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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "P Edward"/1) | (@(roleclean,performerclean) "P Edward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3479 results for: Keyword - P. Edward
We found 1808 matches on Event Comments, 939 matches on Author, 882 matches on Performance Comments, 94 matches on Performance Title, and 0 matches on Roles/Actors.

3451
14 February 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue and Epilogue by Edward Topham (see text)]: With new Scenery and Dresses. Public Advertiser, 26 Feb. 1784: This Day at Noon will be published The Reparation (1s. 6d.). Receipts: #161 1s. (148/16/0; 11/19/6; 0/5/6)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

3452
19 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Fawcett and Butler. [As mainpiece the playbill announces Edward the Black Prince, but it was not acted. The Account-Book lists the substitute play.] Receipts: #280 7s. (37/9; 4/6; tickets: 238/12) (charge: #115 10s.)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Junior

Dance: End of Act II of mainpiece Hornpipe, as17840517; End of Act hi, as17840311athi

Song: End of mainpiece Gramacbree Molly, as17840503

3453
02 September 1784 @ Haymarket Theatre

Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by William Hayley. Text in his Plays . . . for a Private Theatre (T. Cadell, 1784). Prologue by George Colman, the elder. Epilogue by Edward Topham (Gazetteer, 13 Sept., which also gives the names of the speakers). The parts are assigned (see 18 Aug.)]: A new Comedy, in Rhyme

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: The Genius of Nonsense

3454
22 December 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue by the author. Epilogue by Edward Topham (see text). In 1794 this was altered by the author, and reduced to 4 acts]: With new Scenes and Dresses. Public Advertiser, 25 Jan. 1785: This Day is published The Natural Son (1s. 6d.). Receipts: #175 19s. 6d. (154/12/0; 21/0/0; 0/7/6)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Gentle Shepherd

3455
22 October 1785 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by Elizabeth Inchbald. Prologue by Edward Topham (London Chronicle, 26 Aug. 1786)]. Account-Book, 5 June 1786: Paid Mrs Inchbald in full for Appearance is against Them #50. Public Advertiser, 11 Nov. 1785: This Day is published Appearance is against Them (1s.). Receipts: #207 2s. (204/10/6; 2/11/6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Appearance is against Them

3456
27 May 1786 @ Covent Garden

Event Comment: Tickets delivered by John Ansell, Darley, Pilfold, Marks, Longley, Eaves, Ratchford, Edwards, Mrs Arne will be admitted (Account-Book). Receipts: #321 41. (19/7; 0/17; tickets: 301/0)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Nunnery

Dance: End of mainpiece The Irish Lilt by Mr and Mrs Ratchford

3457
30 May 1787 @ Covent Garden

Event Comment: Tickets delivered by Marks, Brandon, Edwards, Hall, Rolles, Turtle, Walker, Doe will be admitted (Account-Book). Receipts: #265 5s. 6d. (60.8.6; 3.4.0; tickets: 201.13.0)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Midas

3458
08 April 1788 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Lady Eglantine Wallace. Prologue by Joseph Jekyll (World, 14 Apr.). Epilogue by Thomas Morris, with five lines added by Edward Topham (Public Advertiser, 15 Apr.)]: With new Scenes and Dresses. Public Advertiser, 26 Apr.: This Day is published The Ton (18d.). "On the next representation we hope the other performers will not give the audience reason to believe that the prompter has a part in the play from his frequent audibility" (Public Advertiser, 9 Apr.). Receipts: #295 18s. 6d. (294.9.0; 1.9.6)

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Afterpiece Title: Hob in the Well

3459
06 October 1789 @ Covent Garden

Event Comment: Paid Edwards & Co. for Crape, Gauze & Tiffeny #23 9s. Receipts: #128 16s. 6d. (127.13.0; 1.3.6)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Highland Reel

Afterpiece Title: The Little Hunchback

3460
08 December 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Spirit-Haymes; Brothers-Benson, Bland; Bacchanals-Kelly, Dignum, Sedgwick; Lady-Mrs Ward; Euphrosyne-Mrs Crouch; Female Bacchanals-Mrs Crouch [i.e. doubled Euphrosyne], Mrs Bland, Mrs Edwards; Sabrina-Mrs Bland [i.e. doubled Bacchanal]; Pastoral Nymph-Miss Hagley.

