SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Paul Hiffernan"/1) | (@(roleclean,performerclean) "Paul Hiffernan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 161 matches on Performance Comments, 49 matches on Event Comments, 28 matches on Performance Title, 26 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Abington. [Farce in two acts. Never before acted. Written by Paul Hiffernan, not printed (Winston MS 10).

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The National Prejudice

Related Works
Related Work: The National Prejudice Author(s): Paul Hiffernan

Dance: Act I afterpiece: a French Dance call'd The Cotillion-Giorgi, Duquesney, Tassoni, Rolley, Mrs King, Sga Giorgi, Miss Tetley, Mrs Grimaldi; V: The Irish Hay@makers, as17670919

Event Comment: Benefit for Author of the Farce [Dr Hiffernan]. Farce never perform'd in this version before [see Maiden Whim at dl, 24 April 1756]. Farce publish'd at 1s

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Lady's Choice

Related Works
Related Work: The Lady's Choice Author(s): Paul Hiffernan

Ballet: The Feast of Bacchus. As17581116

Event Comment: Benefit for King. Tickets to be had of Mr King, at his lodgings in Broad Court, Bow Street; and of Mr Varney, at the Stage Door. The New Hippocrates, wrote by Dr Hiffernan--wretched, but went off quietly (Hopkins MS Notes)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The New Hippocrates; or, A Lesson for Quacks

Related Works
Related Work: The New Hippocrates; or, A Lesson for Quacks Author(s): Paul Hiffernan

Entertainment: After the Play: by Desire, for that night only The Picture of a Playhouse or, Bucks Have at Ye All-Mr King; a Mimic Comic opera song-Mrs Clive

Event Comment: Benefit for Reddish. Music for Mainpiece composed by an eminent Master. Authorship Henry Jones, Reddish, and Dr Hiffernan (Biographia Dramatica). Rec'd Stopages #2 12s. 6d. Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr Garrick on Acct #50; Mr Costain on note #2 2s. (Treasurer's Book). Receipts: #247 1s. 6d. Charges: #72 10s. Profit: #174 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Heroine Of The Cave

Related Works
Related Work: The Heroine of the Cave Author(s): Paul Hiffernan

Afterpiece Title: The Padlock

Music: II: A Solemn Hymn-

Dance: IV: The Sailors Revels, as17730918

Event Comment: Benefit Reddish. Mainpiece was originally written by Mr Jones, Author of the Earl of Essex, but not quite finish'd it is now altered by Dr Hiffernan--very bad (Hopkins Diary). Paid Salary List 4 days #378 10s. 8d.; J. French on Acct #5 5s. Receipts: #219, 4s. 6d. Charges: #70 11s. 6d. Profit to Reddish: #148 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Heroine Of The Cave

Related Works
Related Work: The Heroine of the Cave Author(s): Paul Hiffernan

Afterpiece Title: The Guardian

Dance: The Grand Provencalle Dance, as17750202

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Maiden Whim; or, The Critical Minute

Related Works
Related Work: The Maiden Whim; or, The Critical Minute Author(s): Paul Hiffernan

Performances

Mainpiece Title: The Heroine Of The Cave

Related Works
Related Work: The Heroine of the Cave Author(s): Paul Hiffernan

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Song: In Act II of mainpiece an Anthem (singers not listed)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Paul and Virginia

Performance Comment: Principal Characters by Incledon, Mrs Mills, Townsend, Hill, Emery, Claremont, Atkins, Abbot, Munden, Mrs Atkins, Miss Wheatley, Miss Sims, Mrs Sydney, Mrs H. Johnston. Cast from European Magazine, May 1800, p. 386: Paul-Incledon; Alambra-Mrs Mills; Tropic-Townsend; Don Antonio-Hill; Diego-Emery; Sebastian-Claremont; Dominique-Munden; Jacintha-Mrs Atkins; Mary-Miss Sims; Virginia-Mrs H. Johnston; unassigned-Atkins, Abbot, Miss Wheatley, Mrs Sydney.
Cast
Role: Paul Actor: Incledon

