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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess Amelia"/1) | (@(roleclean,performerclean) "Princess Amelia")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1087 results for: Keyword - Princess Amelia
We found 781 matches on Event Comments, 174 matches on Performance Title, 153 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

76
02 November 1734 @ King's Theatre

Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

77
05 November 1734 @ King's Theatre

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

78
09 November 1734 @ Covent Garden

Event Comment: First Piece: A new Dramatick Entertainment in Musick. [Music by Handel.] Second Piece: An Opera. With several Additions, intermix'd with Choruses. Pit and Boxes half a guinea. First Gallery 4s. Upper Gallery 21. 6d. [King and Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Terpsicore

Afterpiece Title: Pastor Fido

79
14 November 1734 @ Haymarket Theatre

Event Comment: By Command of Their Royal Highnesses the Duke and the Princesses Amelia and Caroline

Performances

Mainpiece Title: Arlequin Astrologue, Statue, Enfant, Ramoneur, Perroquet: With The Scene Of The Moor

Afterpiece Title: Les Amours de Nanterre

Music: Mr Job Baker will perform a Preamble on the Kettle Drums, accompanied by other Instruments

80
22 November 1734 @ Haymarket Theatre

Event Comment: Afterpiece: Intermix'd with Songs and Dances. [The Duke and Princesses Amelia, Mary, and Louisa present.]

Performances

Mainpiece Title: Arlequin Misantrope

Afterpiece Title: Le Carillon de Maitre Gervaise et Dame Alison

81
25 November 1734 @ Covent Garden

Event Comment: Benefit the Author. By Command of their Royal Highnesses the Princesses Amelia and Caroline

Performances

Mainpiece Title: The Fatal Extravagance

Afterpiece Title: Rule a Wife and Have a Wife

Dance: Glover's Scot's Dance. Richmond Maggot by Le Sac and Miss Rogers

Song: By Leveridge

82
10 December 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince, Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Otho

83
08 January 1735 @ Covent Garden

Event Comment: A New Opera. [Text by A. Salvi. Music by Handel. King, Queen, Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Ariodante

84
01 February 1735 @ King's Theatre

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

85
03 February 1735 @ Haymarket Theatre

Event Comment: By Command of Their Royal Highnesses the Princesses Amelia and Caroline

Performances

Mainpiece Title: Le Double Inconstance; Or, Harlequin A Courtier Against His Will

Afterpiece Title: Arlequin Empereur dans la Lune

Dance:

86
10 February 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Duke, their Royal Highnesses the Princesses Amelia and Caroline

Performances

Mainpiece Title: La Double Inconstance

Afterpiece Title: Arlequin Sauvage

Dance:

87
14 April 1735 @ Covent Garden

Event Comment: Benefit Michael Lally. By Command of Her Royal Highness the Princess Amelia. Tickets to be had at Mr Lally's House in Southampton-Row, Bloomsbury. Two Rows of the Pit will be laid into the Boxes

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Toy Shop

Dance: I: English Maggot by S. Lally, De la Garde, Miss Baston. II: Grand Pastoral Dance by Lally, Mlle Salle, Miss Rogers, S. Lally, Le Sac, Delagarde, Duke, Mrs De l'Orme, Miss Baston, Miss Norsa. III: Glover's Scotch Dance. IV: Minuet by Lally and Mlle Salle. V: Pigmalion by Lally and Mlle Salle

88
21 April 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Duke, their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa

Performances

Mainpiece Title: Tartuffe

Afterpiece Title: Attendez Moy Sous l'Orme

Dance:

89
28 April 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Prince of Wales, the Duke, their Royal Highnesses the Princesses Amelia, Carolina, Maria and Louisa

Performances

Mainpiece Title: Harlequin Astrologer, Infant, Ch1mney-sweeper, Statue, Parrot, & Skeleton

Afterpiece Title: Harlequin Hulla

Music: Select Pieces. Solo on the German Flute by Burk Thumoth

Dance:

90
01 May 1735 @ Covent Garden

Event Comment: Benefit John Hervey, Architect Painter. By Command of their Royal Highnesses the Princesses Amelia and Caroline

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Toy Shop

Dance: By Mlle Salle. Scots Dance, as17350311 Tambourine by Miss Rogers

Song: As17350422

91
14 May 1735 @ Covent Garden

Event Comment: [Their Majesties and the Princess Amelia present. Egmont also attended.]

