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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess Caroline Elizabeth"/1) | (@(roleclean,performerclean) "Princess Caroline Elizabeth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1828 results for: Keyword - Princess Caroline Elizabeth
We found 850 matches on Event Comments, 519 matches on Author, 344 matches on Performance Comments, 166 matches on Performance Title, and 0 matches on Roles/Actors.

1451
24 May 1734 @ King's Theatre

Event Comment: [Their Majesties and the young Princesses present.]

Performances

Mainpiece Title: Pastor Fido

1452
15 June 1734 @ Lincoln's Inn Fields

Event Comment: This will be the last Performance. [Their Majesties, Prince, Duke, and all the Princesses present.]

Performances

Mainpiece Title: Aeneas

1453
19 September 1734 @ Drury Lane Theatre

Event Comment: By His Majesty's Command. Mainpiece: Written by Ben. Johnson. Admission: 5s., 3s., 2s., 1s. [Their Majesties, Duke, and Princesses present.]

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: A Burgo-Master Trick'd

Dance: I: The Black Joke. II: Revellers. III: Pierots. IV: Les Bergeries. By Poitier, Nivelon, Essex, Pelling, Chose, Davenport, Janno, Mrs Walter, Mrs Pelling, Miss Mann, Miss Brett

1454
01 October 1734 @ Lincoln's Inn Fields

Event Comment: By Command of her Royal Highness the Princess of Orange. For the Entertainment of Tomo Chachi. .. and Senauki his Queen. For the Benefit of a Family that has sustain'd great Losses. Mainpiece: Written by the Author of The Miser

Performances

Mainpiece Title: Don Quixote In England

Afterpiece Title: Damon and Phillida

Dance:

Song: Songs proper to the Play. The Pleasant Month of May by a Gentlewoman, who never appeared on any stage before

1455
02 November 1734 @ King's Theatre

Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

1456
05 November 1734 @ King's Theatre

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

1457
22 November 1734 @ Haymarket Theatre

Event Comment: Afterpiece: Intermix'd with Songs and Dances. [The Duke and Princesses Amelia, Mary, and Louisa present.]

Performances

Mainpiece Title: Arlequin Misantrope

Afterpiece Title: Le Carillon de Maitre Gervaise et Dame Alison

1458
18 December 1734 @ Haymarket Theatre

Event Comment: [Duke and the young Princesses present.]

Performances

Mainpiece Title: Arlequin Et Sa Troupe Comediens Esclaves; Or, Harlequin And His Company Of Comedians Slaves

Dance:

1459
27 December 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Not Acted these Sixteen Years. Written by the late Dr Procope. Calculated for the Meridian of London. [Princesses Mary and Louisa present.]

Performances

Mainpiece Title: Arlequin Balourd; Or, Harlequin Blunderer

Afterpiece Title: Le Portrait

Dance: A new Chacone in several Characters: Harlequin Man-Cochoy Jr; Harlequin Woman-Miss Chateauneuf; Pierot Man-Roland; Pieraite-Mrs Mimie; Punch-Villeneuve; Dame Jigogne-Malter; Scaramouch Man-De Lisle; Scaramouch Woman-Mrs Le Sage Jr. The Frolick, as17341226 (latter in Daily Advertiser only)

1460
01 February 1735 @ King's Theatre

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

1461
27 March 1735 @ Haymarket Theatre

Event Comment: Benefit a Family in Distress. By Command of their Royal Highnesses the Duke, the Princesses Maria and Louisa

Performances

Mainpiece Title: L'heureux Naufrage

Afterpiece Title: Arlequin Esprit Folet

Dance:

1462
07 April 1735 @ Haymarket Theatre

Event Comment: Benefit the Lilliputians. By Command of their Royal Highnesses the Princesses Mary and Louisa

Performances

Mainpiece Title: The French Cuckold

Afterpiece Title: The Intrigues of Harlequin

Afterpiece Title: Don Pasquin d'Avalos

Afterpiece Title: Le Carillon Comique & Dame Alison & Maitre Gervase

Dance: The last Lilliputian Scotch Dance. A new Lilliputian Chacone of Characters: Harlequin Man and Woman. Pierot and Pierraite. Punch and Dame Ragondy. Scaramouch

1463
14 April 1735 @ Covent Garden

Event Comment: Benefit Michael Lally. By Command of Her Royal Highness the Princess Amelia. Tickets to be had at Mr Lally's House in Southampton-Row, Bloomsbury. Two Rows of the Pit will be laid into the Boxes

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Toy Shop

Dance: I: English Maggot by S. Lally, De la Garde, Miss Baston. II: Grand Pastoral Dance by Lally, Mlle Salle, Miss Rogers, S. Lally, Le Sac, Delagarde, Duke, Mrs De l'Orme, Miss Baston, Miss Norsa. III: Glover's Scotch Dance. IV: Minuet by Lally and Mlle Salle. V: Pigmalion by Lally and Mlle Salle

1464
28 April 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Prince of Wales, the Duke, their Royal Highnesses the Princesses Amelia, Carolina, Maria and Louisa

Performances

Mainpiece Title: Harlequin Astrologer, Infant, Ch1mney-sweeper, Statue, Parrot, & Skeleton

Afterpiece Title: Harlequin Hulla

Music: Select Pieces. Solo on the German Flute by Burk Thumoth

Dance:

1465
09 May 1735 @ Covent Garden

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The School Boy

Music: V: Handel's Water Musick

Dance: I: Flanderkins by Duke and Mrs Ogden. II: Richmond Maggot by Le Sac and Miss Rogers. III: A Ball Dance, composed by Mr Labee, called, The Princess Ann's Cbacone, by Dupre and Mlle Delorme. V: Pastoral Dance by Mlle Grognet and Mlle Delorme

Performance Comment: II: Richmond Maggot by Le Sac and Miss Rogers. III: A Ball Dance, composed by Mr Labee, called, The Princess Ann's Cbacone, by Dupre and Mlle Delorme. V: Pastoral Dance by Mlle Grognet and Mlle Delorme .

Song: IV: As17350422

1466
14 May 1735 @ Covent Garden

Event Comment: [Their Majesties and the Princess Amelia present. Egmont also attended.]

Performances

Mainpiece Title: Alcina

1467
15 May 1735 @ Haymarket Theatre

Event Comment: By Command of His Royal Highness the Duke, their Royal Highnesses the Princesses Carolina, Amelia, Louisa, and Maria

Performances

Mainpiece Title: Arlequin Balourd

Afterpiece Title: Harlequin and Scaramouch Deserteurs

Dance:

1468
01 October 1735 @ Drury Lane Theatre

Event Comment: By Her Majesty's Command. Written by Shakespear. [Queen, Duke, and Princesses Amelia, Mary, and Louisa present.]

Performances

Mainpiece Title: Julius Caesar

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Newmarket's Delight (new) by Delamagne, Pelling, Davenport, Rector, Janno. III: Revellers by Essex and Mrs Walter. IV: Two Pierrots by Poitier and Pelling. V: Shepherd's Mount by Denoyer, Essex, Mrs Walter, Mrs Anderson, Pelling, Villeneuve, Davenport, Miss Mann, Mrs Davenport, Miss Brett

1469
28 October 1735 @ King's Theatre

Event Comment: With Alterations and Additions. Tickets half a guinea. Gallery 5s. Gallery open at four; Pit and Boxes at 5. 6 P.M. [Their Majesties, Prince of Wales, and Princesses present, as also the Prince of Modena.]

Performances

Mainpiece Title: Polifemo

1470
08 November 1735 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. [Their Majesties, Duke, and Princess Amelia present.]

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Restor'd

Music: As17351018 Also a Set of New Act Tunes composed by Arne

Dance: I: Le Badinage de Provence by Poitier, Mlle Roland, &c. III: French Peasant by Poitier, Mlle Roland. V: Serious Ballet by Denoyer and others

1471
25 November 1735 @ King's Theatre

Event Comment: A New Opera. [By Metastasio. Music by Francis Veracini. For a full account of this opera and opera in general, see Ilchester, Lord Hervey and his Friends, pp. 238-39.] Daily Advertiser, 26 Nov.: Their Majesties, his Royal Highness, and the Princesses [attended] Adriano, compos'd by the famous Signior Veracini, who perform'd the first Fiddle

Performances

Mainpiece Title: Adriano

1472
26 November 1735 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Congreve. [Duke and three Princesses present.]

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequin Restor'd

Dance: II: By Mlle Anne Roland. In III: Dance of Sailors proper to the play. IV: Grand Ballet, as17351125

1473
08 January 1736 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness the Duke and their Highnesses the Princesses [who were present]. Prompter, 13 Jan.: the Rehearsal was perform'd by Command . . . Prince Prettyman's refusing to act. [See also a complaint in Grub St. Journal, 8 Jan., about Mlle Roland's immodest

Performances

Mainpiece Title: The Rehearsal

Dance: ]

1474
27 January 1736 @ King's Theatre

Event Comment: [Prince of Wales, Duke, and Princess Amelia present.] Daily Advertiser, 30 Jan.: The Opera oF Mithridates was so full on Tuesday Night, that there were above 440 Ladies and Gentlemen in the Pit and Boxes, besides the Subscribers. Above 50 People were oblig'd to go away for want of Room

Performances

Mainpiece Title: Mithridates

1475
19 February 1736 @ Covent Garden

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander