SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princesses Royal and Amelia"/1) | (@(roleclean,performerclean) "Princesses Royal and Amelia")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1553 matches on Event Comments, 857 matches on Performance Title, 464 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: George Barnwell; Or, The London Merchant

Performance Comment: Trueman-A Gentleman (from the Theatre Royal in London [unidentified]); Thorowgood-Rivers; Uncle-Brown; Blunt-Farrel; Barnwell-Clifford; Lucy-Mrs Fowler; Milwood-Mrs Palmer.

Afterpiece Title: The Mock Doctor; or, Dumb Lady Cured

Performance Comment: Sir Jasper-Rivers; James-Wilkinson; Leander-Clifford; Gregory-Farrel; Dorcas-Mrs Fowler; The Dumb Lady-Mrs Clifford.
Cast
Role: Leander Actor: Clifford

Afterpiece Title: Linco's Travels

Performance Comment: Linco-Farrel; Clown-Clifford; Old Woman-Mrs Palmer; Shepherds and Shepherdesses-The rest of the Company.

Entertainment: Monologue.End: Comic Paraphrase on Shakespear's Seven Ages of Man-Farrel

Event Comment: Benefit for Brandon, box-book and house-keeper. Tickets sold at the Doors will no be admitted. 3rd piece: With the Stockwell Scenes. Receipts: #289 6s. (80.12; tickets: 208.14) (charge: #105)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Harlequin Skeleton [i

Performance Comment: e. The Royal Chace]. As17810507.

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Skeleton [i

Performance Comment: e. The Royal Chace]. As17810507, but Old Woman-_.

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Colonel Oldboy-Edwin; Jenkins-Bannister; Lionel-Wood; Harman-Marshall; Sir John Flowerdale-Aickin; Jessamy-Wilks (From the Theatre Royal, Crow Street, Dublin); Diana-Mrs Cargill; Jenny-Mrs Wells; Lady Mary Oldboy-Mrs Webb; Clarissa-Miss Harper.

Afterpiece Title: The Author

Event Comment: Mainpiece: As originally written by Shakespeare. Afterpiece: To conclude with a perspective Representation of the Grand Camp at Cox-Heath [see 15 Oct. 1778]. Receipts: #170 8s. (121/10/0; 48/15/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: THE CAMP

Performance Comment: Sir Harry Bouquet-Dodd; Gage-Parsons; O'Daub-Moody; Mons. Bluard-Baddeley; William-Du-Bellamy; Serjeant Drill-Bannister; Nancy-Mrs Wells (from the Theatre Royal, Haymarket; 1st appearance on this stage); Nell-Mrs Wrighten. The other Characters by Burton, Wrighten, Wright, Chaplin, Holcroft, Fawcett, Phillimore, Norris, Griffiths, Nash, &c.; Miss Wright, Miss Simson, Miss Collett . Miss Wright, Miss Simson, Miss Collett .

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-Mrs Cargill; Peachum-Moody; Filch-Parsons; Lockit-Baddeley; Mat o' th' Mint-Williams; Ben Budge-Burton; Player-Wrighten; Beggar-Waldron; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Hopkins; Jenny Diver-Miss Collett; Diana Trapes-Mrs Love; Polly-Miss Wheeler (from the Theatre Royal, Bath; 1st appearance on this stage). hathi. 1st appearance on this stage). hathi.

Afterpiece Title: Robinson Crusoe

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe by Walker

Event Comment: Mainpiece: Not acted these 6 years [not acted since 28 Apr. 1773]. With new Scenes [by French and Carver (text)] and Dresses. [In the Vocal Parts the playbill lists Sga Prudom, but "at the end of the second act, Smith came forward and apologized for the absence of Signora Prudom, and begged that Mrs Wrighten might be permitted to take her part . . . Mrs Wrighten was received with applause" (London Chronicle, 20 Oct.). Sga Romanzini was from the Royal Circus.] Receipts: #123 8s. 6d. (92/15/0; 29/11/0; 1/2/6)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performance Comment: King Arthur-Smith; Oswald-Brereton; Merlin-Aickin; Osmond-Farren; Conon-Packer; Albanact-Wrighten; Aurelius-R. Palmer; Guillamar-Griffiths; Grimbald-Bannister; Philidel-Miss Field; Cupid-Sga Romanzini (1st appearance on this stage); Emmeline-Miss Farren. [Edition of 1781 (W. Strahan [et al]) adds: Ã?olus-Danby; Matilda-Miss Barnes; and specifies Honour-Vernon [but he had withdrawn from the stage (see17811009); the part was probably acted by Du-Bellamy]; Venus-Miss Phillips; Airy Spirits-Miss Collett, Miss Wright.] hathi. hathi.
Cast
Role: and specifies Honour Actor: Vernon

Afterpiece Title: Who's the Dupe

Cast
Role: Sandford Actor: Aickin

Dance: In mainpiece by Zuchelli, Henry, Miss Armstrong, Miss M. Stageldoir. [This was the same, as here assigned, in all subsequent performances, but beginning with 11 Dec. Henry is omitted.]

Song: In mainpiece the Vocal Parts by Du-Bellamy, Williams, Fawcett, Chaplin, Phillimore, &c.; Miss Phillips, Miss Collett, Miss Wright, Miss Stageldoir, Mrs Wrighten

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Event Comment: Afterpiece: Never performed here. Written by [John] O'Keeffe; As it was performed at the Theatre Royal in the Haymarket [beginning with 4 Sept.], with the greatest Applause. The Overture and new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #205 7s. 6d.(203/6/6; 2/1/0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Agreeable Surprise

Performance Comment: Characters by Reinhold, Wilson, Davies, Webb, Egan, Stevens, Painter, J. Wilson, Edwin; Mrs Webb, Mrs Wilson, Mrs Poussin, Miss Harper-[Cast from Public Advertiser, 26 Nov., and adjusted from HAY playbill of 4 Sept.: Compton-Reinhold; Sir Felix Friendly-Wilson; Eugene-Davies; Chicane-Webb; John-Egan; Thomas-Stevens; Stump-Painter; Cudden-J. Wilson; Lingo-Edwin; Mrs Cheshire-Mrs Webb; Cowslip-Mrs Wilson; Fringe-Mrs Poussin; Laura-Miss Harper.] hathi. hathi.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville and Williams. Mainpiece: Not acted these 5 years. Tickets delivered for the 17th of December will be admitted. Tickets and places to be had of Williams at Mr Spoke's, Tottenham Court; Mr White, Auctioneer, Queen street, Westminster; Messrs Ellis and Scott, Old Bond-street; Mr Hewitt, New Bond-street; Mr Cowcieroy, Great Russell-street, Bloomsbury; and at the Excise Office Coffee-House, Old Bond-street

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Sir Harry Wildair-Mrs Greville (of DL); Colonel Standard-Brinsley; Young Clincher-Swords (from the Theatre Royal, Dublin); Vizard-Cotton; Alderman Smuggler-Barrett; Tom Errand-Forrest; Beau Clincher-A Gentleman (1st appearance on any stage [unidentified]); Wife-Mr Pressley; Angelica-Miss Read; Parley-Miss Plain; Lady Darling-Mrs Fowler; Lady Lurewell-Mrs Child .
Cast
Role: Colonel Standard Actor: Brinsley
Role: Tom Errand Actor: Forrest

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Performance Comment: imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher .
Event Comment: Benefit for Lewis. Afterpiece: As performed at the Theatre Royal in the Haymarket [beginning 6 Aug. 1779]; by the Author of the Son-in-Law, the Agreeable Surprise, &c. [John O'Keeffe]. [Prologue by George Colman, the elder.] Receipts: #195 9s. 6d. (161/11/6; tickets: 33/18/0) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Tony Lumpkin in Town

Dance: End of mainpiece The Humours of Newmarket; with the Poney Races. Jockies-Harris, Langrish, Ratchford, Holloway; Ladies-Mrs Ratchford, Miss Francis, Miss Matthews

Event Comment: By Desire of His Royal Highness the Prince of Wales. Benefit for Gardel. Tickets, half a guinea each, to be had of Gardel, No. 26, Margaret-street, Cavendish-square. 1st ballet: With entirely new Music, and a new Overture by Carter (Morning Herald, 25 May)

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

Performance Comment: ), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411.

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Performance Comment: As17820605 but Macheath-Miss Kirby (from the Theatre Royal, Edinburgh; 1st appearance on this stage). hathi. 1st appearance on this stage). hathi.