Song: In afterpiece: Sweet Echo-Mrs Crouch; accompanied-Parke

3461
29 October 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Spirit-Banks; Brothers-Benson, Bland; Chief Bacchanals-Kelly, Dignum, Sedgwick; The Lady-Mrs Ward; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Crouch; Bacchants-Mrs Crouch [sic], Mrs Bland, Mrs Edwards; Sabrina-Mrs Bland [sic]; Pastoral Nymph-Miss Hagley.

3462
15 June 1792 @ Drury Lane at King's Theatre

Event Comment: Tickets delivered for this Evening [Account-Book: by Andrews, Calkin, Chatterley, Dangerfield, Edwards, Gardiner, Gilles, Henderson, Humphreys, Irish, Long, Massingham, Panchaud, Scott, Sherratt, Smith, Stevens, Thompson] will be admitted. Receipts: #57 15s. 6d. (36.14.6; 17.14.0; 3.7.0; tickets: none listed)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Englishman in Paris

Dance: As17920613

3463
03 April 1793 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Edward Morris, with incidental music by Richard Suett. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses, Decorations, &c. Morning Herald, 23 Apr. 1793: To-morrow will be published False Colours (1s. 6d.). Receipts: #231 9s. (188.2; 38.18; 4.9)

Performances

Mainpiece Title: At King's False Colours

Afterpiece Title: The Prisoner

3464
06 June 1793 @ Drury Lane Theatre

Event Comment: Tickets Delivered for this Evening [Account-Book: by Andrews, Bowley, Calkin, Chatterley, Dangerfield, Edwards, Faux, Gilles, Henderson, Humphries, Irish, Long, Massingham, Panchaud, Scott, Sherratt, Smith, Stevens, Thompson, Wooldridge] will be admitted. Receipts: #64 18s. 6d. (54.5.6; 10.13.0; 0.0.0; tickets: none listed)

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Afterpiece Title: The First Floor

3465
22 August 1794 @ Haymarket Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: THE SURRENDER OF CALAIS

Cast
Role: King Edward Actor: Davies

Afterpiece Title: THE PURSE; or, Benevolent Tar

Performance Comment: William-Bannister Jun.; Baron-Benson; Theodore-Palmer Jun.; Edward Sedgwick; Page-Miss Menage//Sally-Mrs Bland .

Song: In 2nd piece, as17940717

3466
23 October 1794 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by James Boaden. Epilogue by Edward Topham (see text). For this play Reynolds and the cg manager made a new plan for payments to the author. Benefits for the author on the 3rd, 6th and 9th nights were abandoned; instead he received #33 6s. 8d. for each of the first nine nights and #100 on the 20th night. "This was the foundation of that bargain between manager and author which, I believe, exists to the present period [1826]" (Reynolds, II, 182-83)]. Morning Chronicle, 19 Jan. 1795: This Day is published The Rage! (2s.). Receipts: #259 13s. 6d. (255.17.6; 3.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Cymon

Dance: Afterpiece to conclude with: a Dance-

3467
31 January 1795 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 3, by Miles Peter Andrews and Frederick Reynolds. Prologue by Edward Topham; Epilogue by Miles Peter Andrews (Crouch, II, 229)]: With new Scenes, Dresses and Decorations. The new Music composed, and the rest selected by Shield. Morning Chronicle, 25 Feb. 1795: This Day is published The Mysteries of the Castle (2s.). [Mrs Cornelys was from the Crow Street Theatre Dublin.] Receipts: #243 12s. (241.19; 1.13)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Two Strings to Your Bow

3468
06 June 1795 @ Drury Lane Theatre

Event Comment: Benefit for Shade, Cameron, Nix, Woollams, Wood, Dangerfield, Wilson, Panchaud, Irish, Edwards, Wooldridge, Griffiths. Kemble Mem.: BT. the box-keepers. Receipts: #528 8s. 6d. (30.13.6; 16.7.6; 11.7.6; tickets: 470.0.0) (charge: #211 14s.)

