Event Comment: The Duke's Company. This play apparently was not printed. Pepys, Diary: and then with my wife by coach to the Duke's house, and there saw The German Princess acted, by the woman herself; but never was any thing so well done in earnest, worse performed in jest upon the stage; and indeed the whole play, abating the drollery of him that acts her husband, is very simple, unless here and there a witty sprinkle or two

Event Comment: About Ten o'clock this Morning Orders came from the Lord Chamberlain to Shut up the House on Account of the Death of the Princess Dowager of Wales who died this Morn[in]g between 6 & 7 o'clock (Hopkins Diary). [Closed through Sat., Feb. 15. No record in Treasurer's Book save "The Princes Dowager of Wales died this Morning."] Theatres clos'd on 8 Feb. and reopen'd on 17th Feb. for Augusta Princess Dowager of Wales (Winston MS 10). Paid salary list, at #83 9s. 9d. per diem, #500 18s. 6d.; Mrs Abington's Cloaths acct, #2; Mr S. French, 1 1!2 days 7s. 6d.; Mr Weston's note to Mr Holman, #8 3s. (Treasurer's Book). [The cast scheduled for mainpiece was that of 4 Feb.; for afterpiece that of 30 Dec. 1771. The dance between was to have been Sailor's Revels of 8 Oct. 1771.

Event Comment: By Particular Desire. [Advanced from Saturday because of birthday of Princess Dowager of Wales.

Event Comment: Tomorrow being the birthday of her Royal Highness the Princess Dowager of Wales is the reason of performing this day

Event Comment: Mainpiece: By Desire. Play not acted: theatres closed for death of Augusta Princess Dowager of Wales. [For comment Theatrical Review, II, p. 93 attaches to the evening of 7 Feb.]: Another additional scene was introduc'd this evening, for the first time in which Mr Dunstall, in the character of a Female Ballad Singer, entertained the audience with the following new song, relative to the tricks of the Stockwell Conjuror, which it exposes with some degree fo humour, and which has a good effect, from the manner in which it is introduc'd; but from such poetry, Heaven delvier us!@The Stockwell Wonder@Ye beaux, belles and flirts, who the Pantheon stock well,@Come and see the renown'd Pandemonium at Stockwell.@Where the house and the furniture's all in bon ton@And the pewter and crockery dance cottillon. Derry Down, down, down Derry Down.@A pickling-pan first, which exceeds all belief,@Jumps and skips to the tune of old English Roast Beef;@While a barrel so lively, it cannot be said,@That the beer that is in it can ever be dead, Derry Down &c.@ @The tables, chairs, jars, frisk about too, and soon@The pestle and warming-pan move to some tune;@The clock too chimes in, and we very well know@That a clock that don't stand must undoubtedly go, Derry down, &c.@But let not amazement your fancies perplex@The enchantment arose from th'enchanting fair sex;@A sweet girl was the cause, and girls wonders are rich in@For we all know sweet girls-are extremely bewitching.@Derry down, &c.

Event Comment: A Favourite Comic opera. Music by Galuppi, with new dances and decorations. N.B. Mlle Heinel will dance every night performance when the public have not previous indication to the contrary. [Probably cancelled on account of the death of the Princess Dowager of Wales.

Event Comment: By the unfortunate death of her Royal Highness the Princess Dowager of Wales a temporary stop was put to theatrical entertainments to this day. Opera will be performed at this theatre three times or at least twice every week till Passion Week. Such of the Nobility and Gentry, subscribers to the Opera who do not care to keep their Boxes on the Thursday, and have the extra weekly performance reckoned into their Subscription nights are desired to send word

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Event Comment: Rich's Company. The date of the first production is not known, but A Comparison between the Two Stages (1702) (pp. 21-23) implies that this work preceded Rinaldo and Armida (performed at lif probably in November 1698). The Island Princess was not published until 1699 (the Masque being advertised in the Post Boy, 7-9 Feb. 1698@9, and the Opera in the Flying Post, 7-9 March 1698@9). A Comparison between the Two Stages (1702), pp. 21-22: Sullen: The old House have a Bawble offer'd 'em, made out of Fletcher's Island Princess, sometime after alter'd by Mr Tate, and now erected into an Opera by Motteux: The Actors labour at this like so many Galley Slaves at an Oar, they call in the Fiddle, the Voice, the Painter, and the Carpenter to help 'em; and what neither the Poet nor the Player cou'd do, the Mechanick must do for him:...but as I was saying-the Opera now possesses the Stage, and after a hard struggle, at length it prevail'd, and something more than Charges came in every Night: The Quality, who are always Lovers of good Musick, flock hither, and by almost a total revolt from the other House, give this new Life, and set it in some eminency above the New; this was a sad mortification to the old Stagers in Lincolns-Inn-fields. For a poem, The Confederates; or the first Happy Day of the Island Princess, see Poem on Affairs of State, 1703, II, 248-50

