SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Patrick Conner"/1) | (@(roleclean,performerclean) "Patrick Conner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 149 matches on Performance Comments, 34 matches on Performance Title, 18 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the Academy in Chancery Lane, Being the Anniversary of St. Patrick, Patron of Ireland.5s

Performances

Mainpiece Title: Concert

Music: When the fine Overture compos'd by the late ingenious Mr William Babell, for St. Cecilia's Day, will be perform'd with Trumpets, Hautboys, Violins, and Bassoons, with several other Pieces of Mr Handel's Composition, for Trumpets, French Horns by the best Masters. I: Mr Wm. Babell's Overture-; Overture Ptolomy-; Concerto Violin-; Hautboys Solo-; Concerto French Horns-; II: Overture Siroe-; Solo Flute-; Concerto Hautbois-; Seventh Concerto Corelli-; Concerto French Horns-; Several flute Pieces-Mr John Baston

Event Comment: During this month was publish'd The Dramatic Congress, a short state of the stage under present management, by W. R. Chetwynd. The older actors and dramatists sit in Elysium and discuss the fate of the theatre under Fleetwood and Rich. Much on cartels and the decay of the stage, and the chicanery indulged in to starve the Macklin-Garrick revolters. Probably about this time was also publish'd Tyranny Triumphant...Or Historical and critical remarks on the famous Cartel lately agreed on by the masters of the two theatres, by Patrick Fitz-Crambo. Discusses the rumor that Rich shut up Lincoln's Inn Fields for six months and for #600 gave the key to the Manager of Drury Lane, leaving the actors to starve, and the town to be satisfied with whatever nonsense Drury Lane chose to put on

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The School Boy

Event Comment: [The scenes are of the Stockwell Witchcraftv, according to Theatrical Review, II, 103. See 31 Jan. and 8 Feb.] Paid Patrick (tinman) #33 4s.; Paid Tinsdale (haberdasher) #3 5s. (Account Book). Receipts: #236 15s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Mother Shipton with Alterations

Event Comment: Mainpiece: By Particular Desire. Paid Hutchinson (attorney) #24 12s.; Hughes (linnendraper) #14 15s.; Bibb (sword cutler) #11 9s.; Patrick for Oyl #40 12s. (Account Book). Receipts: #174 18s

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Cross Purposes

Dance: End of Play: The Bird Catchers, as17721207

Event Comment: Paid Patrick (tinman) #51 19s. (Account Book). As the tragedy of Elfrida, written (after the Greek manner) by that most excellent poet Mr Mason, has met with such singular applause at Covent Garden Theatre, I cannot help lamenting that our English Roscius has never had a play of Sophocles (translated into English blank verse) represented at Drury Lane. The plays in general, are the finest ever written; and the Oedipus Tyrannus is, in my opinion, the properest to be represented at present, both for the grandeur of the chorusses and the magnificence of the scenery. I mention this because I think this new species of drama would be better received, by an English audience, than all the Golden Pippins, or Nonpareils, that have lately appeared on the stage. (signed) Cantab (Gentleman's Magazine , XLIII, 74). Receipts: #183 16s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End of Piece: The Bird Catchers, as17721207

Event Comment: Mainpiece: By Particular Desire. Paid Noble (upholsterer) #52 5s.; Patrick (tinman) #44 11s.; Halford (leather gilder) #16 10s. Receipts: #219 10s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Event Comment: St Patrick's Day oblig'd to be deferr'd on account of Indisposition of Mrs Pitt. The Slip now converted into Boxes at 5s. Was only 2s. (Folger News Clipping, and Winston MS 11 note from the Morning Post of 9 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cross Purposes

Event Comment: [Afterpiece in place of St. Patrick's Day, announced on playbill of 19 Feb.] Receipts: #168 5s. 6d. (166.15.6; 1.10.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Event Comment: [Afterpiece in place of St. Patrick's Day, announced on playbill of 27 Oct.] Receipts: #183 19s. (182/15; 1/4)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Author

Event Comment: The Man of the World and Patrick in Prussia [i.e. Love in a Camp; both announced on playbill of 28 Feb.] are obliged to be deferred on account of the Indisposition of Macklin and Edwin. Receipts: #143 14s. (13 8/1/6; 5/12/6)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Rosina

Dance: As17851112

Event Comment: [As mainpiece the playbill announces Love in a Village, but "Mrs Billington was taken ill & Rule a Wife was substituted" (MS annotation on BM playbill: cg, Vol. VI); as afterpiece St. Patrick's Day, but in the Account-Book (which also notes the change of mainpiece) it is deleted, and Three Weeks after Marriage substituted.] Receipts: #141 16s. (135.15.6; 6.0.6)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Event Comment: [Afterpiece in place of PATRICK IN PRUSSIA, advertised on playbill of 30 May.] On account of Johnstone's Indisposition THE WORLD IN A VILLAGE [also advertised as above] is obliged to be deferred. Tickets delivered for that Comedy [Account-Book: by Claremont, W. Wilde, Jackson, Little, Hawtin, Roberts, Pollock, Curteen, Pilfold] will be admitted. Receipts: #399 13s. 6d. (55/4/6; 4/11/6; tickets: 339/17/6)

Performances

Mainpiece Title: The Beggar's

Dance: In Act III of mainpiece Hornpipe in character by Jackson; End of mainpiece Dermot and Kathlane, as17931022

Opera: As17931211, but omitted: Mat o' the Mint. Also THE MIDNIGHT HOUR. As17931211, but omitted: Matthias, Ambrose