SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Philips"/1) | (@(roleclean,performerclean) "Philips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1550 matches on Roles/Actors, 1001 matches on Author, 458 matches on Performance Comments, 78 matches on Performance Title, and 77 matches on Event Comments.

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Afterpiece Title: The Hermione

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Oscar and Malvina

Song: As18000308

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Raymond and Agnes

Performances

Mainpiece Title: Peed The Plough

Afterpiece Title: Paul and Virginia

Dance: In afterpiece: As18000501

Song: In afterpiece: As18000501

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Dance: As18000503

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Humourist

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: St David's Day

Afterpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Dance: In 3rd piece: As18000501

Song: In 3rd piece: As18000501

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: Of Age To-morrow

Ballet: End: The Scotch Ghost. As17991202

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: No Song No Supper

Dance: End II: New Divertisement Ballet-Sga Bossi DelCaro, Mme D'Egville, Gheri; a Pas Seul-Sga Bossi DelCaro; accompanied on the tamborine-Sga Bossi DelCaro; End: The Lucky Escape Principal Performers-St.Pierre, Grimaldi, Gheri, Miss B. Denis, Mrs Grimaldi, Miss E. Denis, Miss Lupini, Miss Cranfield, Mme D'Egville, Sga Bossi DelCaro, the whole Corps de Ballet

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Robin Hood

Song: End: a new song (composed by Dr Arnold,)-Miss Leak; accompanied on the Tamborine-Miss Leak

Ballet: After Singing: The Scotch Ghost. As17991202

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: Love's Cruelty

Event Comment: Benefit for Philips and Mrs Cowper. Tickets deliver'd by Jefferson, Dennison, Ward, and Mrs Wright will be taken. Buck in the afterpiece being by Particular Desire, and the last time of his performing it this season. Tickets of Philips at his house in Martlet Court, Bow St., Covent Garden; of Mrs Cowper, at Fryer's, Hosier, corner of James St., Long-Acre. Receipts: #140 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Englishman in Paris

Dance: IV: The Pierrot's Dance-Dennison, Granier; V: A Punch Dance-Dennison

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Performances

Mainpiece Title: Catiline