SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Parsons"/1) | (@(roleclean,performerclean) "Parsons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5725 matches on Roles/Actors, 1280 matches on Performance Comments, 74 matches on Event Comments, 9 matches on Performance Title, and 1 matches on Author.

Performances

Afterpiece Title: Taste

Dance: The Medley-

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Cast
Role: Old Woman Actor: Mr Parsons

Afterpiece Title: Midas

Dance: As17770707

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Cast
Role: Old Woman Actor: Mr Parsons

Afterpiece Title: The Portrait

Dance: As17770707

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Cast
Role: Carriers Actor: Moody, Parsons

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Cast
Role: Carriers Actor: Moody, Parsons

Afterpiece Title: High Life below Stairs

Dance: As17771009

Performances

Mainpiece Title: The First Part Of King Henry Iv

Cast
Role: Carriers Actor: Mofdy, Parsons

Afterpiece Title: The Wonders of Derbyshire

Dance: End II: The Coopers, as17781211

Performances

Mainpiece Title: The First Part Of King Henry Iv

Cast
Role: Carriers Actor: Moody, Parsons

Afterpiece Title: Fortunatus

Dance: As17791220

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: A Fete

Afterpiece Title: The Elders

Song: In: To thee O gentle sleep-Leoni

Performances

Mainpiece Title: The Funeral

Afterpiece Title: A Fete

Afterpiece Title: The Elders

Performances

Mainpiece Title: The Duenna

Afterpiece Title: A Fete

Afterpiece Title: The Elders

Performances

Mainpiece Title: A Gazette Extraordinary

Afterpiece Title: The Pilgrim

Afterpiece Title: The Norwood Gypsies

Dance: 3rd piece: Dancing, as17800506, but Miss _Matthews, Miss Valois

Song: As17800422

Ballet: End IV 2nd piece: The Humours of New-Market. As17800508

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Romp

Performances

Mainpiece Title: The Mountaineers

Song: Mainpiece: As17930803

Performances

Mainpiece Title: The Mountaineers

Song: Mainpiece: Vocal Parts, as17930803, but _Little, _Brown, _Hobler, _Horsfall, _Saunders, _Dibble, _Lyons

Performances

Mainpiece Title: The Mountaineers

Song: As17930816

Performances

Mainpiece Title: The Mountaineers

Song: As17930816

Performances

Mainpiece Title: The Flitch Of Bacon

Afterpiece Title: Tit for Tat

Performances

Mainpiece Title: The Mountaineers

Song: As17930823

Event Comment: [In mainpiece the playbill assigns the 1st Gravedigger to Parsons, but "an Apology was made for Parsons, and Suett went through his Part" (Public Advertiser, 2 Oct.). In afterpiece the playbill retains Parsons as Solomon; for Fawcett see 26 Nov.] "We have for so many years been accustomed to see Hamlet dressed in the Vandyke costume, that it may be material to state that Mr Kemble played the part in a modern court dress of rich black velvet, with a star on the breast, the garter and pendant ribbon of an order-the mourning sword and buckles, with deep ruffles: the hair in powder; which, in the scenes of feigned distraction, flowed dishevelled in front and over the shoulders" (Boaden, Kemble, I, 104). Receipts: #285 16s1. (265/14/0; 19/19/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Event Comment: [In mainpiece the playbill assigns Justice Woodcock to Parsons, and as afterpiece announces Tony Lumpkin in Town, but "In consequence of Parsons' illness, Edwin played the part of Justice Woodcock, with which he seems well acquainted; and he plays it with great pleasantry in his own particular style of humour....Parsons' illness also prevented the performance of Tony Lumpkin in Town, and Nature will Prevail was substituted" (Gazetteer, 8 June).

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

Event Comment: "The great powers of Mrs Jordan cannot be better displayed than in the wonderful contrast of her Country Girl and Viola. In one all archness and vivacity; in the other serious, gentle, tender and sentimental" (Public Advertiser, 16 Nov.). [In afterpiece the playbill retains Parsons as Sir Anthony Halfwit, but on the Kemble playbill his name is deleted and a MS annotation substitutes Wilson's. "Parsons was taken suddenly ill & J. Wilson read his part" (MS annotation on British Museum playbill, in Harris, 11).] Receipts: #108 12s. (79/11/0; 28/13/6; 0/7/6)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Humourist

Dance: As17851103

Event Comment: [In mainpiece the playbill retains Parsons as Alscrip, but "the performance was in its usual stile of merit, not, however, without a considerable drawback from the illness of poor Parsons, whose place was supplied by Suett" (Morning Post, 18 Oct.).] Receipts: #244 1s. (210.3; 33.13; 0.5)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Romp

Event Comment: Benefit for Mrs Goodall. Mainpiece: Not acted these 3 years. [In mainpiece the playbill assigns Don Manuel to Parsons, but "At the end of the first act [in which Don Manuel does not appear] Barrymore requested permission of the audience for Waldron to play Don Manuel, Parsons being indisposed,, (Thespian Magazine, Sept. 1794, p. 341).] Morning Chronicle, 7 Aug.: Tickets to be had of Mrs Goodall, No. 13, Great Russel-street

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: THE DEAD ALIVE

Event Comment: On Herbert's list (Dramatic Records, p. 138) appears at the end Eluira [Elvira] which is characterised as "the last" of the sequence which begins with Floras Figarys on 3 Nov. 1663. As Henry V, The Generall, Parsons Wedding, and Macbeth were acted after that date-Macbeth on 5 Nov. 1664--it is possible that Elvira; or, The Worst Not Always True may have appeared in late November. Langbaine (English Dramatick Poets, p. 530) attributes it to Lord Digby

Performances