Seymour-J. Palmer; Mr Colloony-Palmer; Mr Frost-Suett; Murtock Delany-Johnstone; Edward-Fawcett; Cymon-Wathen; Louisa-Miss DeCamp; Caroline-Miss Gaudry; Cubba-Mrs Whitmore.
Cast
Role: Murtock Delany Actor: Johnstone

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): John Dany
Related Work: The Irish Mimick; or, Blunders at Brighton Author(s): John O'Keeffe

Afterpiece Title: The Prisoner at Large

Related Works
Related Work: The Prisoner at Large Author(s): John O'Keeffe

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): John Dany
Related Work: The Irish Mimick; or, Blunders at Brighton Author(s): John O'Keeffe

Afterpiece Title: Obi

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): John Dany
Related Work: The Irish Mimick; or, Blunders at Brighton Author(s): John O'Keeffe

Afterpiece Title: Obi

Performances

Mainpiece Title: The Heir At Law

Cast
Role: Kenrick Actor: Johnstone
Role: John Actor: Abbot

Afterpiece Title: The Poor Soldier

Related Works
Related Work: The Poor Soldier Author(s): John O'Keeffe
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): John O'Keeffe

Song: In course evening: Sweet Echo-Mrs Mountain; accompanied on the Hautboy-Forster=; The Soldier Tir'd-Mrs Mountain

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): John Dany
Related Work: The Irish Mimick; or, Blunders at Brighton Author(s): John O'Keeffe

Afterpiece Title: The Liar

Event Comment: Benefit for Johnstone. [Forster is identified by MS annotation on hay playbill now at Harvard.] Morning Chronicle, 25 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Cambro britons

Performance Comment: Llewellyn-Barrymore; Shenkin-Emery; Cadwall-Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-J. Palmer; King Edward-Caulfield; Prince David-A Gentleman (1st appearance [Forster]); Dynevor-Trueman; Mortimer-Klanert; Herefore-Davenport; Edwin-Abbot; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorus of Bards and Peasants-Sawyer, Little, Kenrick, Caulfield Jun., Dibble, Aylmer, Willoughby, Thomas, Ms Hale, Ms Masters, Ms Gaudry, Ms Butler, Ms Leserve, Ms Norton.
Cast
Role: O'Turloch Actor: Johnstone

Afterpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): John O'Keeffe

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Performances

Mainpiece Title: The Beggars Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Author

Dance: In II: a Hornpipe-

Song: After Imitations: Sweet Echo-Mrs Mountain

Entertainment: Imitations End: Variety of Imitations-T. Trueman

Event Comment: Luttrell, A Brief Relation: The 18th, upon the water before Whitehall, in a great barge, was performed an exercise of musick, vocall and instrumental, by the kings musick (I, 445). B. M. Sloane MS 3929, newsletter, 23 June 1688: on Monday night a great performance was upon the water of Vocal and Instrumental Musique in a Barge borrowed from one of the Companies of London stuck around with lighted fflambeaux, and many of the Nobility and Gentry invited thereto (transcribed by Professor John Harold Wilson). J. Pulver, A Biographical Dictionary of Old English Music (London, 1927), under John Abell: The Barge was decorated and illuminated by numerous torches....The performers, vocal and instrumental, amounted to one hundred and thirty....Nobility and company that was upon the water gave three shouts to express their joy and satisfaction; and all the gentlemen of the musick went to Mr Abell's house, which was nobly illuminated and honoured with the presence of a great Company of the nobility

Performances

Mainpiece Title: Concert

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this performance is the premiere, but as the play was licensed for printing on 9 Jan. 1676@7, this performance may well be the first one. Downes (Roscius Anglicanus, pp.9-10) lists the same cast except for the ommission of Letice. It is not certain which Mrs Knight played Letice. Possibly it was Frances Maria Knight (see Wilson, All the King's Ladies, where she is tentatively listed for that role), but the presence of Mrs Ursula Knight on an undated L. C. list, 3@24, with the date of her swearing into the company given as 12 March 1676@7, it is quite likely that she played this role. (I owe this reference to Ursula Knight to Professor John Harold Wilson.) John Dennis: And when upon the first representations of the Plain Dealer, the Town, as The Authour has often told me, appeard Doubtful what Judgment to Form of it; the foremention'd gentlemen [The Duke of Buckingham, Earl of Rochester, Earl of Dorset, Earl of Mulgrave, Savil, Buckly, Sir John Denham, Waller] by their loud aprobation of it, gave it both a sudden and a lasting reputation (Defense and Defects of Dramatick Poetry, 1725, in The Works of John Dennis, ed. Hooker, II, 277)

Performances

Mainpiece Title: The Plain Dealer

Related Works
Related Work: The Plain Dealer Author(s): John Philip Kemble
Event Comment: Flora's Figarys appears in Herbert, Dramatic Records, p. 148, under this date. As Flora's Vagaries, it had been acted at Christ Church, Oxford, on 8 Jan. 1663. The play was not published before 1670, and the entry in Herbert's list has sometimes been regarded as the date of licensing, sometimes as the date of a performance in London. Nicoll, Restoration Drama, p. 427, assigned it to ca. January 1662@3 at Vere St, presumably because "Mr Bird" in the cast in the quarto of 1670 referred to Theophilus Bird, who died before 3 Nov. 1663. But the cast in the edition of 1670 is presumably that for 5 Oct. 1667, when Pepys saw the play and referred to Nell Gwyn and Mrs Knepp as acting in it; they, too, are listed in the quarto of 1670 but could hardly have played in it in 1663. If the cast in the 1670 edition is not that for 3 Nov. 1663 and if the "Mr Bird" is Theophilus Bird Jr, then the obstacles to consiuering 3 Nov. 1663 as the date of a performance rather than of licensing are less formidable. [I am indebted to professor John Harold Wilson for much of this argument.

