SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince Edward"/1) | (@(roleclean,performerclean) "Prince Edward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1336 matches on Author, 1146 matches on Performance Comments, 1042 matches on Event Comments, 567 matches on Performance Title, and 289 matches on Roles/Actors.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: MARIAN

Performance Comment: Edward-Johnstone; Sir Henry Freeman-Incledon; Robin -Blanchard; Thomas-Townsend; Jamie -. Powel; Oliver-Thompson//Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Miss Poole .
Cast
Role: Edward Actor: Johnstone

Song: In Act II of mainpiece Hark! the Lark at Heaven's Gate sings by Gray, Linton, Miss Barnett, Mrs Mountain; In afterpiece a new Hunting Song, composed by Shield, by Incledon [this song not listed on playbill, but see World, 19 Nov.]

Monologue: 1793 11 18 Before the mainpiece an Occasional Address by Middleton

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship; Or, An Escape From France

Performance Comment: Edward-Incledon; Joey-Munden; Sedgly-Hull; Patrick-Rock; French Commandant-Claremont; Gaoler-Blurton; Sailor-Wilde; Captain O'Leary-Johnstone// Annette-Miss Poole .
Cast
Role: Edward Actor: Incledon

Afterpiece Title: THE LONDON HERMIT; or, Rambles in Dorsetshire

Afterpiece Title: THE SON-IN-LAW

Performances

Mainpiece Title: The Rage

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman (with Old Towler)-Incledon; Robin-Townsend; Thomas-Gray; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Miss Poole.
Cast
Role: Edward Actor: Johnstone

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman (with Old Towler)-Incledon; Robin-Townsend; Thomas-Haymes; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Mrs Serres (1st appearance in that character).
Cast
Role: Edward Actor: Johnstone

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: British Fortitude

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman-Incledon; Robin-Townsend; Thomas-Gray; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Mme Mara (1st appearance in that character).
Cast
Role: Edward Actor: Johnstone

Dance: In II 1st piece: As17971006

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Britannia; or, The Royal Lovers

Performance Comment: Prince Germanicus-Mrs Thurmond; Britannia-Mrs Roberts; Royal Attendants on Germanicus-W. Giffard, Rosco, Bardin, West, Moore, Presgrove; Royal Attendants on Britannia-Mrs Haughton, Miss Norman, Mrs M. Giffard, Mrs Wetherilt, Mrs Dove, Miss Tollet; Priests of Hymen-Lyon, Dove, Ayres, Wetherilt Sr, Monlass, Morris; Watermen-Bardin, Stoppelaer, Jenkins, Harbin, Rosco, Sandham, Delagarde, Dove; Grenadiers-Huddy, Excell, Moore, Wetherilt, Evans, West, Monlass, Morris; Serjeant-Hulett; Cupid-Miss Cole; Deities-Vallois, Delagarde, Sandham; Graces-Miss Wherrit, Miss Sandham, Mrs Vallois; First Swain-Thurmond; First Nymph-Mrs Bullock; Followers-Vallois, Delagarde, Sandham; Nymphs-Miss Wherrit, Miss Sandham, Mrs Vallois .

Entertainment: [Author unknown.] The House will be adorned with the Portraits of the Royal Family, and his Highness the Prince of Orange; and a new Ceiling-piece of Apollo and the Muses. The Cloaths, Scenes, Machines, and other Decorations entirely new. On which Account the Boxes and Balconies on the Stage will be 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performance Comment: ] The House will be adorned with the Portraits of the Royal Family, and his Highness the Prince of Orange; and a new Ceiling-piece of Apollo and the Muses. The Cloaths, Scenes, Machines, and other Decorations entirely new. On which Account the Boxes and Balconies on the Stage will be 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d .

Performances

Mainpiece Title: The Life And Death Of King John

Performance Comment: Prince Arthur-Miss Burgess; With a New Prologue- in the Characters of Shakespear's Ghost, the Squire, Mr Student, and Mr Bays; concluding with an Address to the Ladies- of the Shakespear's Club.
Cast
Role: Prince Arthur Actor: Miss Burgess

Afterpiece Title: The Rival Milliners

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Prince Volscius-Davies; Gentleman Usher-Weston; Tom Thimble-Quin; Thunder-Johnson; Smith-Lewis; Prettyman-Death; The Sun-Blakey; Amaryllis-Mrs Osborne; Chloris-Miss Platt; two Kings of Brentford-Hayes, Jackson; Parthenope, Moon-Mrs Daly; Bayes-Wilkinson (with a variety of imitations); Johnson-Kennedy; with an additional Reinforcement of Mr Bayes's new rais'd Troops-.
Cast
Role: Prince Volscius Actor: Davies
Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: The Mayor of Garratt

Dance: II: A Serious Dance-Miss Street (scholar to Ghendi); V: The Venetian Gardeners-Master Rogier, Miss Street

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: Edward Gower to Sir R. Leveson, 26 Feb. 1660@1: No more plays at court after this night, and but three days this week at the playhouse (HMC, 5th Report, 1876, p. 202). Boswell (Restoration Court Stage, p. 279) accepts this as evidence that a play was acted at Court on this night. As this was Shrove Tuesday, Gower's statement may well reflect the restrictions upon plays during Lent

Performances

Event Comment: Edward Bedingfield to the Countess of Rutland, 1 Jan. 1684@5: Wee are in expectation of an opera composed by Mr Dryden, and set by Grabuche [Grabut], and so well performed at the repetition that has been made before his Majesty at the Duchess of Portsmouth's pleaseth mightily, but the rates proposed will not take soe well, for they have set the boxes at a guyny a place, and the Pitt at halfe. They advance 4,000 l. on the opera, and therefore must tax high to reimburse themselves (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 85)

Performances

Event Comment: Prince and Princess present

Performances

Mainpiece Title: Cato

Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Devil to Pay; or, The Wives Metamorphos'd

Event Comment: [Prince of Wales and Princess Amelia present.]

Performances

Mainpiece Title: Ariadne

Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: Ariadne

Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: Ariadne

Event Comment: (Prince of Wales present.)

Performances

Mainpiece Title: Ariadne [in Naxus]

Event Comment: Prince of Orange expected this evening

Performances

Mainpiece Title: Ariadne [in Creta]

Event Comment: [Prince and Princess of Orange present.]

Performances

Mainpiece Title: Parnasso In Festa

Event Comment: Prince and Princess of Orange expected to attend

Performances

Mainpiece Title: Parnasso In Festa

Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Devil to Pay

Event Comment: [Prince of Wales present.] As 12 Jan

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin Restor'd

Event Comment: [Prince of Wales, Duke, and Princess Amelia present.] Daily Advertiser, 30 Jan.: The Opera oF Mithridates was so full on Tuesday Night, that there were above 440 Ladies and Gentlemen in the Pit and Boxes, besides the Subscribers. Above 50 People were oblig'd to go away for want of Room

Performances

Mainpiece Title: Mithridates

Event Comment: [Prince and Princess of Wales present.]

Performances

Mainpiece Title: Orpheus