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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princes of Wales"/1) | (@(roleclean,performerclean) "Princes of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2790 results for: Keyword - Princes of Wales
We found 913 matches on Event Comments, 716 matches on Performance Comments, 558 matches on Roles/Actors, 514 matches on Performance Title, and 402 matches on Author.

1951
23 September 1767 @ Covent Garden

Performances

Mainpiece Title: King John

Afterpiece Title: The Coronation

1952
19 September 1768 @ Haymarket Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Damon and Phillida

1953
03 May 1769 @ Covent Garden

Performances

Mainpiece Title: King John

Afterpiece Title: Harlequin Dr Faustus

Dance: IV: The Wapping Landlady, Double Hornpipe, as17690408

1954
30 August 1770 @ Haymarket Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: hay Miss in Her Teens

Dance: hay End of Play: The Cowkeeper, as17700521

1955
24 April 1773 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Padlock

Dance: I: A New Comic Dance, call'd The Cumberland Corn@thrashers-Mas. Blurton (Apprentice to Fishar), Miss Mathews; II: (By Particular Desire) a Minuet-Fishar, Sga Manesiere; III: A Hornpipe, first time-Miller (Scholar to Fishar)

Monologue: IV: a New Grand Ballet (that night only) called The Festival of the Black Prince(As performed at Paris by Fishar with universal applause). Black Prince-Fishar; Favourites-Sga Manesiere, Miss Twist; Pages-Mas. Blurton, Miller; Dancers and Attendants-Hussey, Petrie, Dumay, Settree, King, Merrifield, Curtat, Holloway, Miss Capon, Mrs Willems, Miss Stede, Mrs Inuill, Miss Matthews, Miss Bassan, Sodi, Mrs Holloway. With dresses in the mode

Ballet: V: First time this season The Wapping Landlady. Jack-Fishar; Landlady-Banks; Nosegay Woman-Sga Manesiere; with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist, Miss Capon, Miss Besford (Six principal dancers)

1956
02 February 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: The Male Coquette

1957
15 April 1774 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Dance: A Triple Hornpipe-Miss Matthews, Miller, Eves; being his first appearance. The two last, scholars to Fishar. A New Dance with Baskets of Flowers[, in which introduced, by particular desire, a Minuet and Allemande-Fishar, Sga Manesiere; [her first appearance this season. A New Grand Ballet, The Black Prince's Festival- (that night only); Prince-Fishar; Pages-Blurton, Miller; Favourites-Miss Twist, Miss Valois; [See17720424.] A New Serious Ballet-Miss Parish[, a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance

Ballet: The Favorite Comic Ballet, first time this season, The Wapping Landlady. Jack-Fishar; Landlady-Banks; Orange Woman-Miss Twist [see17730424]; [with Sixfold Hornpipe- [see17730424]

1958
01 December 1775 @ Covent Garden

Performances

Mainpiece Title: King John

Afterpiece Title: Orpheus and Eurydice

1959
29 November 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: The Deuce is in Him

1960
13 December 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: A ChristmasTale

1961
29 March 1783 @ Covent Garden

Performances

Mainpiece Title: King John

Afterpiece Title: Rosina

1962
16 January 1784 @ Covent Garden

Performances

Mainpiece Title: King John

Afterpiece Title: The Son-in-Law

1963
24 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection 0[from The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

1964
07 March 1792 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; Redemption 0; L'allegro Ed Il Pensieroso 0

Afterpiece Title: Alexander's Feast 1

Afterpiece Title: Alexander's Feast 2

Performance Comment: Now strike the golden lyre-Harrison; Break his bands of sleep asunder-Chorus; Hark hark the horrid sound-Harrison; Revenge revenge Timotheus cries, Behold a ghastly band-Bartleman; Give the vengeance due, The princes applaud-; Thais led the way-Mrs Billington; The princes applaud [repeated]-Chorus; Thus long ago-Harrison; At last divine Cecilia came-Chorus; Your voices tune-Mrs Billington; Let's imitate her notes above-Harrison, Bartleman; Let old Timotheus-Chorus.
Cast
Role: The princes applaud Actor:

Afterpiece Title: Grand Miscellaneous Act

1965
09 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: Hail Fellows Well Met

Afterpiece Title: Ways and Means

Afterpiece Title: The Rehearsal

Afterpiece Title: The Rights of Women

1966
25 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Adelaide

Afterpiece Title: The First Floor

1967
January 1664 @ Whitehall or St. James's

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

1968
30 June 1715 @ Stationer's Hall

Event Comment: To all the Nobility, Gentlemen, and Ladies. At 7 p.m. Weekly Journal, 2 July: The Pleasure that our English People of Quality took, in being acquainted, that a Gentleman of ours, the curious Mr Abel, hath brought over hither all the most delicate Entertainments...made them last Thursday, for his Encouragement, flock in abundance to his Concert...among whom were the Princess of Wales, who went Incognito, besides several of the Nobility, and other Persons of Quality

Performances

Mainpiece Title: Concert

Music: A Consort of Musick in 14 Languages-Mr Abell (lately arriv'd from Italy); Instrumental accompaniment-a great Number of the best English Masters; with Sicilian Illuminationsv; The Songs are as follows: Greek, Latin, Spanish, Italian, English, Scotch, Irish, French, High-Dutch, Low-Dutch, Danish, Swedish, Lingua Franca, Turkish; The Sea/Compass to be Sung if desired-

1969
09 June 1716 @ Hickford's Room

Event Comment: Benefit Giorgio Giacomo Beswilleball, Servant to his Serene Highness the Margrave of Brandenburgh Anspach, Brother to Her Royal Highness the Princess of Wales. At the particular Desire of several Persons of Quality. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters of the Opera

1970
26 May 1720 @ King's Theatre

Event Comment: Admission as 14 May. To be admitted on the Stage One Guinea. [The Princess of Wales and Princess Anne present.

Performances

Mainpiece Title: Numitor

1971
15 April 1721 @ King's Theatre

Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

1972
16 November 1722 @ Drury Lane Theatre

Event Comment: The Princess of Wales present

Performances

Mainpiece Title: The Conscious Lovers

1973
28 December 1725 @ King's Theatre

Event Comment: PPrince and Princess of Wales, Princesses Anne, Caroline and Amelia present

Performances

Mainpiece Title: Rodelinda

1974
25 April 1730 @ Haymarket Theatre

Event Comment: PPrince of Wales present

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Tom Thumb

1975
23 May 1730 @ King's Theatre

Event Comment: [P$Prince of Wales and Princess Caroline present.

Performances

Mainpiece Title: Ptolemy