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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess Charlotte of Mecklenberg"/1) | (@(roleclean,performerclean) "Princess Charlotte of Mecklenberg")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1688 results for: Keyword - Princess Charlotte of Mecklenberg
We found 836 matches on Event Comments, 712 matches on Performance Comments, 158 matches on Performance Title, 11 matches on Author, and 2 matches on Roles/Actors.

1001
17 April 1782 @ Covent Garden

Event Comment: Benefit for Mattocks. Morning Herald, 12 Apr.: Tickets to be had of Mattocks at his house, Charlotte-street, Rathbone-place. Mainpiece: Not acted these 7 years [not acted since 26 Dec. 1774]. Afterpiece: Not acted these 3 years [not acted since 22 May 1778]. Receipts: #175 3s. 6d. (151/9/6; tickets: 23/14/0) (charge: #105)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Afterpiece Title: The Country Mad-Cap

Dance: End of Act II of mainpiece The Poney Races by Harris, Ratchford, Miss Matthews; End of mainpiece The Gala, as17820409

1002
19 April 1782 @ Covent Garden

Event Comment: Benefit for Reinhold. Public Advertiser, 16 Apr.: Tickets to be had of Reinhold, No. 90, Charlotte-street, Rathbone-place. Tickets delivered for The Belle's Stratagem will be taken. [Afterpiece in place of The Dragon of Wantley, announced on playbill of 18 Apr.] Receipts:#221 9s 6d. (104/1/6; tickets: 117/8/0) (charge: #105)

Performances

Mainpiece Title: The Wife's Relief

Afterpiece Title: The Country Mad-Cap

Dance: End of Catches and Glees, as17811101

Song: End of Act II of mainpiece Auld Robin Grey, as17820409; End of mainpiece several much admired Catches and Glees by the most Eminent Performers

1003
14 April 1784 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. Public Advertiser, 6 Apr.: Tickets to be had of Mrs Mattocks at her house in Charlotte-street, Rathbone Place. Receipts: #241 8s. 6d. (175/13/6; tickets: 65/15/0) (charge: #105)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

1004
23 April 1784 @ Covent Garden

Event Comment: Benefit for Mattocks. Gazetteer, 16 Apr.: Tickets to be had of Mattocks at his house, Charlotte-street, Rathbone-place. Receipts: #134 4s. (109/12; tickets: 24/12) (charge: #105)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Afterpiece Title: Barnaby Brittle

1005
24 April 1784 @ Covent Garden

Event Comment: Benefit for Reinhold. Public Advertiser, 23 Apr.: Tickets to be had of Reinhold at his house, No. 90, Charlotte-street, Rathbone Place. Tickets delivered for The Castle of Andalusia will be admitted. Receipts: #309 (173/0; tickets: 430 in boxes, 140 in pit, 75 in gallery, totalling #136/0) (charge: #105)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Flitch of Bacon

Song: End of Act II of mainpiece When Pboebus the tops of the bills does adorn by Reinhold and Mrs Kennedy; End of Act ni Poor ThomasDay by Edwin, Brett, Bannister; End of Act IV Mad Tom by Reinhold; End of mainpiece Hark! the Lark at Heav'n's Gate sings, and What shall be have who kill'd the Deer?, both by Master Bartleman, Bannister, Brett, Davies, Mrs Kennedy

1006
10 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

1007
22 April 1786 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Morning Chronicle, 30 Mar.: Tickets to be had of Bensley, Charlotte-street, Bloomsbury. Receipts: #267 19s. 6d. (133/16/0; 12/13/0; 1/0/6; tickets: 120/10/0) (charge: #112 3s. 10d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Humourist

Song: As17860302athi

1008
09 April 1790 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Gazetteer, 6 Apr.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bedford-square. Receipts: #204 2s. (85.6.0; 13.12.6; 0.13.6; tickets: 104.10.0) (charge: #116 14s. 2d.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Devil to Pay

1009
07 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Public Advertiser, 27 Apr.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #226 12s. 6d. (96.18.0; 30.19.0; 2.15.6; tickets: 96.0.0) (charge: #121 5s.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Bon Ton

1010
11 May 1791 @ Covent Garden

Event Comment: Benefit for Farren. Public Advertiser, 15 Apr.: Tickets to be had of Farren, No. 14, Lower Charlotte-street, Bedford Square. Receipts: #335 1s. (81.9; 5.14 tickets: 247.18)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Robin Hood

Dance: As17910507

1011
11 April 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Bensley. Morning Herald, 23 Mar.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #410 11s. (178.12; 41.14; 4.13; tickets: 185.12) (charge: #167 1s. 8d.)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Spoil'd Child

1012
09 April 1793 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. [In afterpiece the playbill assings Lazarillo to R. Palmer, but "Bland appeared in Lazarillo instead of R. Palmer" (Thespian Magazine, May 1793, p. 266).] Morning Herald, 2 Apr.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #201 10s. (93.4; 16.1; tickets: 92.5) (charge: #94 19s. 6d.)

Performances

Mainpiece Title: At Hay The Country Girl

Afterpiece Title: The Pannel

1013
02 May 1794 @ Covent Garden

Event Comment: Benefit for Incledon. 1st piece: As originally performed in 3 acts. Not acted these 7 years [acted 28 Oct. 1789]. 2nd piece [1st time; M. INT 1, attributed to John Cartwright Cross. MS: Larpent 1021; not published]. Morning Chronicle, 19 Apr.: Tickets to be had of lncledon, No. 15 , Charlotte-street, Bloomsbury. Receipts: #396 12s. 6d. (122/12/6; 6/0/6; tickets: 267/19/6)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: NAPLES BAY; or, The British Seamen at Anchor

Afterpiece Title: THE FOLLIES OF A DAY

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

1014
28 April 1795 @ Covent Garden

Event Comment: Benefit for Incledon. 2nd piece [1st time; M. INT 1]: Scene, A View of the British Fleet. Morning Chronicle, 14 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #467 12s. 6d. (191.7.0; 3.19.0; tickets: 272.6.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Naval Volunteers; or, Britain's Bulwark

Afterpiece Title: Catharine and Petruchio

Dance: In 2nd piece: Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: a Representation of a Ship in Distress, in which The Storm-Incledon; In the course of the Evening: Old Towler [both]-Incledon

1015
29 April 1795 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Morning Chronicle, 16 Apr.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #490 16s. (217.9.0; 92.4.6; 6.4.6; tickets: 174.18.0) (charge: #231 6s. 2d.). Account-Book breaks down Bensley's charge as follows: house #200, Mrs Siddons #20, Mrs Jordan #10 10s. Properties 5s. 8d., supernumeraries 10s. 6d., for a total of #231 6s. 2d . At the doors of the theatre #315 18s. was received. The charge subtracted from this amount leaves #84 11s. 10d., which was paid to Bensley. The Proprietors made him a gift of the #20 he paid Mrs Siddons. His own profit was therefore #104 11s. 10d., which, in addition to his tickets, gave him a grand total of #279 9s. 10d

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Spoil'd Child

1016
12 April 1796 @ Covent Garden

Event Comment: Benefit for Incledon. 1st piece: Not acted these 2 years. 3rd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Oracle, 31 Mar.: Tickets to be had of Incledon, Charlotte-street, Bloomsbury. Receipts: #485 12s. (211.0; 8.0; tickets: 266.12)

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: The Follies of a Day

Afterpiece Title: Arrived at Portsmouth

Dance: 1st piece to conclude with: The Savoyard-Byrn, Holland, Mlle St.Amand; In 3rd piece: a New Dance-Byrn, Holland, Mlle St.Amand

Song: End I: The Sea Storm-Incledon; In 3rd piece: We've bade the restless seas adieu-; O why to be happy, as17960314With Rosabel what joy to stray-Townsend; Here we laugh and work together-; With pride we steer'd for England's coast-Incledon; When love was a stranger-Mrs Mountain; The seaman who of wars may tell-Incledon, Bowden; Rule Britannia-; In course: Old Towler-Incledon; an entire New Song-Incledon

1017
06 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Bensley, being the Last Time of his Appearing on the Stage. Bensley's defects (chiefly Nature's) were to a stranger disgusting, but on a further acquaintance, hi merit (all his own) not only gained favour, but covered all his faults" (Monthly Magazine, May 1796, p. 320). Morning Herald, 23 Apr.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bloomsbury. Receipts: #595 9s. (271.2; 63.14; 6.2; tickets: 250.10; odd money: 4.1) (charge: #232 7s. 6d.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Romp

1018
27 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Sedgwick. Morning Herald, 20 May: Tickets to be had of Sedgwick at Mr Gibson's, jeweller, Charlotte-street, Rathbone-place. Receipts: #156 17s. (100.16; 54.4; 1.17; tickets: none listed) (charge: #212 16s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Phoenix; or, Anacreontics Renovated [i

Afterpiece Title: Rosina

Entertainment: In 2nd piece: Imitations-Caulfield

1019
02 May 1797 @ Covent Garden

Event Comment: Benefit for Incledon. 2nd piece: Performed but once [recte twice: on 1 and 8 May 1795]. The Music part new, and part compiled, by Shield. True Briton, 20 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #440 7s. 6d. (245.7.0; 5.18.0; tickets: 189.2.6)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Sailor's Prize

Afterpiece Title: The Prisoner at Large

Song: End I 1st piece: The Storm-Incledon; In 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden, Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; Black Ey'd Susan-; Hearts of Oak-; Rule Britannia-; End I 3rd piece: Old Towler- [Incledon?]

1020
09 November 1797 @ Drury Lane Theatre

Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Virgin Unmask'd

Dance: In 2nd piece: Dance of Sailors-; Hornpipe-Sga Bossi DelCaro

1021
21 April 1798 @ Covent Garden

Event Comment: Benefit for Incledon. 1st piece: The Airs (with the exception of When sable Night) new composed for the Occasion. 3rd piece [1st time; M. INT 1]. Morning Herald, 11 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #528 10s. 6d. (275.9.6; 5.10.0; tickets: 247.11.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Forecastle Fun; or, Saturday Night at Sea

Song: End 1st piece: All I wish in her obtaining-Mme Mara, Incledon; In the course of the Evening: Black Ey'd Susan, Old Towler, Young William, The Storm-Incledon

1022
06 April 1799 @ Covent Garden

Event Comment: Benefit for Incledon. 3rd piece [1st time; M. INT 1]. Morning Chronicle, 21 Mar.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #619 1s. (304.19; 2.7; tickets: 311.15)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Prisoner at Large

Afterpiece Title: Fun and Frolic; or, Sailors' Revels

Song: In course Evening: The Storm-Incledon; Black Ey'd Susan-Incledon; Mad Tom of Bedlam (in character)-Incledon; Together let us range (composed by Boyce)-Incledon, Miss Poole

1023
27 April 1799 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Charlotte Smith. Prologue by the author (Knapp, 202). Author of Epilogue unknown]: With new Scenery, Dresses, &c. Morning Chronicle, 26 July 1799: This Day published What is She? (2s.). Receipts: #161 11s. (158.2.6; 3.8.6). pking's Ines de Castro. As 16 Feb

Performances

Mainpiece Title: What Is She

Afterpiece Title: The Flitch of Bacon

Dance: As17990418

1024
24 June 1669 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

1025
02 February 1675 @ Whitehall or St. James's

Event Comment: [Newdigate newsletters (Folger Shakespeare Library), 4 Feb. 1674@5: Tuesday night after Counsell their Maties & Court were present at the Rehearsal of the great Maske wch is to be publiquely acted on Shrove Tuesday; by wch tyme her Royall Highness will be able to be present at it, being already very well after her Lying in, as is also ye young princess (Wilson, Theatre Notes, p. 79). The Bulstrode Papers (1, 277): 8 Feb. 1674@5: On Wed night after Councell their Maties and Royal Highnesses were present at the rehearsall of the Great Maske wch will be publiquely acted on Tuesday 7 night next. [The two sources agree on the intended date of the performance but disagree upon the date of the rehearsal.

Performances

Mainpiece Title: A Rehearsal Of Calisto