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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Office in the Haymarket"/1) | (@(roleclean,performerclean) "Opera Office in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4116 results for: Keyword - Opera-Office in the Haymarket
We found 2454 matches on Performance Title, 1866 matches on Event Comments, 224 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

551
30 April 1740 @ Covent Garden

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Opera of Operas; or, Tom Thumb the Great

Dance: In Afterpiece: A new dance-the French Boy and Girl; Scotch Dance-Glover, Mlle Roland

552
16 August 1750 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Henry And Emma

Song: The whole collection of favorite songs- from the opera; by particular desire Rise Glory Rise from the opera Rosamond-

553
09 March 1773 @ King's Theatre

Performances

Mainpiece Title: Il Triomfo D'amore

Afterpiece Title: Orfeo

Dance: New Dance adapted to the Opera (Orfeo) intermixed with Grand Choruses-; In pastoral piece: Grand Ballet with Pas de cinq-Slingsby, Mlle Grenier, Lepy, Sga Crispi, Mlle Lafond; End Opera: New Grand Ballet-Mlle Heinel, Fierville; with a new Allemand-; New Grand Chacone-Mlle Heinel, Fierville

554
19 March 1776 @ King's Theatre

Performances

Mainpiece Title: L'isola D'amore

Dance: After the Overture: A New Ballet Incident to the Opera call'd Le Retour des Matelotes-Helm, Mlle Sophie, Sga Tinti; End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

555
27 May 1780 @ King's Theatre

Performances

Mainpiece Title: Rinaldo

Dance: End I: The Rural Sports, as17800512, but Miss _Simonet; End II: La Fete Pastorale, as17800520; End Opera: Serious Ballet-; connected with the Opera, in which a Grand Chaconne ([the music] composed by Floquet)-Favre Guiardele, Mme Simonet, Slingsby, Sga Tantini, Mlle Baccelli

Cast
Role: The Rural Sports Actor: Sg and Sga Zuchelli, Henry, Miss Andreas, Miss Simonet, Sga Crespi
Role: accompanied on the guitar Actor: Noferi

556
08 May 1783 @ King's Theatre

Event Comment: Benefit for Mlle Theodore. Tickets, 10s. 6d. each, to be had of Mlle Theodore, No. 46, Rupert-street, Hay-market

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

557
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

Performance Comment: J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers .
Cast
Role: , and Cupid Actor: Miss De Camp. The Music of both dances by Barthelemon

558
11 March 1784 @ King's Theatre

Event Comment: Benefit for Mme Simonet. There being a few Boxes to be disposed of, those who would wish to be accomodated are requested to direct their commands as above, as soon as possible. Tickets, half a guinea each, to be had of Mme Simonet, No. 33, Pall-mall

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performance Comment: ], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre) .
Cast
Role: , and for some years Ballet Actor: Master at the King's Theatre
Role: , and Cupid Actor: Miss De Camp. The Music of both dances by Barthelemon

559
13 May 1784 @ King's Theatre

Event Comment: Benefit for Mme Theodore. Tickets made out and delivered for the 1st of April will be admitted, and may be had of Mme Theodore, No. 5, Great Pultney-street, Golden-square. Public Advertiser, 15 May: The Ballet was founded on the French piece of Le Deserteur, of which there was retained a good deal of the

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Performance Comment: Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation .

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

Performance Comment: The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque . other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque .
Cast
Role: The Deserter Actor: Lepicq
Role: , and Cupid Actor: Miss De Camp. The Music of both dances by Barthelemon

560
10 March 1796 @ King's Theatre

Event Comment: Under the Patronage of Their Royal Highnesses the Duke and Duchess of York. Benefit for Roselli. Tickets, 10s. 6d. each, to be had of Roselli, No. 6, King-street, St. James's-square

Performances

Mainpiece Title: La Bella Arsene

Dance: End I: Divertissement- [see17960308 End Opera: Les Trois Sultanes-Didelot, Onorati, Gentili, Mme Rose, Mlle Parisot, Mme Bossi, Mlle Berry, Mme Hilligsberg

Song: In Opera: a new trio by Mazzinghi-Mme Banti, Rovedino, Roselli; In I: an Air-Mme Banti which was erased on account of the length of the Opera; a new additional Air-Roselli

Music: End II: a concerto on the violin composed by Jarnowick,-Master Juliano (a child of only 8 years old, patronised by the Duchess of York.

561
09 November 1743 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With the Usual Dances Actor: proper to the Opera.

562
11 November 1743 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With the Usual Dances Actor: proper to the Opera.

563
12 November 1743 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With the Usual Dances Actor: proper to the Opera.

564
23 November 1743 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With the Usual Dances Actor: proper to the Opera.

565
05 December 1743 @ Covent Garden

Event Comment: At the particular Desire of Several persons of Quality

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With the Usual Dances Actor: proper to the Opera.

566
23 December 1743 @ Covent Garden

Event Comment: Mainpiece: At the Particular desire of several persons of Quality

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With the Usual Dances Actor: proper to the Opera.

Afterpiece Title: The Royal Chace

567
28 January 1744 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With the Usual Dances Actor: proper to the Opera.

Afterpiece Title: The Royal Chace

568
06 February 1744 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With the Usual Dances Actor: proper to the Opera.

Afterpiece Title: The Royal Chace

569
25 April 1744 @ Covent Garden

Event Comment: Benefit Cashell. [Address]: At the Dial in little Wild St., near lif. Mainpiece: At the Desire of several persons of Quality

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With the Usual Dances Actor: proper to the Opera.

Afterpiece Title: The Lying Valet

570
31 May 1745 @ Covent Garden

Event Comment: By Particular Desire. Being positively the last time of acting this season

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With the dances Actor: proper to the opera

571
29 November 1745 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With usual dances Actor: proper to the opera.

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

572
14 December 1745 @ Covent Garden

Event Comment: The whole receipt of this night, with the Monday's and Tuesday's following, to be subscrib'd to the Veteran's Scheme at the Guildhall. [See note 21 Dec.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17451129, but Mrs Peachum-Mrs Dunstall; Diana Trapes-_; Molly Brazen-_; Mrs Coaxer-Mrs Vaughan; Polly-Mrs Cibber (being the 1st time of her appearing in that character).
Cast
Role: With usual dances Actor: proper to the opera.

Dance: Cooke, Sga Campioni

573
16 December 1745 @ Covent Garden

Event Comment: The whole receipt of this Night, and Tomorrow, to be subscribed to the Veteran's Scheme at the Guildhall

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With usual dances Actor: proper to the opera.

Dance: Cooke, Mlle Campioni

574
17 December 1745 @ Covent Garden

Event Comment: The whole receipt of this night to be subscribed to the Veteran's Scheme at the Guildhall

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With usual dances Actor: proper to the opera.

Dance: Cooke, Mlle Campioni

575
10 February 1746 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With usual dances Actor: proper to the opera.

Dance: Cooke, Sga Campioni