SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Parke"/1) | (@(roleclean,performerclean) "Parke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 112 matches on Roles/Actors, 89 matches on Performance Comments, 29 matches on Author, 18 matches on Event Comments, and 14 matches on Performance Title.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the violin-G. Ashley; End Part II: concerto on the Grand Piano Forte-Miss M'Arthur

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Rosina

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Comus

Dance: As17991210

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR or Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Incledon, Florio, Linton, Hill (from Winchester), Bardeman//Mme Mara, Mrs Stuart, Master Hummell, Miss Bruman, Miss Parke. Leader of the Band-G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest [by Chorus] (CORONATION ANTHEMS). Overture (ARIADNE). THE DETTINGEN TE DEUM, in which Holy, Holy Lord by Mme Mara. PART II. Overture and Dead March (SAUL). Funeral Anthem. Tune your harps (ESTHER). Gentle airs [by Incledon], accompanied on the violoncello by C. Ashley (ATHALIA). Fall'n is the foe by Chorus {JUDAS MACCABAEUS). What tho' I trace [by Miss Parke] (SOLOMON). Lord of Eternity by Chorus; Behold the Nations; O Baal (DEBORAH). With thee the unsheltered (SOLOMON). He smote all the first-born by Chorus (ISRAEL IN EGYPT). Pious Orgies [by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, to see an old play of Shirly's called Hide Parke; the first day acted; where horses are brought upon the stage: but it is but a very moderate play, only an excellent epilogue spoke by Beck Marshall

Performances

Mainpiece Title: Hyde Park

Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: A Monody

Afterpiece Title: Polly Honeycomb

Event Comment: Paid Norris #105; Mrs Kennedy #115; Webster #80 17s.; Boy's Choir #52 10s.; David Richards #40; Parke #20; Advertisements in Public Advertiser #9 5s.; Band #354 9s. 6d.; Chorus Singers #174 19s. 6d.; Cramer, Cervetto, Crosdill #5 5s. a performance. Received from Stanley for Oratorio rent of theatre #308. Receipts: #206 3s. (204.10; 1.13)

Performances

Mainpiece Title: The Messiah Judas Maccabaeus

Music: As17790303

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; 1st Bacchanal-Vernon; Principal Bacchanals-Bannister, Du-Bellamy, &c; 1st Spirit-Aickin; Brothers-Farren, R. Palmer; The Lady-Mrs Sharp; Principal Bacchant (with Sweet Echo, accompanied by Parke)-Mrs Wrighten; Pastoral Nymph-Miss Wright; Sabrina-Miss Field; Euphrosyne-Mrs Cargill .

Song: In Act III of mainpiece song [Here's to the maiden of bashful fifteen] by Vernon. [This was sung again by Vernon on 9 Oct., but in all subsequent performances by Williams (or Williames; see17811020).]

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Principal Bacchanals-Barrymore, Staunton, Williames; 1st Spirit-Aickin; Brothers-Farren, R. Palmer; The Lady-Mrs Brereton; Euphrosyne and Principal Bacchant (with Sweet Echo, accompanied by Parke)-Mrs Wrighten; Pastoral Nymph-Miss Wright; Sabrina-Miss Field .

Dance: End of Act IV of mainpiece, as17821016; End of mainpiece, as17820917

Song: End of Act II of mainpiece A Soldier for Me (composed by Hook for The Best Bidder) by Mrs Wrighten

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Principal Bacchanals-Barrymore, Staunton, Williames; 1st Spirit-Aickin; Brothers-Farren, R. Palmer; The Lady-Mrs Brereton; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Wrighten; Pastoral Nymph-Miss Wheeler; Sabrina-Miss Field; Bacchants-Miss M. Stageldoir, Miss Barnes, Miss Simson, &c; Principal Bacchant-Miss George .

Song: In Act II of mainpiece song by Miss Field

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: Comus

Performance Comment: Comus-Henderson (1st appearance in that character); Spirit-Thompson; Brothers-Chalmers, Helme; Bacchanals-Reinhold, Davies, Brett; Sabrina and Pastoral Nymph-Miss Field (of DL); The Lady (with Sweet Echo, accompanied on the hautboy by W. Parke)-Mrs Bannister; Principal Bacchant and Euphrosyne-Mrs Martyr .

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Bacchanals-Bannister, Williames; Spirit-Barrymore; Brothers-Bannister Jun., R. Palmer; The Lady-Mrs Brereton; Euphrosyne (with Sweet Echo, accompanied [on the oboe] by Parke)-Mrs Wrighten; Pastoral Nymph-Miss Stageldoir; Sabrina-Miss Field; Bacchants-Miss M. Stageldoir, Miss Barnes, &c; Principal Bacchant-Miss George .

