SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Paul Whitehead"/1) | (@(roleclean,performerclean) "Paul Whitehead")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 196 matches on Author, 161 matches on Performance Comments, 53 matches on Event Comments, 29 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Widow And No Widow

Related Works
Related Work: A Widow and No Widow Author(s): Paul Jodrell

Afterpiece Title: Midas

Dance: As17790610

Performances

Mainpiece Title: A Widow And No Widow

Related Works
Related Work: A Widow and No Widow Author(s): Paul Jodrell

Afterpiece Title: Fire and Water

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: A Widow and no Widow

Related Works
Related Work: A Widow and No Widow Author(s): Paul Jodrell

Afterpiece Title: Fire And Water

Dance: End 2nd piece: Dance, as17800615

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: A Widow and no Widow

Related Works
Related Work: A Widow and No Widow Author(s): Paul Jodrell

Afterpiece Title: Fire And Water

Dance: As17800719

Performances

Mainpiece Title: A Widow And No Widow

Related Works
Related Work: A Widow and No Widow Author(s): Paul Jodrell

Afterpiece Title: The Genius of Nonsense

Dance: In afterpiece: Master and Miss Byrne.[This dance was included in all subsequent performances.

Performances

Mainpiece Title: The Heroine Of The Cave

Related Works
Related Work: The Heroine of the Cave Author(s): Paul Hiffernan

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Song: In Act II of mainpiece an Anthem (singers not listed)

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Event Comment: MMiss Barton for her first appearance did Lady Pliant pretty well--Foote, Sir Paul--the farce was hiss'd ($Cross). [N.B. The Folger Shakespeare Library has this bill, as a stage manager's MS for the printer.] Receipts: #130 (Cross)

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Mossop, 1st time; Sir Paul Plyant-Foote; Brisk-Woodward; Careless-Palmer; Lord Touchwood-Davies; Lord Froth-Blakes; Saygrace-Clough; Cynthia-Mrs Davies; Mellefont-Havard; Lady Touchwood-Mrs Pritchard; Lady Froth-Mrs Clive (with a song in character); Lady Pliant-A Young Gentlewoman, 1st appearance that stage.
Cast
Role: Sir Paul Plyant Actor: Foote

Afterpiece Title: The Englishman Returnd from Paris

Event Comment: [In 1st piece the playbill assigns Father Paul to Mahon, but on the Kemble playbill a MS annotation substitutes Booth.] Receipts: #174 15s. (171/11; 3/4)

Performances

Mainpiece Title: The Duenna

Performance Comment: Ferdinand-Mattocks; Isaac-Quick; Jerome-Wilson; Lopez-Wewitzer; Father Paul-Booth; Carlos-Brett; Antonio-Reinhold; The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Bannister. [Songs (J. Wilkie and T. Evans, 1783) adds: Lay-Brother-Besford.] hathi. hathi.
Cast
Role: Father Paul Actor: Booth

Afterpiece Title: The Rival Knights

Afterpiece Title: Tristram Shandy

Performances

Mainpiece Title: Peed The Plough

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: In afterpiece: As18000501

Song: In afterpiece: As18000501

Performances

Mainpiece Title: The Good natured Man

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: As18000503

Performances

Mainpiece Title: The Good natured Man

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: As18000503

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: St Davids Day

Afterpiece Title: Liberal Opinions

Cast
Role: Paul Actor: Incledon

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: In 3rd piece: As18000501

Song: In 3rd piece: As18000501

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Performances

Mainpiece Title: Ulysses

Song: Paul

Entertainment: TThe Drunken Man-Day

Event Comment: Afterpiece [1st time; MF 1, by John O'Keeffe. Larpent MS 1188; not published]: The Overture and Music by Attwood. European Magazine, Jan. 1798, p. 42: Written with allusion to Their Majesties' attendance at St. Paul's [on this day, at a thanksgiving service held in honor of the recent naval victories of Howe, St. Vincent and Duncan]. Receipts: #289 17s. (286.11; 3.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Britains Brave Tars

Performance Comment: !; or, All for St. Paul's. Principal Characters-Incledon, Munden, Johnstone, Knight, Townsend, Claremont, Simmons, Wilde, Abbot, Curties, Miss Wheatley, Mrs Watts, Mrs Davenport. [Larpent MS lists the parts: Nutmeg, Capt. Ogle, Lieutenant Tafferel, Junk, Weatherbang, Pat Plunket, Dick, Waiters, Painter, Lady Piony, Miss Nancy.]Larpent MS lists the parts: Nutmeg, Capt. Ogle, Lieutenant Tafferel, Junk, Weatherbang, Pat Plunket, Dick, Waiters, Painter, Lady Piony, Miss Nancy.]

Song: As17971102

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Blade Bone or Harlequins Frolic

Afterpiece Title: The Virgin Unmaskd

Entertainment: Monologue Preceding: British Loyalty[; or, A Squeeze for St. Paul's by George Colman ynger]-Bannister Jun

Performance Comment: Paul's by George Colman ynger]-Bannister Jun.

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

Performance Comment: Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous., Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous.