SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess of Saxe Gotha"/1) | (@(roleclean,performerclean) "Princess of Saxe Gotha")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 777 matches on Event Comments, 156 matches on Performance Title, 88 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: The Lottery

Music: In Mainpiece: A Masque of Pastoral Musick, composed by Lampe

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Lovers Opera

Song: I: Italian Song-Miss Jones

Dance: II: By Desire of several Ladies of Quality, a new Ball Dance, Dedicated to the Princess of Wales, concluding with a Minuet-Vallois, Miss Oates; III: Clown-Vallois; IV: Two Pierrots-Vallois, Delagarde; V: French Peasant-Vallois, Miss Oates

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Honest Yorkshireman

Song: I: Since Times are so bad (by Purcell)-Stitchbury, Miss Jones; II: A Purcell Dialogue-Masters Hamilton

Music: Between Play and Entertainment: Handel Concerto on the Welsh Harp-Jones

Dance: III: The Princess of Wales (a new Ball Dance), concluding with a Minuet-Vallois, Miss Oates; IV: French Peasant-Mlle Roland

Performances

Mainpiece Title: The Indian Emperor

Afterpiece Title: The Honest Yorkshireman

Dance: II: The Princess of Wales-Vallois, Miss Oates; V: Pierrots-Vallois, Delagarde

Song: IV: Miss Jones

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Afterpiece Title: Cupid and Bacchus

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Cupid and Bacchus

Performances

Mainpiece Title: Thamas Kouli Kan, The Persian Hero; Or, The Distress'd Princess: With The Descent Of Harlequin From The Sun, And His Adventures On Earth

Entertainment: Singing, Dancing-Chettle, Mrs Dunstall; And the surprizing Performances of the famous little Prussian Posture Boy, lately arrived from Berlin

Performances

Mainpiece Title: No One's Enemy But His Own

Afterpiece Title: Perseus and Andromeda

Music: I: Concerto on Hautboy-Simpson

Dance: II: The Sicilian Peasants, as17631005

Song: A Pastoral Dialogue From The Arcadian Nuptials, and New Masque [see17640120]-Beard, Miss Hallam[, before Their Majesties, the Prince and Princess of Brunswick, and other Members of the Royal Family (Gentleman's Magazine, Jan., p. 38)

Performances

Mainpiece Title: Cleonice, Princess Of Bithynia

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: First Love

Afterpiece Title: The Prize

Dance: End 2nd piece: New Dance-; in which The Princess of Wales's New Minuet and Gavot-J. and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Afterpiece Title: The Princess of Georgia

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Jew and the Doctor

Entertainment: Procession End II: A Return from a Tiger Hunt- [to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the +Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Performances

Mainpiece Title: An Historical Piece Written By shakespear

Afterpiece Title: The Schemes of Harlequin; or, Mons Le Saxe's Disappointment

Performance Comment: Harlequin-Rayner; Colombine-Mlle Boneway; Clown-Davis; Father-Allen; M. Le Saxe-Bennett.
Cast
Role: Le Saxe Actor: Bennett.

Song: Chorus in praise of the valiant hero the Duke of Cumberland-

Event Comment: An Italian Comic Opera by some performers just arriv'd from Paris. Went off pretty well, -a Girl greatly admir'd (Cross). [The girl seems to have been Sga Spiletta.] She plays off with inexhaustible spirits all muscular evolutions of the face and brows; while in her eye wantons a studied archness, and pleasing malignity. Her voice has strength and scope sufficient; has neither too much of the feminine, nor an inclining to the male. Her gestures are ever varying; her transitions quick and easy. Some over-nice critics, forgetting, or not knowing the meaning of the word Burletta, cry that her manner is outre. Wou'd she not be faulty were it otherwise? The thing chargeable to her is (perhaps) too great a luxurience of comic tricks; which (an austere censor would say) border on unlaced lasciviousness, and extravagant petulance of action (Paul Hiffernan, The Tuner, No 1). [Spiletta was the name of the character to whom Sga Nicolina Giordani gave such life that the name stuck to her. See Saxe Wyndham, Annals of Covent Garden Theatre.] [A Comic Opera by G. Giordani, Music by G. Cocchi-Nicoll, English Drama, III, p. 349.] Nothing less than the full price will be taken during the Performance. Printed books of the opera sold at the theatre. Tomorrow, Venice Preserved. [Murphy commented in Gray's Inn Journal (22 Dec.): "A great deal of whatever humour this production may contain, is certainly lost to an English audience; and the manner of acting, being a burlesque upon what people here are not very well acquainted with, is not universally felt. But notwithstanding these disadvantages, there is one among them, Sga Nicolina Giordani, who displayed such lively traces of Humour in her countenance, and such pleasing variety of action, and such variety of graceful deportment, that she is generally acknowledged to be, in that Cast of playing, an excellent comic actress."

Performances

Mainpiece Title: L'amanti Gelosi

Dance: [Unspecified.]

Event Comment: By Command of his Royal Highness the Duke, their Highnesses the Princess Amelia, the Princess Caroline, the Princess Louisa, and the Princess Maria. Mainpiece: Written by Mr Voltaire

Performances

Mainpiece Title: Zaire

Afterpiece Title: Harlequin Always Harlequin

Dance:

Event Comment: Both pieces By command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, Prince William, and Prince Henry, the Lady Augusta and Princess Elizabeth. Present the Prince and Princess of Wales, the Princes George, Edward, William, & Henry, with The Lady Augusta, and Princess Elizabeth (Account Book). Receipts: #202 9s. 6d

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Perseus and Andromeda

Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.

Performances

Mainpiece Title: Love The Leveller; Or, The Pretty Purchase

Performance Comment: Edition of 1704 lists: Algernoon-Griffin; Andramont-Wilks; Semorin-Mills; Sallamack-Bickerstaff; Dormantle-Thoms; Dewcraft-Williams; Belloon-Kent; Festolin-Pinkethman; Sordico-Johnson; High Priest-Bullock; Priest-Norris; Princess Dowager-Mrs Knight; Princess Constantia-Mrs Rogers; Dutchess Semorin-Mrs Cox; Sordico's Wife-Mrs Moore; Prologue-Wilks; Epilogue-Mills.

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Perseus and Andromeda

Event Comment: By His Majesty's Command. The King, Queen, Prince, Princess Royal, Princess Amelia, and Princess Carolina present. Universal Spectator, 14 Dec.: On Wednesday in the Afternoon there was a Riot at Drury-Lane Playhouse. The Mob hearing that their Majesties and the rest of the Royal Family were to be at the Play in the Evening, several disorderly People forced into the House pretending to keep Places, broke and did a good deal of Damage before they could be dislodg'd

Performances

Mainpiece Title: King Henry The Viiith

Afterpiece Title: Harlequin Doctor Faustus

Event Comment: At the particular Desire of several Persons of Quality. [The Prince, Princess Royal, Princess Amelia and Princess Carolina present.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Perseus and Andromeda

Event Comment: By Command of his Royal Highness. [The Prince, Princess Royal, Princess Amelia, and Princess Carolina present.

Performances

Mainpiece Title: The Distrest Mother

Event Comment: By His Majesty's Command. [The King, Queen, Prince, Princess Royal, Princess Amelia, and Princess Caroline present.

Performances

Mainpiece Title: King Henry The Ivth, Part Ii

Afterpiece Title: The What D'ye Call It

Performances

Mainpiece Title: The Rover

Dance: DDrunken Peasant-Roger; Polonese-Rainton, Miss Robinson; Whitsun Holiday-Boval, Mrs Mills