SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess Augusta"/1) | (@(roleclean,performerclean) "Princess Augusta")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 785 matches on Event Comments, 158 matches on Performance Title, 101 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Performance Comment: [i.e. the ode being in 2 parts.] The Music- [by Handel--that was performed by Command of his Majesty, at St. James's on the late Marriage of their Royal Highnesses the Prince and Princess of Wales (on 8 Apr. 1795); composed by Handel, to celebrate the Nuptials (in Apr. 1736) of his late Royal Highness Frederick, Prince of Wales, with the Princess of Saxe-Gotha; [To conclude with the Coronation Anthem, Zadock the Priest-.
Cast
Role: Princess of Saxe Actor: Gotha

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

Event Comment: By Command of their Royal Highnesses Prince George and the Lady Augusta. Benefit Desnoyer. Receipts: money #116 15s. 6d.; seals #105 17s. (Account Book); #230 (Rylands MS.). [According to the Account Book, Desnoyer received a Free Benefit, i.e., no deduction for the nightly charges.

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Dance: SSerious Dance to Favourite Tunes from the Opera of Lothario-Desnoyer; The Matelots-Mechel, Mlle Mechel; Italian Peasants-Desnoyer, Signora Barberini; By Command, The Comic Dance of the Old Woman-with Pierot in the Basket; Louvre, Minuet-Desnoyer, Signora Barberini

Event Comment: By Command of their Highnesses Prince George, Prince Edward, and the Lady Augusta, By A Company of Dutch children, join'd with the English, German and Italians. A Pantomime Entertainment. Boxes and Pit 5s. Gallery 2s. 6 p.m. We hear the Company of Dutch/Children join'd with the English, Germans and Italians, will perform this day, tomorrow, Thursday and Friday next, and will exhibit something new every night, and some people of Quality have engag'd Boxes for each night.--Daily Advertiser

Performances

Mainpiece Title: Arlequino Triumphante

Event Comment: Benefit for Quin. Mainpiece: By Command of their Royal Highnesses Prince George, Prince Edward, Prince William, Prince Henry, Lady Augusta and the Lady Elizabeth. Six rows of the Pit will be laid into the Boxes. Stage will be Enclosed and form'd into an Amphitheatre. Paid Quin in full of his agreement #122; Advanced Servandoni #5 5s. [The Account Book itemizes the income this night as #93 15s. in money; #99 5s. in tickets, a total of #193 without stage (i.e., presumably without counting money to Quin gained from friends invited to sit in the Amphitheatre on stage.) This was also a "Free Benefit," i.e., clear of costumary house charges.] Receipts: #193

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Event Comment: Command of the Prince of Wales (playbill). Prince of Wales, Edward-Augusta, and another (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Fortunatus

Dance: I: By command, A New Dance-Sga Sabatini, as17541115

Event Comment: PPrince of Wales, Edward, Augusta, and 2 more princes. Mr Garrick (By Command) did Osmyn (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: [But unspecified.

Event Comment: By Command of the Prince of Wales (playbill). Prince of Wales, Edward, Augusta and 2 More (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Athelstan

Event Comment: Both pieces By Command. Ladies and Gentlemen who have taken places are desired to send their servants before 3 o'clock. No persons can possibly be admitted behind the scenes or into the Orchestra. Present their Majesties the Duke of York, Prince William Henry, Prince Henry Frederick, and Lady Augusta. [The Winston Theatrical Record lists the customary night's expenses as follows]: @Renters #12 1s.@Barber 5s. 4d.@Music #4 19s. 5d.@Tallow Candles #2 10s.@Wax Candles #1 6s.@Coals 10s.@Lamps #1 12s. 3d.@1 days Billstickers 11s. 6d.@1 days Bills #1 7s.@1 days Advertising 5s.@Wardrobe Bill (a day) #1 7s.@Property Bill (a day) #1 6d.@Extras (for Opera and Rape) #1 6s. 6d.@J. Rich #5 5s.@C. Rich #1@Guards (18) and a Serjeant #1@#36 6s. 5d.@ Extras that night: @Yeomen of His Majesties' guard #1 1s.@Yeomen of Her Majesties' guard #1 1s.@His Majesties' Footmen #1 1s.@Her Majesties' Footmen #1 1s.@Princess of Wales' Attendant #1 1s.@Their Majesties' Coachman 6s.@Total #5 11s.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Rape of Proserpine

Dance: As17610907

Event Comment: By Command of their Majesties. Income from Boxes #83 10s. Present Their Majesties, Lady Augusta; Prince William Henry, Prince Henry Frederick, Paid Vincent in full for 10 Lac'd Coats...8 Trumpet Banners and 2 Kettle drum banners #73 10s. Receipts: #232 11s. (Winston Theatrical Record)

