SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Phillip Frowde"/1) | (@(roleclean,performerclean) "Phillip Frowde")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 343 matches on Performance Comments, 123 matches on Event Comments, 120 matches on Performance Title, 99 matches on Author, and 10 matches on Roles/Actors.

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Alexander the Great; or, The Conquest of Persia

Performance Comment: Macedonians: Alexander-J. D'Egville; Hephestion-Aumer; Clytus-Dubois; Perdiccas-Fairbrother; Parmenio-Phillimore; Ptolemy-Caulfield; Attalus-Benson; Eumenes-Bland; Philip-G. D'Egville; Officers-; Guards-; Attendants-; Thalestris-Mrs Fialon (1st appearance on this stage); Amazons-Miss Collins, Miss Heard, Miss D'Egville, Miss Redhead, Miss Stageldoir, Miss Stuart, Miss Tidswell, Mrs Bramwell; Persians: Darius-Fialon; Son of Darius-Master Menage; Oxathres-Boimaison; Memnon-Webb; Arsites-Maddocks; Spithridates-Banks; Raesaces-Lyons; High Priest of the Sun-Roffey; Sysigambis-Mrs Cuyler; Parisatis-Mrs Hedges; Artemisia-Mrs Butler; Statira-Miss J. Hilligsberg (1st appearance on this stage); Satraps-Kelly Jun., Evans, Brady, Caulfield Jun., Powell, Creed; Attendant Females-Miss Brooker, Miss Phillips, Miss Daniel, Mrs Harris, Mrs Haskey, Miss Chatterley, Miss Granger, Mrs Jones, Miss Menage, Miss D'Egville; Priests-; Persian Army=-.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: First Love

Afterpiece Title: The Prize

Dance: End 2nd piece: New Dance-; in which The Princess of Wales's New Minuet and Gavot-J. and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville

Performance Comment: and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville.

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Matrimony

Afterpiece Title: High Life below Stairs

Performance Comment: Lord Duke-Lewis; Lovel-Munden; Sir Harry (with the Mock Minuet)-Betterton; Freeman-Clarke; Phillip-Davenport; Tom-Rees; Robert-Thompson; Coachman-Powel; Lady Charlotte-Mrs Follett; Lady Bab-Mrs Gilbert; Cloe-Mrs Masters; Cook-Mrs Norton; Mrs Kitty (with the Song, and Mock Minuet)-Mrs Abington.
Cast
Role: Phillip Actor: Davenport

Song: In III 1st piece: song-Incledon; in 2nd piece: Strike the Harp in praise of Bragela-

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: High Life below Stairs

Performance Comment: Lord Duke-Lewis; Lovel-Munden; Sir Harry-Knight; Freeman-Clarke; Phillip-Davenport; Kitty (with a song)-Mrs Knight.
Cast
Role: Phillip Actor: Davenport

Dance: In afterpiece: Mock Minuet-Mr and Mrs Knight

Entertainment: Singing and Monologues.End: a Dialogue Duet (1st time), The Pledge of Love; or, British Tar's Farewell-Incledon, Mrs Mountain (the Music entirely New); The Barber's Petition, with a song in character, Wigs (including his Own Wig, The Doctor's Wig, Counsellor's Wig, The Lover's Wig, Coachman's Wig, etc.)-Knight; Ode on the Passions-Mrs Pope; Old Towler-Incledon

Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Performances

Mainpiece Title: Psyche Debauched

Performance Comment: [Edition of 1678: King Andrew-Phillip-$Charleton; Bruine-$Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?">Mrs Corbett; Nicholas-$Mrs Knep; Phillip-$Charleton; Bruine-$Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?]; Justice Crabb-$Wiltshire; Wou'dhamore-$Mrs Rutter; None-so-fair-$Haynes; Redstreak-$Cory; Woossat-$Clarke; Prologue-; Epilogue-.
Cast
Role: Phillip Actor: Charleton
Event Comment: Intelligence Domestick and Foreign, 21-25 June 1695: One Phillips, a Dancer in the Playhouse, is Committed to Newgate for being one of those concerned in the Robbery of the Theatre in Dorset-Garden, and a great many of their Habits are recovered again, but plundered of their Silver and Gold Lace, Fringes, &c. [See also Wilson, Theatre Notes from the Newdigate Newsletters, p. 82.

Performances

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: Hametalhaz-the young gentleman who played Chamont on 7 July (Phillips); who speaks a new Epilogue-the young gentleman.

Song:

Dance:

Event Comment: [According to the Poetical Courant, 6 April, a private performance of Caius Marius by several Gentlemen for their Diversion" had been acted by this date. A Prologue by Mrs Phillips is printed in that issue of the Poetical Courant.