Performances

Mainpiece Title: Alcina

92
01 October 1735 @ Drury Lane Theatre

Event Comment: By Her Majesty's Command. Written by Shakespear. [Queen, Duke, and Princesses Amelia, Mary, and Louisa present.]

Performances

Mainpiece Title: Julius Caesar

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Newmarket's Delight (new) by Delamagne, Pelling, Davenport, Rector, Janno. III: Revellers by Essex and Mrs Walter. IV: Two Pierrots by Poitier and Pelling. V: Shepherd's Mount by Denoyer, Essex, Mrs Walter, Mrs Anderson, Pelling, Villeneuve, Davenport, Miss Mann, Mrs Davenport, Miss Brett

93
08 November 1735 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. [Their Majesties, Duke, and Princess Amelia present.]

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Restor'd

Music: As17351018 Also a Set of New Act Tunes composed by Arne

Dance: I: Le Badinage de Provence by Poitier, Mlle Roland, &c. III: French Peasant by Poitier, Mlle Roland. V: Serious Ballet by Denoyer and others

94
19 November 1735 @ Covent Garden

Event Comment: By Their Majesties' Command. [Their Majesties, Duke, Princesses Amelia, Caroline, Mary, Louisa present.] London Daily Post and General Advertiser, 20 Nov.: Mrs Porter perform'd the Part of Belvidera, without having either Stick or Cane to support her. Receipts: #168 12s. 6d

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Rape of Proserpine

Dance: I: A new Peasant by Tench and Miss Rogers. II: Dance of Sailors (in Opera o{ orestes) by Glover and others. III: Two Pierrots by Nivelon and Lalauze. 1v: Faithful Shepherd by Glover, Miss Rogers, &c

95
24 January 1736 @ King's Theatre

Event Comment: A New Opera. [Music by Nicholas Porpora. Their Majesties, Princesses Amelia and Caroline expected to attend.]

Performances

Mainpiece Title: Mithridates

96
27 January 1736 @ King's Theatre

Event Comment: [Prince of Wales, Duke, and Princess Amelia present.] Daily Advertiser, 30 Jan.: The Opera oF Mithridates was so full on Tuesday Night, that there were above 440 Ladies and Gentlemen in the Pit and Boxes, besides the Subscribers. Above 50 People were oblig'd to go away for want of Room

Performances

Mainpiece Title: Mithridates

97
19 February 1736 @ Covent Garden

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

98
25 February 1736 @ Covent Garden

Event Comment: As 19 Feb. For the better Reception of the Ladies, the Pit will be floor'd over, and laid into the Boxes, and the Orchestre plac'd in a Manner more commodious to the Audience. [Their Majesties and the Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: The Feast Of Alexander

99
08 May 1736 @ Drury Lane Theatre

Event Comment: Benefit Mlle Anne Roland. By Command of Her Royal Highness the Princess Amelia. [Tickets at Mrs Anne Roland's, Golden Ball and Dove, Great Newport Street.]

Performances

Mainpiece Title: Volpone

Afterpiece Title: The Devil to Pay

Music: Select Pieces

Dance: In I: Venetian Gondolier by Denoyer, Mlle Anne Roland, &c. II: Les Rigadoons a la Provencale originale by Roland, Father of Mlle Roland and Mlle Anne Roland. In In: Biscaien (new) by Denoyer, Mlle Anne Roland, &c. IV: German Peasant by Roland. V: By Denoyer's Prentice

100
19 May 1736 @ Covent Garden

Event Comment: Rich's Register: Duke and Princess Amelia present

Performances

Mainpiece Title: Atalanta