Performances

Mainpiece Title: Comus

Event Comment: This Night a New Song was Introduc'd in the Pantomime upon the Prs Augusta's leaving England (well receiv'd) (Hopkins). New occasional Song in the Pant (Cross Diary). Receipts: #208 11s. (MacMillan)

Performances

Mainpiece Title: Zara

Afterpiece Title: Interlude Hymen

Afterpiece Title: The Rites of Hecate

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Performances

Mainpiece Title: Henry The Fifth

Performance Comment: Owen Tudor?-Betterton; Henry V-Harris?; Princess Katherine-Mrs Betterton?. See also 13 Aug. 1664.
Cast
Role: Princess Katherine Actor: Mrs Betterton?. See also 13 Aug. 1664.
Event Comment: Sir Charles Lyttleton, 10 Nov. 1677: [The Princess of Orange] is gone to ye play to-night in these and all ye Duchesses jewells (Hatton Correspondence, Camden Society, 1878, XXII, 155). The Prince and Princess had been married on 4 Nov. 1677

Performances

Performances

Mainpiece Title: The Injured Lovers; Or, The Ambitious Father

Performance Comment: Edition of 1688. Prologue to the Injur'd Lovers-Mr Mountfort; King of Sicily-Williams; Rheusanes-Betterton; Ghinotto-Griffin; Dorenalus-Mountfort; Old Colonel-Sanford; Soldiers-Lee, Jevon, Underhill; Princess Oryala-Mrs Barry; Antelina-Mrs Bracegirdle; Epilogue-Mr Jevon.
Cast
Role: Princess Oryala Actor: Mrs Barry

Performances

Mainpiece Title: Agnes De Castro

Performance Comment: Edition of 1696: Prologue by Mr Wycherley at the Author's Request, Design'd to be spoke-; Prologue-Mr Powell; Epilogue-Mrs Verbruggen in Men's Cloaths; King-Sympson; Prince-Powell; Alvaro-Verbruggen; Lorenzo-Cibber; Diego-Hill; Pedro-Mills; Princess-Mrs Temple; Agnes de Castro-Mrs Rogers; Elvira-Mrs Knight; Bianca-Mrs Kent.
Cast
Role: Princess Actor: Mrs Temple
Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Sir Mannerly; Or, The Country Wit

Performance Comment: with the last new Epilogue concerning the Life and Morals of the Observator, which was -Mr Powell on the first day of the Injur'd Princess, or the false Wager; Also a Dialogue between Heraclitus Ridens and the Observator by way of Prologue-.

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performance Comment: Henry VIII-Estcourt; Princess Elizabeth-the Child [identified by Genest, II, 340, as Miss Younger]; a new Epilogue-the Child.
Cast
Role: Princess Elizabeth Actor: the Child

Song: Leveridge, Ramondon, Mrs Lindsey, the Boy

Dance: As17051227

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performance Comment: Anna Bullen-Mrs Oldfield; Henry VIII-Powell; Wolsey-Cibber; Northumberland-Keene; Piercy-Wilks; Rochford-Mills; Lady Diana-Mrs Rogers; Lady Elizabeth-Mrs Porter; Princess Elizabeth-Miss Smith.
Event Comment: By His Royal Highness's Command, and for the Entertainment of their Highnesses, the Princess Royal and the Princess Amelia

Performances

Mainpiece Title: Rinaldo

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performance Comment: Harry the 8th-Evans; Wolsey-Cibber; Piercy-Wilks; Rochford-Mills; Anna Bullen-Mrs Oldfield; Lady Blunt-Mrs Porter; Princess Elizabeth-the Little Child.

Afterpiece Title: The What D'ye Call It

Event Comment: By Command. For the Entertainment of the Princesses. [The King, the Three Young Princesses, and a great Number of Nobility and Gentry also there.] Pit and Boxes 5s. Stage Boxes 7s. 6d. Gallery 2s

Performances

Mainpiece Title: Arlequin Esprit Follet

Afterpiece Title: Le Divorce

Entertainment: Dancing and Tumbling-; particularly Dancing-Mr Glover being the first Time of his Performance in publick since his return from the Court of Paris; Salle, Mlle Salle

Event Comment: For the Entertainment of The Princesses. [The Young Princesses present.

Performances

Mainpiece Title: Arlequin Laron, Grand Provost, Et Juge

Entertainment: Tumbling-; Leap over Man on large Coach Horse-; Italian Postures-

Event Comment: For The Entertainment of their Royal Highnesses the Young Princesses. [The Princesses present.] For comment on the current theatrical scene, see The Letters of the Late Thomas Rundle, pp. 18-22

Performances

Mainpiece Title: Harlequin A Sham Astrologer, A Parrot, A Child, A Statue, And A Chimney Sweeper

Dance: Danjeville

Event Comment: Admission as 14 May. To be admitted on the Stage One Guinea. [The Princess of Wales and Princess Anne present.

Performances

Mainpiece Title: Numitor