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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince Eugene"/1) | (@(roleclean,performerclean) "Prince Eugene")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2456 results for: Keyword - Prince Eugene
We found 876 matches on Event Comments, 739 matches on Performance Comments, 509 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

2051
12 February 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince of Wales, and three eldest Princesses present. Egmont also present. For a satiric pamphlet on opera, see Harmony in an Uproar, dated 12 Feb.; much of it is reprinted in Deutsch, Handel, pp. 344-57.]

Performances

Mainpiece Title: Ariadne [in Creta]

2052
05 March 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince of Orange, and rest of Royal Family present.]

Performances

Mainpiece Title: Ariadne [in Creta]

2053
12 March 1734 @ King's Theatre

Event Comment: Their Majesties, three eldest Princesses, and Prince of Orange present

Performances

Mainpiece Title: Ariadne [in Creta]

2054
23 March 1734 @ King's Theatre

Event Comment: Egmont, II, 68: After dinner I went... to hear Hendel's Serenata composed in honour of the marriage, call'd Apollo and Daphnis. The Royal Family was all there, the Prince of Wales excepted

Performances

Mainpiece Title: Parnasso In Festa

2055
02 April 1734 @ Covent Garden

Event Comment: Benefit Galliard. [Prince of Wales present.]

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The Nuptial Masque

Dance: I: Les Characteres de l'Amour by Mlle Salle. II: French Peasant by Maker. III: Pigmalion, as17340114

2056
02 April 1734 @ King's Theatre

Event Comment: Composed by Mr Handel. [Prince and Princess of Orange, Princess Caroline, Mrs Pendarves, Lady Rich, and Egmont present.]

Performances

Mainpiece Title: Deborah

2057
04 April 1734 @ Drury Lane Theatre

Event Comment: Benefit Mrs Butler. Written by the late Mr Congreve. [Prince of Orange expected to attend.]

Performances

Mainpiece Title: Love For Love

Dance: I: Pierrots by Poitier and Nivelon. III: Black and White Joak by Nivelon and Miss Mann. IV: Revellers by Miss Latour and others. V: Dutchwoman by Miss Robinson

Song: II: Quanto dolce, duanto care by Miss Arne

2058
10 April 1734 @ Lincoln's Inn Fields

Event Comment: As 8 April. Benefit Mrs Celestina Hempson. At 6:30 P.M. [Prince of Orange expected to attend.]

Performances

Mainpiece Title: David

2059
24 April 1734 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness [Prince present.]

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Cupid and Psyche

2060
18 May 1734 @ King's Theatre

Event Comment: An Opera, compos'd by Mr Handel. Intermix'd with Chorusses. 6:30 P.M. [Prince of Wales present.]

Performances

Mainpiece Title: Pastor Fido

2061
15 June 1734 @ Lincoln's Inn Fields

Event Comment: This will be the last Performance. [Their Majesties, Prince, Duke, and all the Princesses present.]

Performances

Mainpiece Title: Aeneas

2062
28 June 1734 @ Haymarket Theatre

Event Comment: The Prince of Wales paid #250 to Handel's Opera Company. See BM, Add MSS 24, 403

Performances

Mainpiece Title: The Nonjuror

Dance: II: Two Pierrots by Davenport and Olbeldiston. III: Harlequin by Miss Brett. V: A new Country Dance by Davenport, proper to the Play

Song: I: A Generi Affetti by Miss Jones and Master Arne. IV: Was ever Nymph like Rosamond by Miss Jones

2063
11 September 1734 @ Hampstead

Performances

Mainpiece Title: Concert

Performance Comment: music . The Vocal Parts by Gentlemen, particularly a new Hampstead Song, compos'd by Mr Seedo, for two French Horns, Violins, Hautboys, &c. The Instrumental by the best Hands. The Violin Concertino by Capt Dupar, Scholar to the late celebrated Signor Corelli, and late Musick Master to his present Highness the Prince of Orange. With several Pieces of his own composing, for the Violin and Harpsichord. The Concert will consist of three Acts .

2064
25 October 1734 @ Covent Garden

Event Comment: For the Entertainment of Tomo Chachi. . . Tenauki . . . Prince Toonahowi. Mainpiece: Written by Sir George Etheridge

Performances

Mainpiece Title: She Wou'd If She Cou'd

Afterpiece Title: The Necromancer

2065
05 November 1734 @ King's Theatre

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

2066
29 November 1734 @ York Buildings

Event Comment: London Daily Post and General Advertiser, 30 Nov.: Last Night there was a Rehearsal of a new Opera before his Royal Highness the Prince of Wales at his House in Pall-Mall, in which Farinelli and Senesino each of them perform'd a Part

Performances

Mainpiece Title: Othello, Moor Of Venice

2067
10 December 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince, Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Otho

2068
01 February 1735 @ King's Theatre

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

2069
15 March 1735 @ King's Theatre

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

2070
20 March 1735 @ Covent Garden

Event Comment: Benefit Ryan. At the Desire of several Persons of Quality. Afterpiece: A Farce, never performed before. Taken from Moliere. [Author unknown. Apparently not printed. See London Daily Post and General Advertiser, 19, 20, and 21 March, for expressions of good will to Ryan, including a gift often guineas from the Prince of Wales.]

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: A School for Women

Dance: La Coquette Francoise by Lally, S. Lally, Mlle Salle. Scot's Dance, as17350315

Song: By Leveridge and Mrs Wright

2071
24 April 1735 @ Covent Garden

Event Comment: Benefit Mlle Salle. By Command of His Royal Highness the Prince of Wales. Tickets to be had at Madam Salle's Lodgings at Mr Belleur, Jeweller, opposite the Red-Lion, Brownlow-street, DL

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: I: Pigmalion by Lally, Mlle Salle &c. II: Fawns by Lally, Mlle Grognet, Miss Rogers, Mrs De l'Orme. III: By Denoyer and Mlle Salle. IV: By Mlle Grognet, Miss Rogers, Mrs De l'Orme. V: Minuet by Denoyer and Mlle Salle

2072
28 April 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Prince of Wales, the Duke, their Royal Highnesses the Princesses Amelia, Carolina, Maria and Louisa

Performances

Mainpiece Title: Harlequin Astrologer, Infant, Ch1mney-sweeper, Statue, Parrot, & Skeleton

Afterpiece Title: Harlequin Hulla

Music: Select Pieces. Solo on the German Flute by Burk Thumoth

Dance:

2073
17 May 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: An Old Man Taught Wisdom

Music: I: The last new Medley Overture, Composed by Charke

Dance: II: The Happy Shepherd and Shepherdess by Davenport and Miss Brett. III: Pierots by Davenport and Pelling. IV: Scot's Dance by Davenport and Mrs Davenport. V: By Desire, The Prince of Wales's Saraband, with a Minuet by Davenport and Miss Brett

Performance Comment: III: Pierots by Davenport and Pelling. IV: Scot's Dance by Davenport and Mrs Davenport. V: By Desire, The Prince of Wales's Saraband, with a Minuet by Davenport and Miss Brett .

2074
16 August 1735 @ Richmond

Event Comment: Daily Advertiser, 18 Aug.: His Royal Highness the Prince, and several Persons of Quality, were present at the Play Love for Love, which was acted at the Theatre upon the Green

Performances

Mainpiece Title: Love For Love

2075
23 August 1735 @ Welch Fair

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: The Mistake; or, The Lover's Quarrel

Performance Comment: By Men and Women. Concluding with the Grand Machine of the Royal Nuptials of the Prince of Orange in the Temple of Hymen .