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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince George of Denmark"/1) | (@(roleclean,performerclean) "Prince George of Denmark")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7387 results for: Keyword - Prince George of Denmark
We found 4553 matches on Author, 1438 matches on Event Comments, 1347 matches on Performance Comments, 682 matches on Performance Title, and 0 matches on Roles/Actors.

176
16 April 1790 @ Drury Lane Theatre

Event Comment: Benefit for Kelly. Afterpiece [1st time, MF 2, by Prince Hoare]: The Music chiefly composed by Storace; the Rest selected from Pleyel, Harington, Giordani, Gluck, &c. [text adds Gretry]. Account-Book, 16 Dec. 1790: Paid P. Hoare for the Copyright of No Song No Supper #63. Gazetteer, 2 Apr.: Tickets to be had of Kelly, No. 27, James-street, Covent-garden. Receipts: #273 5s. (125.19; 38.18, 2.2; tickets: 106.6) (charge: #109 19s. 4d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Dance: III: Hornpipe-Bourk

177
03 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Crouch. Afterpiece [1st time; CO 2, by Prince Hoare, based on La Grotta di Trofonio, by Giovanni Battista Casti. Not in Larpent MS; not published]; Written by the Author of No Song No Supper. The Music composed principally by Storace [partly adapted from Salieri, composer of Casti's opera; one song each by Anna Storace, Thomas Attwood, Giovanni Paisiello, Richard Suett]. Oracle, 28 Apr.: Tickets to be had of Mrs Crouch, No. 26, Bridges-street. Receipts: #280 2s. (100.12.0; 33.13.6; 4.13.6; tickets: 141.3.0) (charge: #119 9s. 8d.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare

178
15 October 1791 @ Drury Lane at King's Theatre

Event Comment: Afterpiece: Written by the Author of No Song No Supper [Prince Hoare]; performed but once [on 3 May 1791]. The Music composed principally by Storace. Receipts: #464 15s. (377.4; 85.15; 1.16)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Twin-Rivals Author(s): George Farquhar

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare

179
11 October 1792 @ Drury Lane Theatre

Event Comment: Afterpiece: Written by the Author of No Song No Supper [Prince Hoare]; the Music composed principally by Storace. Receipts: #145 14s. 6d. (94.1.6; 49.17.0; 1.16.0)

Performances

Mainpiece Title: At King's Love Makes A Man

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare

180
16 December 1793 @ Haymarket Theatre

Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: MY GRANDMOTHER

Related Works
Related Work: My Grandmother Author(s): Prince Hoare

181
09 February 1797 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; CO 2, by Prince Hoare, based partly on Le Comte D'Albert et sa Suite, by Michael Jean Sedaine. Larpent MS 1153; not published; synopsis of plot in Monthly Visitor, Feb. 1797, p. 164]: The Musick partly new and partly selected [by Michael Kelly; overture by Stanislas Champein (BUC 567)]. Books of the Songs to be had in the Theatre. Receipts: #321 14s. (184.18.6; 134.14.6; 2.1.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: A Friend in Need

Related Works
Related Work: A Friend in Need Author(s): Prince Hoare

Song: Afterpiece: Chorus-Welsh, Maddocks, Gregson, Wentworth, Atkins, Meyers, Annereau, Bardoleau, Walker, Willoughby, Ms Butler, Ms Roffey, Ms Granger, Ms Jackson, Ms Maddocks, Ms Menage, Ms Wentworth, Ms Benson

182
25 April 1797 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Prince Hoare. Larpent MS 1159; not published; synopsis of plot in Universal Magazine, May 1797, p. 364]: Overture and rest of Music composed and selected by Shield. Harp by Weippert. The new Scenery by Richards. Books of the Songs to be had in the Theatre. Receipts: #172 10s. 6d. (169.6.6; 3.4.0)

Performances

Mainpiece Title: Italian Villagers

Related Works
Related Work: Italian Villagers Author(s): Prince Hoare

Afterpiece Title: The Farm House

183
14 June 1797 @ Covent Garden

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

184
14 November 1798 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 2, by Prince Hoare, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres]: The Musick entirely new by Dussek [and Kelly]. With new Scenery [by Marinari (Monthly Mirror, Nov. 1798, p. 309)], Dresses, and Decorations. Books of the Songs to be had at the Theatre. Morning Chronicle, 7 May 1799: On May 9 will be published The Captive of Spilburg (1s. 6d.). Receipts: #209 6s. 6d. (108.10.6; 99.19.6; 0.16.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: The Captive of Spilburg Author(s): Prince Hoare

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

185
30 July 1799 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; C 5, by Prince Hoare, adapted from Armuth und Edelsinn, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor (see text). Epilogue by the author (London Chronicle, 21 Aug. 1799)]. Morning Chronicle, 14 Aug. 1799: This Day is published Sighs (2s.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Sighs; or, The Daughter

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: The Purse

Song: not listed in playbill; see17990824: In II 2nd piece: 'Twas in the solemn mid@night hour-Mrs Bland

186
12 October 1799 @ Drury Lane Theatre

Event Comment: An accurate Edition of the [mainpiece] to be had in the Theatre. "The Prince, we observed, wore the regimentals of an English officer, and the star of a knight of the Bath or Garter. We know not well how this can be thought the costume of either Messina or Arragon" (Monthly Mirror, Oct. 1799, p. 237). Receipts: #252 16s. (151.11; 100.11; 0.14)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Song: In II: Masquerade-;, and Stevens' Glee, Sigh no more Ladies-Dignum, Danby, Evans, Danby Jun., Miss Wentworth, Miss Menage

187
10 May 1800 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Prince Hoare. Prologue by Richard Cumberland; Epilogue by John Taylor (see text)]. Receipts: #220 16s. 6d. (163.9.0; 56.6.6; 1.1.0)

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: The Liar

Song: [not listed on playbill.]In: I rise with the morn-Mrs Jordan; IV: a Glee-Dignum, Trueman, Danby (Dramatic Censor, II, 169, 171)

188
February 1683 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. The Prologue and Epilogue are printed in Miscellaneous Works, Written by His Grace, George, late Duke of Buckingham (London, 1704), pp. 9-13. There is no certainty that Buckingham wrote the adaptation itself, but, in view of his writing both the Prologue and Epilogue, it seems likely. The Epilogue alludes to Shaftesbury, who had taken refuge in Holland and who had died there on 21 Jan. 1682@3, suggesting that the play, if acted, was probably presented in February 1682@3 or soon thereafter. The adaptation was apparently never printed

Performances

Mainpiece Title: The Restoration; Or, Right Will Take Place

Related Works
Related Work: The Restoration; or, Right Will Take Place Author(s): George Villiers, Duke of Buckingham

189
December 1695 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that it was advertised in the Post Boy, 27-29 Feb. 1695@6 and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than January 1695@6. It may have appeared around the turn of the year. One song, While Phillis does drink, set by John Eccles and sung by Coper; and another, So well Corinna likes the joy, the composer not named but sung by Young Laroch, a Boy of seven, are in Deliciae Musicae, The First Book of the Second Volume, 1696. Downes, Roscius Anglicanus, p. 45: A Comedy, wrote by Mr George Greenvil, when he was very Young; Extraordinary Witty, and well Acted; but offending the Ears of some Ladies who set up for Chastity, it made its Exit. A Comparison Between the Two Stages (1702), p. 20: And a good Comedy, tho it had the Misfortune to be ill receiv'd

Performances

Mainpiece Title: The She-gallants

Related Works
Related Work: The She-Gallants Author(s): George Granville, Lord Lansdowne

190
January 1701 @ Lincoln's Inn Fields

Event Comment: [By George Granville, Lord Lansdowne. Date of premiere unknown. Published by 19-23 Jan.

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

191
April 1701 @ Drury Lane Theatre

Event Comment: [By George Farquhar. Date of premiere unknown. Published 13 May

Performances

Mainpiece Title: Sir Harry Wildair

Related Works
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar

192
February 1702 @ Drury Lane Theatre

Event Comment: [By George Farquhar. Date of premiere unknown. Published 5 March.] Preface: As to the Success of it...the French were prepossess'd, and the charms of Gallick Heels were too hard for an English Brain....There were some Gentlemen in the Pit the first Night, that took the Hint from the Prologue to damn the Play; but they made such a noise in the execution, that the People took the outcry for a reprieve....There is a Gentleman of the first Understanding, and a very good Critick, who said of Mr Wilks, that in this Part he out-acted himself, and all Men that he ever saw

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Related Works
Related Work: The Inconstant: or, The Way to Win Him Author(s): George Farquhar
Related Work: The Inconstant Author(s): George Farquhar

193
14 December 1702 @ Drury Lane Theatre

Event Comment: [By George Farquhar. Premiere.] On Monday Night a Rencounter happen'd on the Stage...between Mr Fielding and Mr Goodyar, in which the former was Wounded

Performances

Mainpiece Title: The Twin Rivals

Related Works
Related Work: The Twin-Rivals Author(s): George Farquhar

194
08 April 1706 @ Drury Lane Theatre

Event Comment: Never Acted before. [By George Farquhar. The preface is a semi-serious, semi-humorous apology for having the play open on the night of D'Urfey's benefit at the Queen's

Performances

Mainpiece Title: The Recruiting Officer

Related Works
Related Work: The Recruiting Officer Author(s): George Farquhar

195
22 July 1712 @ Drury Lane Theatre

Event Comment: Not Acted these Twelve Years. Written by the late Mr George Farquer

Performances

Mainpiece Title: Love And A Bottle

Related Works
Related Work: Love and a Bottle Author(s): George Farquhar

196
25 July 1712 @ Drury Lane Theatre

Event Comment: Written by late Mr George Farquer

Performances

Mainpiece Title: Love And A Bottle

Related Works
Related Work: Love and a Bottle Author(s): George Farquhar

197
25 September 1717 @ Southwark Fair

Event Comment: Benefit Penkethman, Pack, and Spiller. At Penkethman's Booth near St. George's Church, in Southwark. The Boxes and Pit are laid together, and the Booth will be pull'd down on Thursday. At 6 p.m. Weekly Journal or British Gazetteer, 5 Oct.: Wednesday at the Quarter-Sessions for the Borough of Southwark, Mr Penkethman, Mr Leigh, and other Persons taken out their Booths by the Informing Constables during the Time of the Fair, appear'd upon their Recognizances, and were immediately Discharg'd, there being no Prosecution, upon which Occasion the Recorder severely reprimanded the Constables for presuming to molest such as Acted upon a Lawful Patent, whilst they let others pass undisturb'd, who were really under the Censure of the Act against Strolling, or Vagrant Players

Performances

Mainpiece Title: The Recruiting Officer

Related Works
Related Work: The Recruiting Officer Author(s): George Farquhar

Dance: Lancashire Hornpipe-Esq Timothy's Countryman who perform'd it with so much Applause during the Time of the Fair; Mimic Scene between Harlequin and a Peasant-; Vaulting on the Horse-a Gentleman lately arriv'd from France

198
16 January 1719 @ Lincoln's Inn Fields

Event Comment: [By George Sewell.] Never Acted before

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

199
24 February 1724 @ Lincoln's Inn Fields

Event Comment: [By George Jeffreys.] With all new Habits. Receipts: money #91 6s. 6d.; tickets #2 5s

Performances

Mainpiece Title: Edwin

Related Works
Related Work: Edwin Author(s): George Jeffreys

200
27 February 1731 @ Lincoln's Inn Fields

Event Comment: Never Acted before. [By George Jeffreys.] Receipts: #44 18s. 6d

Performances

Mainpiece Title: Merope

Related Works
Related Work: Merope Author(s): George Jeffreys