Performances

Mainpiece Title: Matilda

Afterpiece Title: Comus

Performance Comment: Comus-Henderson; Spirit-Thompson; Brothers-Kennedy, Helme; Bacchanals-Brett, Darley, Davies; Sabrina and Pastoral Nymph-A Young Lady (2nd appearance [Miss Orme]); The Lady (with Sweet Echo, accompanied on the hautboy by W. Parke)-Mrs Bannister; Principal Bacchant-Mrs Morton; Euphrosyne-Mrs Martyr .

Performances

Mainpiece Title: Samson

Music: End of Part I concerto on the Piano Forte ["the sixth concerto of Schroeter's last set [i.e. Op. V]" (London Magazine, Mar. 1785, p. 217)] by Miss Parke

Performance Comment: e. Op. V]" (London Magazine, Mar. 1785, p. 217)] by Miss Parke .

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Comus

Performance Comment: As17850307but The Lady-Mrs Bates; Principal Bacchant and Euphrosyne (with Sweet Echo, accompanied [on the oboe] by W. Parke)-Mrs Martyr .

Dance: As17841116

Song: In afterpiece From tyrant Laws and Customs free by Johnstone and Mrs Martyr; Live and love by Johnstone, Mrs Morton, Mrs Martyr

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Comus

Performance Comment: As17850307but Principal Bacchant and Euphrosyne (with Sweet Echo, accompanied [on the oboe] by W. Parke)-Mrs Martyr .

Dance: As17850409

Song: As17850405

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Performance Comment: Comus (1st time)-Farren; Spirit-Thompson; Brothers-Kennedy, Helme; Bacchanals-Brett, Darley, Davies; Sabrina-Mrs Morton; The Lady-Mrs Bates; Principal Bacchant and Euphrasyne (with Sweet Echo, accompanied on the oboe by W. Parke)-Mrs Martyr; Pastoral Nymph (with Noon-tide Air)-Mrs Pinto, formerly Miss Brent (1st appearance on this stage these 10 years [recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .

Song: As17850405

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Performance Comment: Comus-Farren; Spirit-Thompson; Brothers-Kennedy, Helme; Bacchanals-Johnstone, Meadows, Darley, Davies, Brett; The Lady (with Sweet Echo, accompanied on the hautboy by [W.] Parke)-Mrs Bannister; Principal Bacchant-Mrs Kennedy; Pastoral Nymph and Sabrina-Mrs Morton; Bacchants-Miss Stuart, Miss Orme, Miss Cranfield, Mrs Davenett, Miss Browning, Miss Francis, Miss Rowson, Mrs Gray; Euphrosyne-Mrs Martyr .

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Bacchanals-Bannister, Williames; Spirit-Barrymore; Brothers-Bannister Jun., R. Palmer; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Wrighten; Pastoral Nymph-Mrs Crouch; Sabrina-Mrs Forster; Principal Bacchant-Miss George; The Lady (for this night only)-Mrs Siddons .

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Bacchanals-Kelly, Dignum, Sedgwick; Spirit-Lamash; Elder Brother-Whitfield; Younger Brother-Benson; The Lady-Mrs Ward; Pastoral Nymph-Mrs Forster; Sabrina-Miss Romanzini; Bacchant-Miss Collett; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Crouch.

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Death of Captain Cook

Performance Comment: Cast from text (T. Cadell, 1789), and Parke, I, 115: Terreeobo-Blurton; Pareea-Byrne; Koah-Delpini; Captain Cook-Cranfield; His Lieutenant-Evatt; Priest-Darley; Lieutenant of Marines-Ratchford; Emai-Miss Francis.

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Death of Captain Cook

Performance Comment: Cast from text (T. Cadell, 1789), and Parke, I, 115: Terreeobo-Blurton; Pareea-Byrne; Koah-Delpini; Captain Cook-Cranfield; His Lieutenant-Evatt; Priest-Darley; Lieutenant of the Marines-Ratchford; Emai-Miss Francis. Part I. A Nuptial Procession, with the Performance of the Marriage Ceremony according to the Custom observed at O'Whyee. The Manner of Combat between two Natives. Part II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. Part III. A Representation of the Naval and Military Honours observed on erecting a Pile to the Memory of Capt. Cook, by the Officers of the Resolution. The Ceremony performed on the same Occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.

Song: As17890914, but Vocal Parts-Lee, W. _Thompson, Miss +MacGeorge, Mrs +Lefevre