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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess Caroline Elizabeth"/1) | (@(roleclean,performerclean) "Princess Caroline Elizabeth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1828 results for: Keyword - Princess Caroline Elizabeth
We found 850 matches on Event Comments, 519 matches on Author, 344 matches on Performance Comments, 166 matches on Performance Title, and 0 matches on Roles/Actors.

26
23 April 1800 @ Covent Garden

Event Comment: Benefit for Miss Murray. 2nd piece: Compressed into Two Acts by the Author [Elizabeth Inchbald. Epilogue by Miles Peter Andrews]. Morning Chronicle, 8 Apr: Tickets to be had of Miss Murray, No. 77, Long Acre. Receipts: #393 9s. 6d. (159.5.6; 24.14.6; tickets: 209.9.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Child of Nature

Related Works
Related Work: The Child of Nature Author(s): Elizabeth Inchbald

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Dance: In II: Negro Dance-Bologna, King, Platt, Blurton

Song: End: The Tight Little Island-Townsend

27
26 December 1728 @ Drury Lane Theatre

Event Comment: PPrince Frederick and Princess Amelia present

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary, Queen Of Scotland

Performance Comment: Elizabeth-Mrs Porter; Mary-Mrs Oldfield.
Cast
Role: Elizabeth Actor: Mrs Porter

Afterpiece Title: Perseus and Andromeda

28
03 June 1719 @ Lincoln's Inn Fields

Event Comment: Benefit Price, Browne, and Elizabeth Bewley. The last Time of the Company's playing this Season

Performances

Mainpiece Title: The Island Princess

Music: The Original Dialogues-Leveridge, Pack

Dance: Wooden Shoe-Sandham, Newhouse; Scaramouch-a Gentleman for his diversion; Harlequin-delaGarde's Two Sons

Song: Mrs Fletcher, Mrs Barbier

29
17 August 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeth's Troubles; And The History Of Eighty Eight

30
November 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the first production is not known, but A Comparison between the Two Stages (1702) (pp. 21-23) implies that this work preceded Rinaldo and Armida (performed at lif probably in November 1698). The Island Princess was not published until 1699 (the Masque being advertised in the Post Boy, 7-9 Feb. 1698@9, and the Opera in the Flying Post, 7-9 March 1698@9). A Comparison between the Two Stages (1702), pp. 21-22: Sullen: The old House have a Bawble offer'd 'em, made out of Fletcher's Island Princess, sometime after alter'd by Mr Tate, and now erected into an Opera by Motteux: The Actors labour at this like so many Galley Slaves at an Oar, they call in the Fiddle, the Voice, the Painter, and the Carpenter to help 'em; and what neither the Poet nor the Player cou'd do, the Mechanick must do for him:...but as I was saying-the Opera now possesses the Stage, and after a hard struggle, at length it prevail'd, and something more than Charges came in every Night: The Quality, who are always Lovers of good Musick, flock hither, and by almost a total revolt from the other House, give this new Life, and set it in some eminency above the New; this was a sad mortification to the old Stagers in Lincolns-Inn-fields. For a poem, The Confederates; or the first Happy Day of the Island Princess, see Poem on Affairs of State, 1703, II, 248-50

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

31
September 1680 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Princess Of Cleve

Performance Comment: Edition of 1689: The Prologue-; Prince of Cleve-Williams; Duke Nemours-Betterton; St. Andre-Lee; Vidam of Chartres-Gillo; Poltrot-Nokes; Princess of Cleve-Mrs Barry; Tournon-Mrs Lee [Elinor Leigh]; Marguerite-Lady Slingsby; Elianor-Mrs Betterton; The Epilogue-.
Cast
Role: Princess of Cleve Actor: Mrs Barry

32
05 August 1710 @ Greenwich

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: Taylor-Penkethman; Drunken Higler-Norris; Loom-Leigh; Armusia-Powell; Princess-Mrs Baker.
Cast
Role: Princess Actor: Mrs Baker.

Dance: Whimsical Dance between a Miller, his Wife, and a Town Miss-; Chest Dance, after the Italian Manner, between Scaramouch, Punchanello, Coachman, and Cookmaid-; French Peasant and his Wife-; Ladder Dance-a famous Master; Scaramouch-LeSac; Dance by a Flemming in Wooden Shoes-; Dance by a Switzer-; Night Scene of Scaramouch, Harlequin, Cooper, Wife, and others-

33
07 February 1699 @ Drury Lane Theatre

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and one in the Box att the Island Princess. 10s. See Hotson, Commonwealth and Restoration Stage, p. 377

Performances

Mainpiece Title: The Island Princess

34
29 April 1699 @ Drury Lane Theatre

Event Comment: Rich's Company. Post Boy, 27-29 April 1699: Her Royal Highness is this day pleased to see the Opera, call'd The Island Princess, Performed at the Theatre Royal by her own Command

Performances

Mainpiece Title: The Island Princess

35
12 March 1700 @ Drury Lane Theatre

Event Comment: Rich's Company. Lady Marow to Arthur Kay, 12 March 1699@1700: I have been at a play. The Island Princess which is mighty fine (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, 1896, p. 145)

Performances

Mainpiece Title: The Island Princess

36
13 February 1734 @ Drury Lane Theatre

Event Comment: Benefit Mrs Wilks. By Their Majesties' Command. Not Acted [there] these Twenty Years. [Their Majesties and the Princesses present.]

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Music: With the Original Musick

Dance: Le Badinage Champetre by Lally, Mrs Walter, &c

37
22 February 1734 @ Drury Lane Theatre

Event Comment: Egmont, Diary, II, 33: In the evening went to The Island Princess . . . where was shown [in the afterpiece] the tallest man of all that I have seen. He is seven feet ten inches and half in height, a German by birth

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Cupid and Psyche

38
12 May 1736 @ Covent Garden

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

39
07 March 1734 @ Drury Lane Theatre

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Front Boxes put together at 51. [Duke, Princesses Amelia, Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Albion Queens

Performance Comment: Queen Elizabeth-Mrs Porter; Queen Mary-Mrs Horton; Norfolk-Marshall; Davison-Bridgwater; Morton-Hewitt; Cecil-Roberts; Giffard-Turbutt; Douglass-Miss Hollyday .
Cast
Role: Queen Elizabeth Actor: Mrs Porter

Dance: La Badine by Lally, Mlle Grognet, S. Lally, Le Brun, Davenport, Olbeldiston, Mrs Walter, Mrs D'Lorme, Mrs Anderson, Mrs Davenport (with new Habits)

40
29 October 1735 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa. Mainpiece: Written by the late Mr Congreve. [The Duke, Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Restor'd

Music: As17351018

Dance: II: A new Grand Serious Ballet by Denoyer and others. IV: By Mlle Roland. End Afterpiece: Le Chasseur Royal by Denoyer, Mlle Roland, &c

41
14 January 1736 @ Covent Garden

Event Comment: By Command of Her Royal Highness the Princess Caroline. Receipts: #120 4s. [Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Apollo and Daphne

42
29 January 1736 @ Covent Garden

Event Comment: By Command of Her Royal Highness the Princess Caroline. Receipts: #128 14s. [Princesses Caroline, Mary, Louisa, and the Duke present.]

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Royal Chace

43
09 January 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Duke, their Highnesses the Princess Amelia, the Princess Caroline, the Princess Louisa, and the Princess Maria. Mainpiece: Written by Mr Voltaire

Performances

Mainpiece Title: Zaire

Afterpiece Title: Harlequin Always Harlequin

Dance:

44
05 February 1729 @ Drury Lane Theatre

Event Comment: By His Majesty's Command. [The King, Queen, Prince, Princess Royal, Princess Amelia, and Princess Caroline present.

Performances

Mainpiece Title: King Henry The Ivth, Part Ii

Afterpiece Title: The What D'ye Call It

45
10 December 1730 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness. King, Queen, Prince of Wales, Princess Royal, Princess Emilia, and Princess Caroline present

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Afterpiece Title: Cephalus and Procris

46
06 November 1734 @ Haymarket Theatre

Event Comment: By Command of their Royal Highnesses the Princess Amelia and Princess Caroline. [King, Duke, and all the Princesses present.]

Performances

Mainpiece Title: Timon Le Misantrope

Afterpiece Title: Arlequin Hulla

Song:

Dance:

47
09 July 1791 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; C 3, by Elizabeth Inchbald, based on L'Indigent, by Louis Sebastien Mercier, and on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 21 July 1791: This Day is published Next Door Neighbours (1s. 6d.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: Next Door Neighbours

Performance Comment: Characters by Palmer, Aickin, Palmer Jun., Kemble, Baddeley, Bannister Jun., Evatt, R. Palmer, Ledger, Abbott, Chapman, Mrs Brooks, Miss Heard, Mrs Edwards, Mrs Kemble. Cast from text (G. G. J. and J. Robinson, 1791), and playbill of 16 July 1792: Sir George Splendorville-Palmer; Willford-Aickin; Henry-Palmer Jun.; Mr Manly-Kemble; Mr Blackman-Baddeley; Bluntly-Bannister Jun.; Lord Hazard-Evatt; Mr Lucre-R. Palmer; Servants-Ledger, Abbott; Shopman-Chapman; Lady Caroline Seymour-Mrs Brooks; Lady Bridget Squander-Miss Heard; Evans-Mrs Edwards; Eleanor-Mrs Kemble; Prologue-Bannister Jun; Epilogue-Mrs Kemble.
Cast
Role: Lady Caroline Seymour Actor: Mrs Brooks
Related Works
Related Work: The Next Door Neighbours Author(s): Elizabeth Inchbald

Afterpiece Title: The Author

48
15 April 1729 @ Drury Lane Theatre

Event Comment: Benefit Cibber Jr and Mrs Cibber. At the particular Desire of several Persons of Quality. [Prince of Wales, Princess Amelia, and Princess Caroline present.

Performances

Mainpiece Title: The Provok'd Husband

Entertainment: To be express'd in the Great Bills

49
26 November 1730 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. [Prince of Wales, Princess Amelia, and Princess Caroline present.

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: Patie and Peggy

50
28 November 1730 @ King's Theatre

Event Comment: [T$Their Majesties, Princess Amelia, and Princess Caroline present.

Performances

Mainpiece Title: Ormisda