Performances

Mainpiece Title: The Wonders In The Sun

Event Comment: [By Ambrose Phillips.] At the Desire of several Ladies of Quality. William Egerton: And in the Spring came on Mr Phillips's Tragedy, The Distrest Mother. Mrs Rogers, an Actress, who in her Turn, had made a considerable Figure on the Stage, was designed the Part of (Andromache, Hector's Widow, &. i.e.) the Distrest Mother. But the Author, as well as his Friends, were soon convinced that Mrs Oldfield was infinitely the more accomplished Person for so Capital a Part. Upon its being given to Her, Mrs Rogers raised a Posse of Profligates, fond of Tumult and Riot, who made such a Commotion in the House, that the Court hearing of it send four of the Royal Messengers, and a strong Guard, to suppress all Disorders. This being effected, the Play was brought upon the Stage and crowned with deserved Success (Egerton, pp. 31-32)

Performances

Mainpiece Title: The Distrest Mother

Event Comment: Written by Mr Phillip Messinger, and now revis'd with Alterations

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Song: Ray

Dance: Thurmond Jr, Topham, Miss Smith

Event Comment: By His Royal Highness's Command. An ancient Story, written by Mr Phillip Massinger, and Acted but twice since the Reign of King Charles the First; now revis'd with Alterations. [The Prince present.

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Dance: Weaver, Shaw, Mrs Booth, Mrs Bicknell

Event Comment: Benefit Walker, to make up the Deficiency of his last. Mainpiece: An Ancient Story Written by Mr Phillip Massenger. Now Revis'd, with Alterations

Performances

Mainpiece Title: The Bondman

Afterpiece Title: Harlequin Turn'd Judge

Dance: Weaver, Shaw, Thurmond Jr, Mrs Bicknell, Mrs Younger, Mrs Tenoe; Tollet's Ground-Mrs Bicknell, Mrs Younger

Event Comment: [By William Phillips.] Never Acted before. The Characters all new Dress'd. Receipts: #57 10s. 6d

Performances

Mainpiece Title: Hibernia Freed

Event Comment: [By Ambrose Phillips.] Never Acted before. With new Habits. [See also Weekly Journal or Saturday's Post, 24 Feb., and Freeholder's Journal, 21 Feb.

Performances

Mainpiece Title: The Briton

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips
Event Comment: As 11 Jan. Benefit Cap. Phillips. Receipts: money #37 15s. 6d.; tickets #63

Performances

Mainpiece Title: Every Man In His Humour

Event Comment: Benefit Roberts and Jones. Afterpiece: A New Ballad Opera of one Act [by Edward Phillips]. [For a puff of the afterpiece, see Daily Advertiser, 25 April, and Daily Post, 2 May.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Livery Rake; or, The Intriguing Servants

Dance: I: Drunken Peasant-LeBrun; II: Saraband, Minuet-Lally Jr, Miss Mears; IV: English Maggot-Haughton, Mrs Walter; V: The Watteau-Miss Robinson; End of Afterpiece: Bartholomew Fair-F. Tench, Mrs Delorme

Event Comment: Benefit Phillips (LeBrun) and Mrs Mullart. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Country Revels

Afterpiece Title: Harlequin Restor'd

Dance: I: Drunken Peasant-LeBrun

Event Comment: Benefit Arne and Young Master Arne. At the particular Desire of several Persons of Quality. Afterpiece: a new Masque. Alter'd from the Serenata made on the Joyous Occasion of the Royal Nuptials: With Additions. [See Love and Glory, DL, 21 March, by Phillips and Arne.] Tickets for Tench at othello taken this night

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Britannia; or, Love and Glory

Related Works
Related Work: Love and Glory Author(s): Thomas Phillips

Music: Select Pieces. IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England

Dance: I: The Pierrots by Poitier and Nivelon. II: English Maggot by S. Lally and Mrs Walter. III: Drunken Peasant by Le Brun

Event Comment: Benefit Phillips Le Brun, Harlequin. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Colombine Courtezan

Dance: I: Dutchman and Frow by Le Brun and Miss Brett. II: Russian Sailor by Denoyer. III: Drunken Peasant by LeBrun. IV: Pierrots by Nivelon and Lalauze

Performances

Mainpiece Title: Double Dealer

Afterpiece Title: Lover's Opera

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Drunken Peasant by Phillips. V: A new dance by Essex, Mrs Walter, Dukes, Davenport, Rector, Miss Mann, Miss Cantrell, Miss Brett

Performance Comment: III: Drunken Peasant by Phillips. V: A new dance by Essex, Mrs Walter, Dukes, Davenport, Rector, Miss Mann, Miss Cantrell, Miss Brett .

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplish'd Fools

Afterpiece Title: The Mock Doctor

Music: Select Pieces

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Drunken Peasant by Phillips. IV: Serious Dance by Mlle Roland. V: Rover by Essex, Mrs Walter, Miss Mann, &c

Performance Comment: III: Drunken Peasant by Phillips. IV: Serious Dance by Mlle Roland. V: Rover by Essex, Mrs Walter, Miss Mann, &c .

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Virgin Unmask'd

Dance: I: Pierrots by Delamagne and Villeneuve. III: Black and White Joak by Phillips and Miss Mann. V: English Maggot by Villeneuve and Mrs Walter

Performance Comment: III: Black and White Joak by Phillips and Miss Mann. V: English Maggot by Villeneuve and Mrs Walter .

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Virgin Unmask'd

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Grand Ballet by Essex, Mrs Walter, &c. IV: Dutchman and His Frow by Phillips and Miss Mann. v: Rover, as17360412

Performance Comment: III: Grand Ballet by Essex, Mrs Walter, &c. IV: Dutchman and His Frow by Phillips and Miss Mann. v: Rover, as17360412.