Afterpiece Title: Raymond and Agnes

Dance: In 2nd piece: Dances-Blurton, Wilde, Platt, Lewiss, Klanert, L. Bologna, J. Whitmore, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs Norton, Miss Bologna, Miss Dibdin, Miss Burnett

Song: In 2nd piece: Chorusses-Linton, Street, Denman, Oddwell, Thomas, Little, Curties, Lee, Ms Trevor, Ms Leserve, Ms Castelle, Ms Norton, Ms Masters, Ms Iliff, Ms Lloyd

Event Comment: Mainpiece [1st time; C 3, by Richard Paul Jodrell. Prologue by Edward Topham (see text)]

Performances

Mainpiece Title: A Widow And No Widow

Related Works
Related Work: A Widow and No Widow Author(s): Paul Jodrell

Afterpiece Title: Midas

Dance: As17790610

Performances

Mainpiece Title: Semiramide

Dance: End Opera: Paul et Virginie-Mme Hilligsberg (will as usual performed in men's clothes [i.e. as Paul])

Performance Comment: e. as Paul]).
Event Comment: Benefit for Jewell, treasurer. 3rd piece [1st time; F 1, by Richard Paul Jodrell. Text 1st published (with cast for later season) by W. Lowndes and J. Barker, 1786]

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: Seeing is Believing: A Dramatic Proverb

Related Works
Related Work: Seeing is Believing: A Dramatic Proverb Author(s): Richard Paul Jodrell

Dance: As17830610

Event Comment: An Italian Comic Opera by some performers just arriv'd from Paris. Went off pretty well, -a Girl greatly admir'd (Cross). [The girl seems to have been Sga Spiletta.] She plays off with inexhaustible spirits all muscular evolutions of the face and brows; while in her eye wantons a studied archness, and pleasing malignity. Her voice has strength and scope sufficient; has neither too much of the feminine, nor an inclining to the male. Her gestures are ever varying; her transitions quick and easy. Some over-nice critics, forgetting, or not knowing the meaning of the word Burletta, cry that her manner is outre. Wou'd she not be faulty were it otherwise? The thing chargeable to her is (perhaps) too great a luxurience of comic tricks; which (an austere censor would say) border on unlaced lasciviousness, and extravagant petulance of action (Paul Hiffernan, The Tuner, No 1). [Spiletta was the name of the character to whom Sga Nicolina Giordani gave such life that the name stuck to her. See Saxe Wyndham, Annals of Covent Garden Theatre.] [A Comic Opera by G. Giordani, Music by G. Cocchi-Nicoll, English Drama, III, p. 349.] Nothing less than the full price will be taken during the Performance. Printed books of the opera sold at the theatre. Tomorrow, Venice Preserved. [Murphy commented in Gray's Inn Journal (22 Dec.): "A great deal of whatever humour this production may contain, is certainly lost to an English audience; and the manner of acting, being a burlesque upon what people here are not very well acquainted with, is not universally felt. But notwithstanding these disadvantages, there is one among them, Sga Nicolina Giordani, who displayed such lively traces of Humour in her countenance, and such pleasing variety of action, and such variety of graceful deportment, that she is generally acknowledged to be, in that Cast of playing, an excellent comic actress."

Performances

Mainpiece Title: L'amanti Gelosi

Dance: [Unspecified.]

Event Comment: Play never acted before. [This new tragedy by MacNamara Morgan is mercilessly scourged by Paul Hiffernan in Tuner No 1, (21 Jan.), pp. 41-61]: To Tune it in Lilliputian Score : @Such sighing@Such Billing@Such Flashing@Such Heeling@And Dying@And Killing@And Dashing@And Kneeling@Such Rizing@Surprizing!@Such Falling@And Bawling@Such Attitudes@And Flattitudes@Were ne'er exhibited before.@ In the representation Mr Barry spared no pains; Miss Nossiter and Mr Smith strained hard-Mrs Bland, as far as her part exposed itself, did it with alacrity, but vanished abruptly in a storm of Lust. Mrs Vincent put as good a face on wanton barbarity as possible-and Mr Sparks who can do justice to a more spirited character, supported his Arcadian Kingship with becoming equanimity...It is a Romance crush'd together without choice, unconnected and full of Exidents not Incidents. Musidorus and Pamela , are duplicates to Pyrocles and Philoclea , which lengthen by so much the play, with repetition of the same dull nauseous tale of love, stirr'd up now and then by a bounce and a cracker-many persons come on we know not why, and disappear we know not wherefore....This new piece is an outlaw from all rules of Criticism; the Unities of Time, Place, and Action are unobserv'd; Plot, Moral, Verisimilitude, or even Probability unknown: many scenes bid defiance to possibility....Mr Rich stopp'd at no expence as to the Dresses and Decorations, and reprieving the play's duration to the utmost extent of Managerian clemency

Performances

Mainpiece Title: Philoclea

Event Comment: A New Tragedy by Dr Philip? Francis, author of Eugenia, --went off very indifferently (Cross). [This tragedy is mercilessly attacked in The Tuner No 2 by Paul Hiffernan, who compares its phrasing in a dozen instances with similar, but more perfect phrasing in Shakespeare.

Performances

Mainpiece Title: Constantine

Event Comment: For the House. Mainpiece: By Particular Desire. [Sometime after May, and during 1770 was published Paul Hiffernan's Dramatic Genius in Five Books, dedicated to Garrick (with a 2nd edn., 1772). Book I, delineates a plan for a permanent Temple to be erected to the memory of Shakespeare, in classical taste; Book II, details the invention of the drama, its rise to perfection, and gives a "candid disquisition of the rules laid down by the critics"; Book III, a treatise on the art of acting; Book IV, requisites for dramatic genius, in composition, and in acting; Book V, an essay on Architecture, Painting and the other arts as they relate to theatrical representation. Contains flattering comments on theatrical managers.

Performances

Mainpiece Title: Zenobia

Afterpiece Title: The Jubilee

Event Comment: MMiss Barton for her first appearance did Lady Pliant pretty well--Foote, Sir Paul--the farce was hiss'd ($Cross). [N.B. The Folger Shakespeare Library has this bill, as a stage manager's MS for the printer.] Receipts: #130 (Cross)

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Mossop, 1st time; Sir Paul Plyant-Foote; Brisk-Woodward; Careless-Palmer; Lord Touchwood-Davies; Lord Froth-Blakes; Saygrace-Clough; Cynthia-Mrs Davies; Mellefont-Havard; Lady Touchwood-Mrs Pritchard; Lady Froth-Mrs Clive (with a song in character); Lady Pliant-A Young Gentlewoman, 1st appearance that stage.
Cast
Role: Sir Paul Plyant Actor: Foote

Afterpiece Title: The Englishman Return'd from Paris

Event Comment: [In 1st piece the playbill assigns Father Paul to Mahon, but on the Kemble playbill a MS annotation substitutes Booth.] Receipts: #174 15s. (171/11; 3/4)

Performances

Mainpiece Title: The Duenna

Performance Comment: Ferdinand-Mattocks; Isaac-Quick; Jerome-Wilson; Lopez-Wewitzer; Father Paul-Booth; Carlos-Brett; Antonio-Reinhold; The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Bannister. [Songs (J. Wilkie and T. Evans, 1783) adds: Lay-Brother-Besford.] hathi. hathi.
Cast
Role: Father Paul Actor: Booth

Afterpiece Title: The Rival Knights

Afterpiece Title: Tristram Shandy

Performances

Mainpiece Title: Peed The Plough

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: In afterpiece: As18000501

Song: In afterpiece: As18000501

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: As18000503

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: As18000503

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Cast
Role: Paul Actor: Incledon

Dance: As18000503

Song: As18000503