Afterpiece Title: Medea and Jason

Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill does not list the Child; for the assignment see Morning Post, 10 Oct., and edition of 1787 (Rachael Randall).] "[Mrs Siddons's] merit in the character was infinite, and the applause she received unbounded. In various of her scenes the plaudits were repeated . . . During the fourth and fifth acts there was almost an incessant clapping, and when Isabella expired her death was rendered glorious by the theatre's resounding with thundering applause for more than a minute" (Morning Chronicle, 11 Oct.). "L'actrice la plus noble dans ses manieres, madame Siddons, ne perd rien de sa dignite quand elle se prosterne contre terre . . . Enfin, il arriva ce moment terrible ou Isabelle, s'etant echappee des mains des femmes qui veulent l'empechcr de se tuer, rit, en se donnant un coup de poignard, de l'inutilite de leurs efforts. Ce rire du desespoir est l'effet le plus difficile et le plus remarquable que le jeu dramatique puisse produire; il emeut bien plus que les larmes: cette amere ironie du malheur est son expression la plus dechirante. Qu'elle est terrible la souffrance du coeur, quand elle inspire une si barbare joie, quand elle donne, a l'aspect de son propre sang, le contentement feroce d'un sauvage ennemi qui se serait venge!" (Mme de Stael: Corinne, livre XVII, chapitre iv). Receipts: #181 11s. (147/0; 34/6; 0/5)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron-Smith; Count Baldwin-Packer; Carlos-Farren; Belford-R. Palmer; Child-Master Siddons; Sampson-Wrighten; Villeroy-Palmer; Nurse-Mrs Love; Isabella-Mrs Siddons (from the Theatre Royal, Bath) .

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Cupid (with a song in character)-Miss Field; Sotherton-Norris; Chamberlain-Burton; Jemmy Twinkle-Lamash; Fillagree-Mrs Hopkins; Landlady-Mrs Love; Chambermaid-Miss Simson; Miss Flack-Miss Wright; Miss Griskin-Mrs Brereton .
Cast
Role: Landlady Actor: Mrs Love

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes (King of Sicily)-Henderson; Polixenes (King of Bithynia)-Aickin (Their 1st appearance in those characters); Camillo-Hull; Old Shepherd-Booth; Clown-Quick; Cleomenes-Fearon; Autolicus (with songs)-Edwin; Florizel (Prince of Bithynia)-Lewis; Perdita (Daughter to Leontes and Hermione; with Come, come, my good shepherds)-Miss Satchell; Paulina-Mrs Hunter; Mopsa-Mrs Martyr; Dorcas-Mrs Morton; Hermione (Queen of Bithynia)-Mrs Yates (Their 1st appearance in any of those characters) .

Afterpiece Title: A Fete

Performance Comment: Overture from Thomasand Sally, by Dr Arne. scene I A Forest. Sportsmen, Horses and Dogs, returning from the Chace. Give round the word, dismount, dismount, the Music by Dibdin, sung by Doyle, scene II. The Cave of Echo. They say there is an Echo here, I'll try, I'll try, I'll try by Davies, Mahon, Darley, Doyle, scene III. A Camp. The Duetto of the Tobacco Box, Though the Fate of Battle. Tom-Brett; Kate-Miss Morris. SCENE IV. A Wood. Tally ho!, as17830516. scene v. A Sea Piece. The Description of a Battle, Stand to your Guns, my Hearts of Oak by Bannister, scene vi. A Pantomimical Interlude, The Skeleton (Taken from The Royal Chace). Harlequin-W. Bates; Pierrot-Stevens; Pantaloon-Thompson, scene VII. When Phoebus, &c., as17830517. scene VIII. A Banquet. Come, my Friends and jovial Boys (jingers not listed). To conclude with a Grand Ballet. Also Coalition. Principal Characters by Quick, Davies, W. Bates, Wewitzer; Mrs Martyr, Miss Morris, Mrs Webb, Mrs Bannister. [Larpent MS lists the parts: Sir Chian Cucumber, Pert, Rigdoon, Capt. Sentry; Letitia, Fanny, Mrs Pandar, Priscilla. Morning Herald, 21 May, assigns: Sir Caian Anchovy-Quick; French Marquis-Wewitzer.] hathi. hathi.

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Williamson (from the Theatre Royal, Edinburgh; 1st appearance on this stage); King-Gardner; Horatio-Aickin; Rosencraus-Stevens; Guildenstern-Egan; Polonius-Edwin; Laertes-R. Palmer; Ostrick-Riley (1st appearance in London); Marcellus-Booth; Grave Diggers-Parsons, Massey; Ghost-Bensley; Ophelia-Mrs Bannister; Player Queen-Mrs Poussin; Queen-Mrs Wheatley. Prologue as17830531 .

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Afterpiece Title: Medea and Jason

Event Comment: Places for the Boxes to be taken of Brandon at the Stage-door. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors will open at 5:30. To begin at 6:30 [see 13 Oct.]. Receipts: #203 10s. 6d. (202/12/0; 0/18/6)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Brett; Hawthorn-Reinhold; Sir William Meadows-Fearon; Eustace-Davies; Hodge-Doyle; Justice Woodcock-Quick; Deborah-Mrs Pitt; Margery-Mrs Wilson; Luanda-Mrs Morton; Rosetta-Mrs Johnstone (from the Theatre Royal, Dublin; 1st appearance on this stage) . 1st appearance on this stage) .
Cast
Role: Luanda Actor: Mrs Morton

Afterpiece Title: Tristram Shandy

Performance Comment: Mr Shandy-Hull; Corporal Trim-Edwin; Doctor Slop-Wewitzer; Obadiah-Fearon; Uncle Toby-Wilson; Susannah-Mrs Wilson; Widow Wadman-Mrs Morton .
Cast
Role: Mr Shandy Actor: Hull

Dance: End of Act II of mainpiece The Belle of the Village by Harris and Miss Matthews

Event Comment: "[Kemble] has not, and we speak charitably, any pretensions to a first or second rank in the theatre. We are sorry for this, as he seemed to labour earnestly, but in vain" (London Magazine, Oct. 1783, p. 350). Paid Music 3 nights #23 19s. Receipts: #288 12s. 6d. (287/0/0; 1/12/6)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-[S.] Kemble (from the Theatre Royal, Dublin; 1st appearance on this stage); Roderigo-Bonnor; Cassio-Whitfield; Brabantio-Hull; Lodovico-Davies; Montano-Mahon; Duke-Booth; Gratiano-Fearon; Iago-Henderson; Emilia-Mrs Whitfield; Desdemona (1st time)-Miss Satchell .

Afterpiece Title: The Quaker

Event Comment: [In mainpiece the playbill assigns the 1st Gravedigger to Parsons, but "an Apology was made for Parsons, and Suett went through his Part" (Public Advertiser, 2 Oct.). In afterpiece the playbill retains Parsons as Solomon; for Fawcett see 26 Nov.] "We have for so many years been accustomed to see Hamlet dressed in the Vandyke costume, that it may be material to state that Mr Kemble played the part in a modern court dress of rich black velvet, with a star on the breast, the garter and pendant ribbon of an order-the mourning sword and buckles, with deep ruffles: the hair in powder; which, in the scenes of feigned distraction, flowed dishevelled in front and over the shoulders" (Boaden, Kemble, I, 104). Receipts: #285 16s1. (265/14/0; 19/19/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-[J. P.] Kemble (from the Theatre Royal, Dublin; 1st appearance upon that stage); King-Packer; Horatio-Farren; Polonius-Baddeley; Laertes-Barrymore; Ostrick-R. Palmer; Rosencraus-Phillimore; Guildenstern-Williames; Player King-Chaplin; Marcellus-Wrighten; Lucianus-Waldron; Gravediggers-Suett, Burton; Ghost-Bensley; Ophelia-Miss Field; Player Queen-Mrs Hedges; Queen-Mrs Hopkins .

Afterpiece Title: The Quaker

Event Comment: [In mainpiece the playbill assigns Diana to Mrs Martyr, but "News of Mrs Martyr's husband's death having reached her the day before, an apology was made for her not playing Diana; Miss Wheeler, however, from the other house proved a very agreeable substitute" (.European Magazine, Oct. 1783, p. 310). In afterpiece the playbill assigns Lucy to Mrs Wilson, but on the Kemble playbill a MS annotation substitutes Mrs Davenett.] Receipts: #134 19s. 6d. (133/9/0; 1/10/6)

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Lionel-Johnstone (from the Theatre Royal, Dublin; 1st appearance in this Kingdom); Col. Oldboy-Wilson; Sir John Flowerdale-Hull; Jenkins-Bannister; Harman-Davies; Jessamy-Sga Sestini (1st appearance in that character); Diana-Miss Wheeler (of DL); Jenny-Mrs Chalmers; Lady Mary Oldboy-Mrs Webb; Clarissa-Mrs Bannister .

Afterpiece Title: Retaliation

Performances

Mainpiece Title: [entertainments Of Music And Dancing] A Grand Symphony By The Celebrated Band Of The Opera House

Performance Comment: The Peasant Metamorphosed, as17840430 Hornpipe, as17840430 A Grand Instrumental Concert. The Country Squabble, as17840430 New Pastoral Pas de Deux by Duquesney Jun. and Mlle Constance (from the Theatre Royal, Paris). The Rival Clowns, as17840430, but added: Mrs Dagville; in which Orpheo, as17840430.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Calvert (from the Theatre Royal, Dublin); King Henry-Gardner; Buckingham-Usher; Tressel-Riley; Lord Stanley-Jackson; RatclifF-Frost; Norfolk-Neale; Prince Edward-Miss Painter; Duke of York-Master Symmonds [i.e. Simmons]; Richmond-Stratford; Queen-Mrs Lefevre; Duchess of York-Mrs Fowler; Lady Anne-Mrs Cuyler .

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Johnstone; Hawthorn (1st time)-Brett; Sir William Meadows-Fearon; Eustace-Davies; Hodge-Doyle; Justice Woodcock-Wilson; Deborah-Mrs Pitt; Margery-Mrs Wilson; Lucinda (1st time)-Miss Stuart; Rosetta-Miss Wheeler (from the Theatre Royal, Dublin, 1st appearance on this stage) .

Afterpiece Title: The Positive Man

Dance: End of Act II of mainpiece Pastoral Sports by Harris, Miss Matthews, &c

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Event Comment: [Holman is identified on playbill of 5 Nov. Address by John Barwis (European Magazine, Oct. 1784, p. 336, which also lists name of speaker).] Mainpiece: With new Dresses, Scenery and Decorations. In Act I a Masquerade Scene. [This notice is included in all subsequent playbills.] "This easy and natural performance of Holman . . . will prove a fatal blow to the cause of the Attitudinarians and Face-makers; to those who think dramatic excellence consists in . . . finding out meanings that were never meant ... in stretching out their fingers like monkies dying in convulsions ... in uttering their words like minute-guns at royal funerals" (Public Advertiser, 1 Nov.). "Why does Romeo wear black in the last Act? Is it on account of his banishment? He has not heard of Juliet's death" (Gazetteer, 28 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Musical Lady

Song: End of Act IV of mainpiece Juliet's Funeral Procession, with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Peachum-Popplewell; Lockit-Connell; Filch-Decastro; Mat o' the Mint-Ingall; Capt. Macheath (for that night only)-Dighton; Mrs Peachum and Diana Trapes-Mrs Jones; Lucy-Mrs Henley; Jenny Diver-Mrs Barnard; Polly-Mrs Woodman (late of the Theatre Royal, Covent-garden). hathi.

Afterpiece Title: The Irish Widow

Dance: In Act III of mainpiece Hornpipe by Fairbrother. vaudeville. End of mainpiece a Scene in a Sporting Club, in which a Variety of Imitations, Vocal and Rhetorical [performers not listed]

Performance Comment: vaudeville. End of mainpiece a Scene in a Sporting Club, in which a Variety of Imitations, Vocal and Rhetorical [performers not listed] .

Performances

Mainpiece Title: A Trip To Elysium; Or, Foote, Weston, And Shuter In The Shades (as Performed For Wilson's Benefit Last Season, At The Above Theatre [on 10 Aug

Afterpiece Title: The Miser

Afterpiece Title: Twistings and Twinings; or, Tea's the Twaddle

Afterpiece Title: The Quaker

Performance Comment: In which Meadows (from the Theatre Royal [Crow Street], Dublin) will make his 1st appearance in this Kingdom [he probably acted Lubin (see CG, 24 May 1786)]; Solomon-Decastro; the Quaker-Dighton (1st appearance in that character); Floretta-Mrs Benson; Gillian-A Young Lady (1st appearance on any stage [unidentified]) .unidentified]) .

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

Performance Comment: imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off .