Performances

Mainpiece Title: Floras Vagaries

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 10 Sept. 1674: This Evening their Maty & Court are diverted by a play Acted by his Royall Hss Servants at Whitehall. [Transcribed by Professor John Harold Wilson.

Performances

Event Comment: Newdigate Newsletters (Folger Shakespeare Library), 6 Sept. 1684: A Crocdile was this weeke brought over from the E. Indies & showed in the faire the like haveing never been seen before it is a young one abt 4 ffoot long. [I owe this notice to Professor John Harold Wilson.

Performances

Event Comment: The United Company. The date of the first performance is not known, but the play was licensed 6 April 1687 in the Stationers' Register, 24 May 1687. The play was probably given first in March, as the Prologue refers to the speaking head, which was mentioned in the Newdigate newsletters (Folger Shakespeare Library), 26 March 1687: A Country man haveing invented a head & soe contrived it that whatever language or tune you speak in the Mouth of it it Repeated distinctly and Audibly. [I owe this reference to Professor John Harold Wilson]

Performances

Mainpiece Title: The Emperour Of The Moon

Event Comment: The United Company. BM Sloane MS 3929, newsletter: 19 May 1688: On Munday last the King prince and princess were to see a play called the Squire of Alsatia. [I owe this quotation to Professor John Harold Wilson.

Performances

Mainpiece Title: The Squire Of Alsatia

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 5 Dec. 1691: The same night ye Morocco Ambasadr with all his retinue was at the great musick house in Covent Garden. [I owe the transcription of this item to Professor John Harold Wilson.

Performances

Mainpiece Title: Concert

Event Comment: Newdigate newsletters, 2 Sept. 1693: On Thursday a person acting ye Jack pudding on a stage in Bartholomew fair Bantering upon ye Straits Expedition & return of the ffleet was taken into Custody (Folger Shakespeare Library, transcribed by Professor John Harold Wilson). Luttrell, A Brief Relation, III, 176, 2 Sept. 1693: A merry andrew in Bartholomew fair is committed for telling the mobb news that our fleet was come into Torbay, being forced in by some French privateers, and other words reflecting on the conduct of great ministers of state. Newdigate newsletters, 12 Sept. 1693: On Sunday [10 Sept.] Mr Percivall who kept a Booth during St Barthollomew fair was siezed near Charing cross upon ye acct of clipping being discovered by a young man (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). [See also Luttrell, A Brief Relation, III, 183, 205, 207, 212.

Performances

Event Comment: Newdigate newsletters, 29 Sept. 1696: The Close of least Week one of our merry Andrews or Jack Puddings in Bartholomew ffaire stood in ye Pillory at Temple Bar for saying upon ye publick Stage yt in a little tyme Piggs would be roasted by ye flames of Exchange Telleyes & yt Bank Bills should Singe ye Haire of ym off. Transcribed by Professor John Harold Wilson

Performances

Performances

Mainpiece Title: Aurelio And Miranda

Afterpiece Title: The Prize

Related Works
Related Work: The Tamer Tamed Author(s): John Fletcher

Song: As17981231

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Moody; Sir John Lambert-Packer; Seyward-Brereton; Col. Lambert-Jefferson; Maw@Worm-A Young Gentleman (3rd appearance upon any stage [Baker]); Darnley-Bensley; Lady Lambert-Miss Sherry; Old Lady Lambert-Mrs Bradshaw; Charlotte-Mrs Abington (1st appearance this season).
Cast
Role: Sir John Lambert Actor: Packer

Afterpiece Title: A ChristmasTale

Performance Comment: Floridor-Vernon; Bonoro-Bannister; Faladel-Parsons; Nigromant-Legg; Tycho-Dodd; Robinette-Mrs Wrighten; Camilla-Mrs Baddeley; The Other Characters-Hurst, Burton, Lamash, R. Palmer, Wright, Fawcett, Kear, Master Pulley, Miss Platt, Mrs Scott, Miss Jarratt, Edition of 1776 (T. Becket) specifies: Radel-Lamash; Messengers-R. Palmer, Master Pulley; Good and Evil Spirits, in various characters-Hurst, Burton, Wright, Carpenter, Miss Platt, Mrs Scott, Miss Jarratt, Mrs Johnston, Mrs Bradshaw; Account-Book adds: Chorus Singers-Follett, Chaplin, Reynoldson, Webbe, Mrs J. Smith, Miss Collett, Mrs Love, Mrs Pitt, Miss Abrams, Miss Boyd.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Pigmalion or The Statue Metamorphosed

Afterpiece Title: B By Desire The Battle of Rosbach the whole to conclude with Bryans song in honour of that day sung by Kear

Dance: I: Rural Dance-Master Settree, Miss Twist; III: Scots Dance-Froment, Miss Wilkinson

Song: III: Scots Song-Lauder; IV: young Italian Gentlewoman, 1st appearance on any stage

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Skeleton

Dance: B Particular Desire a Ball dance call'd the Louvre, Minuet-Lalauze, his Daughter

Event Comment: The King's Company. There is uncertainty as to the date of the first performance, but in A Bibliography of John Dryden, p. 193, Macdonald cites as evidence for this date, Wood's Ath. Ox., IV, 209. The play was certainly first acted not later than this month, because John Evelyn saw it on 14 Dec. 1671. For further details, see 14 Dec. 1671

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Related Works
Related Work: The Contrast: A Tragi-Comical Rehearsal of Two Modern Plays: Match Upon Match; or, No Match at All, and the Tragedy of Epaminodas Author(s): John Hoadley