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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princesses Amelia Caroline Louise"/1) | (@(roleclean,performerclean) "Princesses Amelia Caroline Louise")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1168 results for: Keyword - Princesses Amelia, Caroline, Louise
We found 794 matches on Event Comments, 221 matches on Performance Comments, 175 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

326
02 March 1775 @ Covent Garden

Performances

Mainpiece Title: Cleonice, Princess Of Bithynia

Afterpiece Title: Daphne and Amintor

327
01 June 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: First Love

Afterpiece Title: The Prize

Cast
Role: Caroline Actor: Sga Storace.

Dance: End 2nd piece: New Dance-; in which The Princess of Wales's New Minuet and Gavot-J. and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville

328
19 April 1799 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Afterpiece Title: The Princess of Georgia

329
24 October 1799 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Jew and the Doctor

Entertainment: Procession End II: A Return from a Tiger Hunt- [to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the +Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

330
20 February 1731 @ King's Theatre

Event Comment: [T$Their Majesties, the Prince, Duke, Princesses Royal, Amelia, and Caroline present.

Performances

Mainpiece Title: Porus

331
08 May 1731 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, Princesses Royal, Amelia, and Caroline present.

Performances

Mainpiece Title: Rodelinda

332
29 October 1735 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa. Mainpiece: Written by the late Mr Congreve. [The Duke, Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Restor'd

Music: As17351018

Dance: II: A new Grand Serious Ballet by Denoyer and others. IV: By Mlle Roland. End Afterpiece: Le Chasseur Royal by Denoyer, Mlle Roland, &c

333
14 January 1736 @ Covent Garden

Event Comment: By Command of Her Royal Highness the Princess Caroline. Receipts: #120 4s. [Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Apollo and Daphne

334
29 January 1736 @ Covent Garden

Event Comment: By Command of Her Royal Highness the Princess Caroline. Receipts: #128 14s. [Princesses Caroline, Mary, Louisa, and the Duke present.]

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Royal Chace

335
10 December 1730 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness. King, Queen, Prince of Wales, Princess Royal, Princess Emilia, and Princess Caroline present

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Afterpiece Title: Cephalus and Procris

336
25 February 1731 @ Drury Lane Theatre

Event Comment: By Command of the Princess Royal and the Princess Caroline

Performances

Mainpiece Title: Eurydice

337
30 March 1731 @ Drury Lane Theatre

Event Comment: Benefit Roger, the Pierot, who composed the Entertainment. By Command of their Royal Highnesses, the Princess Royal and Princess Caroline. [Prince also present.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Cephalus and Procris

338
02 December 1732 @ King's Theatre

Event Comment: TTheir Majesties, Princess Royal, and Princesses Caroline and Mary present

Performances

Mainpiece Title: Alexander

339
02 April 1734 @ King's Theatre

Event Comment: Composed by Mr Handel. [Prince and Princess of Orange, Princess Caroline, Mrs Pendarves, Lady Rich, and Egmont present.]

Performances

Mainpiece Title: Deborah

340
26 October 1734 @ Haymarket Theatre

Event Comment: By the Company of French Comedians lately arrived. Boxes 5s. Pit 3s. Gallery 2s. 6 P.M. [Princess of Orange and Princess Caroline present.]

Performances

Mainpiece Title: L'embarras Des Richesses

Afterpiece Title: Harlequin Hulla

Dance:

341
28 October 1734 @ Haymarket Theatre

Event Comment: By Command of their Royal Highnesses the Princess of Orange and the Princess Caroline

Performances

Mainpiece Title: Harlequin Sauvage

Afterpiece Title: La Silphide

Song:

Dance:

342
08 November 1735 @ Covent Garden

Event Comment: By Command of their Royal Highnesses the Duke, the Princess Caroline, and the Young Princesses [who were present]. Receipts: #97 3s. 6d

Performances

Mainpiece Title: Orphan

Afterpiece Title: The Rape of Proserpine

343
23 February 1736 @ Covent Garden

Event Comment: By Their Majesties' Command. Benefit Mrs Porter. Pit and Front Boxes together at 5s. Receipts: money #153 4s. 6d.; tickets #104 15s. [The Duke, Princess Caroline, and two youngest Princesses present.]

Performances

Mainpiece Title: Theodosius

Dance: II: Harlequin by Mlle De L'Isle. III: French Peasants by Lalauze, Mlle D'Hervigni, Tench, Livier, Desse, Dupre, Mrs Ogden, Mlle Delorme, Miss Sandham, Miss Norman. IV: Tambourine by Glover and Miss Rogers. V: Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

344
29 December 1757 @ Drury Lane Theatre

Event Comment: Last Night the Princess Carolina dy'd & this Morning about 8 we receiv'd an order from the Chamberlain not to play 'till farther orders,--we obey'd & order ye Bills posted for this Night, to be pull'd down (Cross). [The Fatal Marriage and The Male Coquette had been scheduled.] Yesterday about 11 o'clock died at her Apartments in St James's Palace, Princess Caroline Elizabeth, 3rd daughter of our most Gracious Sovereign. Her Royal Highness was in her 45th year of her age, being born on the 10th of June 1713, and has been in a bad state of health for several years past. Her burial, it is said, is by her own Desire to be very private (Public Advertiser)

Performances

345
31 May 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales, and Princesses Anne, Carolona, and Amelia present

Performances

Mainpiece Title: Alexander

346
18 December 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17: King here. See also Nicoll, Restoration Drama, p. 344. See Noyes, Ben Jonson on the English Stage, p. 307, for a letter to Lady Sunderland on this performance, and, p. 308, for an anecdote from The Life of the Late Famous Comedian, Jo. Haynes, concerning Haynes and Hart in a scene. For another allusion to the action, see Henri Ferneron, Louise de Keroualle, Duchess of Portsmouth (London, 1807), p. 179n. Pepys, Diary: 15 Jan. 1668@9: It is about my Lady Harvy's being offended at Doll Common's [Mrs Corey's] acting of Sempronia, to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: There has not been any new lately revived and reformed, as Catiline, well set out with clothes and scenes (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14). See also 7 and 11 Dec. 1667

Performances

Mainpiece Title: Catiline's Conspiracy

347
18 January 1678 @ Whitehall or St. James's

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

348
22 April 1729 @ Drury Lane Theatre

Event Comment: Benefit Griffin. Mainpiece: Written by the late Sir John Vanbrugh. [Prince of Wales and Princess Caroline present.

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The What D'ye Call It

Dance: Roger, Essex, Lally, Mrs Mills, Miss Robinson, Miss Brett

349
22 October 1729 @ Lincoln's Inn Fields

Event Comment: Receipts: #32 13s. [Prince of Wales and Princess Caroline present.

Performances

Mainpiece Title: The Fortune Hunters; Or, Two Fools Well Met

Afterpiece Title: The Dutch and Scotch Contention; or, Love and Jealousy

350
27 December 1729 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. [The Prince, attended by Lord Charles Cavendish and Colonel Townshend, and Princess Caroline, attended by the Countess of Suffolk, present.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Beggar's Wedding