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and one in the Box att the Island Princess. 10s. See Hotson, Commonwealth and Restoration Stage, p. 377

Event Comment: Rich's Company. Post Boy, 27-29 April 1699: Her Royal Highness is this day pleased to see the Opera, call'd The Island Princess, Performed at the Theatre Royal by her own Command

Event Comment: Rich's Company. Lady Marow to Arthur Kay, 12 March 1699@1700: I have been at a play. The Island Princess which is mighty fine (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, 1896, p. 145)

Event Comment: Benefit Mrs Wilks. By Their Majesties' Command. Not Acted [there] these Twenty Years. [Their Majesties and the Princesses present.]

Event Comment: Egmont, Diary, II, 33: In the evening went to The Island Princess . . . where was shown [in the afterpiece] the tallest man of all that I have seen. He is seven feet ten inches and half in height, a German by birth

Event Comment: 3rd piece [1st time; MD 2, by John Rose; music by Thomas Attwood]: Books of the Songs to be had at the Theatre. Salary List (Enthoven Collection): Paid Rose for Caernarvon Castle #18 6s. Morning Herald, 16 Sept. 1793: This Day is published Caernarvon Castle (1s.). [This piece had reference to the birthday of the Prince of Wales, which was 12 Aug.

Event Comment: By Command. Prince of Wales, Princess Dowager Prince Ed: & another Girl with. (Cross). A person last Tuesday in the playhouse at Drury Lane, that had some difference with another (whom he don't know) about a seat in the Pit, would be glad of a private conference, to be convinced who was in the fault; the publisher hereof may be seen 'Change at the usual hours every day this week to appoint a place for said conference (Public Advertiser). Receipts: #200 (Cross)

Event Comment: Both pieces By Command of their Majesties. Present their Majesties, the Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Gave Yeomen of the Guard #2 2s., and gave Princess Dowager's Footmen #1 1s. and Chairmen #1 1s. (Account Book). Receipts: #232 7s. (Account Book)

Event Comment: N.B. Next Monday being Her Royal Highness The Princess Dowager of Wales's birthday, the Comic Opera Il Mercato will be deferred until Tuesday

Event Comment: Paid the balance of 3rd, 5th, 9th, nights of Cymon to Mr Evans for the authors #360 14s. 6d. Gave Princess Dowager's Footmen a Christmas box, #2 2s. Paid 2 Printer's bills #18 13s.; Paid Mr Burney 15 days, not on the list, #6 5s.; Chorus 2 nights #4 11s. (Treasurer's Book). [On this date a receipt signed by Michael Arne for #119 17s. 10d. as compensation for the music for Cymon appears in the Folger Library. (See 2 Jan. 1767.)]Receipts: #148 15s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: By Particular Desire. To Princess Dowager's Footmen (by Mayne) Xmas #1 1s.; To her Chairmen (by Olive) Xmas #1 1s.; To Duke of Cumberland Footmen (by Herpst) Xmas #2 2s. (Account Book). Receipts: #122 12s. 6d. (Account Book)

Event Comment: [Query whether this New Scene in the Masquerade was added to the performances of Harlequin Skeleton after 4 Feb. 1769.] Afterpiece: By Particular Desire. Gave the Princess Dowager's Footmen (by Gray) #1 1s. and her Chairmen (by Holt) #1 1s. (Account Book). Receipts: #197 16s. 6d. (Account Book)

Event Comment: Gave Princess Dowager's footmen by Mayne #1 1s.; her Chairmen, by Clive, #1 1s.; Gave Duke of Gloucester's Footmen by Berkley #2 2s. (Account Book). Receipts: #164 8s. 6d. (Account Book)