Performances

Mainpiece Title: The Chances

Afterpiece Title: No Song No Supper

Song: End: When 'tis night and the Mid Watch is come-Master Welsh

Dance: a Hornpipe-Butler

3469
23 January 1796 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Edward Topham ( see text)]: With new Scenery, Dresses, &c. [Oracle, 1 Feb. 1796, recounts the financial transactions relative to this play. Thomas Harris, the cg proprietor, bought the copyright from Morton for #140; he was also to give Morton #100 on each of his benefit nights, i.e. the 3rd, 6th, 9th and 21st of the run of the play. Morton's profit was therefore #540.] Receipts: #281 16s. 6d. (278.9.6; 3.7.0)

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Poor Soldier

3470
13 June 1796 @ Drury Lane Theatre

Event Comment: Benefit for Shade, Cameron, Woollams, Wood, Wilson, Dangerfield, Irish, Edwards, Griffiths, Nix, Wooldridge, Panchaud & Cole [box-keepers]. [This was Dodd's last appearance on the stage.] "Dodd was one of the most perfect actors that I have ever seen. He was the fopling of the drama rather than the age. I mean by this, that his own times rarely shewed us anything so highly charged with the vanity of personal exhibition. He was, to be sure, the prince of pink heels, and the soul of empty eminence. As he tottered rather than walked down the stage, in all the protuberance of endless muslin and lace in his cravats and frills, he reminded you of the jutting motion of the pigeon. He took his snuff, or his bergamot, with a delight so beyond all grosser enjoyments that he left you no doubt whatever of the superior happiness of a coxcomb" (Boaden, Kemble, I, 55). Receipts: #580 17s. 6d. (25.17.0; 37.3.6; 11.0.0; tickets: 503.4.0; odd money: 3.13.0) (charge: #211 17s. 6d.)

Performances

Mainpiece Title: Katharine And Petruchio

Afterpiece Title: The Prize

Afterpiece Title: The Irish Widow

Entertainment: MonologueEnd 2nd piece: Monsieur Tonson-Caulfield

3471
16 September 1796 @ Covent Garden

Event Comment: Mainpiece: 42nd [recte 40th] Time [i.e. in continuation of the reckoning for the previous season. Epilogue by Edward Topham]. Receipts: #212 17s. (209.6.6; 3.10.6)

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

3472
15 June 1797 @ Drury Lane Theatre

Event Comment: Tickets delivered for this Evening [by Appleby, Bourk, Dale Jun., Daglish, Douglas, Jno. Edwards, Fisher, Henderson, Humphries, Powell, Pilsbury, Scott, Smith, Wentworth (Account-Book)] will be admitted. Receipts: #317 7s. (23.14; 33.11; 2.10; tickets: 257.12)

Performances

Mainpiece Title: The Chances

Afterpiece Title: My Grandmother

3473
16 June 1797 @ Drury Lane Theatre

Event Comment: Benefit for Shade, Cameron, Wood, Wilson, Dangerfield, Irish, Nix, Edwards, Wooldridge, Panchaud, Cole, Gray, Hough [box-keepers]. The Last Time of the Company's Performing this Season. Receipts: #85 0s. 6d. (42.0.6; 40.6.6; 2.13.6; tickets: none listed) (charge: #204 14s. 10d.)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Welch Heiress Author(s): Edward Jerningham

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet, as17960920

Ballet: End: The Scotch Ghost. As17970605

3474
31 August 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Iron Chest

Cast
Role: Sir Edward Mortimer Actor: Elliston

Afterpiece Title: The Agreeable Surprise

Cast
Role: Zapphira Actor: Mrs Edward

Song: Mainpiece: General Chorus, as17970814, but added: Lyons, Miss +Andrews, _Walker, _Dibble, _Caulfield Jun., Ms _Edward, Ms _Gaudry, Ms _Hale

Performance Comment: , Ms _Edward, Ms _Gaudry, Ms _Hale.

3475
15 June 1798 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Stevenson, Percey. George, Bowley, Woollams, Massingham, J. Edwards, Chumbley [box-keepers]. Receipts: #41 10s. 6d. (21.3.6; 20.7.0; 0.0.0; tickets: none listed) (charge: #201 8s. 8d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Devil to Pay

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer