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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Hay Market"/1) | (@(roleclean,performerclean) "Opera House in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5842 results for: Keyword - Opera-House in the Hay-Market
We found 3321 matches on Event Comments, 2723 matches on Performance Title, 341 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

151
24 December 1733 @ Pall Mall

Event Comment: Daily Post, 25 Dec: Last Night there was a Rehearsal of a new Opera at the Prince of Wales's House in the Royal Gardens in Pall-Mall, where was present a great Concourse of the Nobility and Quality of both Sexes: some of the choicest Voices and Hands assisted in the Performance

Performances

Mainpiece Title: Rehearsal Of A New Opera [ariadne

152
14 April 1748 @ Covent Garden

Event Comment: Benefit for Miss Faulkner. Mainpiece: At the Particular Desire of Several Ladies of Quality. Afterpiece: By Desire. Miss Faulkner playing Polly "for the 1st time." Tickets of Page at the stage door in Bow St., Covent Garden; and of Miss Faulkner at her house in Leicester Fields

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: The opera to conclude with the original Country Actor:

Afterpiece Title: The Mock Doctor

153
10 November 1753 @ Covent Garden

Event Comment: [M$Murphy in caustic comment in the Gray's Inn Journal this date laid out a set of rules for actor decorum for both Managers, but apparently directed it mostly towards Rich]: I. That no player shall during the performance stand with a vacant face, making a tour with his eyes around the House, or ogling the ladies in the Green Boxes, but that he shall to the best of this power, be attentive to the business of the scene in which he is engag'd. II. That no player shall come on imperfect in his part, or take liberties to insert his own jokes and witticisms in the Productions of those Geniuses, for whom he should have the proper respect due to the superiority of their parts. III. That no one shall mistake bawling for Expression; strutting and swaggering for deportment; twisting the body and looking cunning for sprightliness; pinching of hats and standing on tiptoe for graceful attitude; wry faces for Humour, &c., but that each player who cannot arrive at excellence, shall at least pay some regard to decency. IV. That Murder shall always be committed on stage without being comical

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: With a Country Dance Actor: the characters of the opera.

Afterpiece Title: Harlequin Sorcerer

154
27 May 1757 @ Covent Garden

Event Comment: Benefit for Morgan, the Oldest Actor in England. Last time of the company's performing this season. Tickets to be had at the Bedford Coffee House and of Mr Crudge at the Stage Door. [This charitable performance included a composite group from Drury Lane and Covent Garden.

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Country Dance Actor: the characters of the Opera.

Afterpiece Title: The School Boy

Performance Comment: As17561117, but Young Rakish-Cross; Friendly-Walker; Tom-R. Smith; Benedict-Stoppelaer; Lettice-Miss Helme; Major Rackish-Morgan,his 1st appearance here these 10 years.
Cast
Role: Major Rackish Actor: Morgan,his 1st appearance here these 10 years.

Dance: I: Country Lass, as17570512; II: Dutch Sailor, as17570525; III: Dutch Peasant, as17570512

155
02 October 1760 @ Drury Lane Theatre

Event Comment: I slept [sic. q: step?] in at Drury Lane before the Play began, which was the first time of being in the Play House this season. Miss Allen was there & Pocock with some girls (Hailey, Brietzcke Diary, N & Q, Vol, 199, p. 260)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Mat of the Mint Actor: Balkes
Role: To conclude with a Country Dance Actor: the Characters of the Opera.

Afterpiece Title: Harlequin Ranger

Performance Comment: Harlequin-Rooker; The Others-Blakes, Vaughan, Johnston, Ackman, Mrs Bennet, Mrs Bradshaw, Mrs Mariet, Atkins; To conclude with a Dance of the Millers-Grimaldi, Miss Baker, Mrs Preston.
Cast
Role: The Others Actor: Blakes, Vaughan, Johnston, Ackman, Mrs Bennet, Mrs Bradshaw, Mrs Mariet, Atkins
Role: To conclude with a Dance of the Millers Actor: Grimaldi, Miss Baker, Mrs Preston.

156
08 March 1768 @ Covent Garden

Event Comment: Sixth Day. For the Author. Books of the Opera to be had at the Theatre. House charges and candles #64 5s. Balances for Bickerstaffe #120 18s. (Account Book). Receipts: #185 3s. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Englishman in Paris

Dance: End of Opera: The Irish Lilt, as17670921, but Miss Valois, Sga _Manesiere

157
25 May 1768 @ Covent Garden

Event Comment: Benefit for Holtom, Miss Besford, Curtat, and Mrs Naylor. Charges #64 10s. Deficit to beneficiaries #28 11s. 6d. or #7 2s. 10 1!2d. apiece, covered by the value of their tickets: Holtom #32 2s.; Miss Besford #28 1s.; Curtat #33 5s.; Mrs Naylor #24 5s. @Box Pit Gallery Value@Holtom 18 126 87 #32 2s.@Besford 43 58 86 #28 1s.@Curtat 42 89 94 #33 5s.@Naylor 24 71 76 #24 5s.@Money #35 18s. 6d.@Total Value of House #153 11s. 6d.@ Receiv'd of Condell in full for fruit rent this season #20 (Account Book). Receipts: #35 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17680430 but Macheath-Mattocks; Polly-Miss Groce, being her second appearance on any stage; The Hornpipe-Miss Besford (apprentice to Fishar) 1st time.
Cast
Role: The Hornpipe Actor: Miss Besford
Role: a Country Dance Actor: the Characters in the opera.

Afterpiece Title: The Upholsterer

Ballet: End of Opera: The Wapping Landlady. As17680416

158
28 May 1790 @ Haymarket Theatre

Event Comment: Benefit for Mme Mara. A new Serious Opera. Under the direction of Federici. Tickets to be had of Mme Mara at her house, No. 8, Golden-square

Performances

Mainpiece Title: Andromache [recte andromaca]

Dance: End I: Divertisement, as17900513; End Opera: The Generous Slave-Blake [see17900513], Mlle Hilligsberg

159
25 March 1729 @ Lincoln's Inn Fields

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Second Piece: At the Desire of several Persons of Quality. Written by the Author of the Beggar's Opera. Receipts: #64 13s

Performances

Mainpiece Title: The Country House

Afterpiece Title: The What D'ye Call It

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

Music: As17290116

160
23 January 1745 @ Covent Garden

Event Comment: The Opera of Pyramus and Thisbe is oblig'd to be deferr'd till further notice, on account of the Indisposition of one of the performers

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: Orpheus and Eurydice

161
13 December 1763 @ King's Theatre

Event Comment: A new Opera, The Music entirely new, excepting in the three favorite Airs of Signora Mingotti

Performances

Mainpiece Title: Siroe

Dance: I: A Dance called The Turkish Coffee House-; II: A Tyrolese Wedding-; III: A New Dance-for Mr Duberval

162
10 January 1764 @ King's Theatre

Event Comment: A new opera set to Musick by Vento

Performances

Mainpiece Title: Leucippo

Dance: I: The Turkish Coffee House, as17631213; II: A new Dance-Signora Marcucis, just arrived from Italy; III: A New Dance, as17631213; a new Dance Le Matellot Provencalle-Fischar, Miss Auretti call'd Le Matellot Provencalle

163
08 March 1727 @ Spring Garden

Event Comment: Benefit Pardini. At the Great House the Lower End of Spring Garden, Charing Cross

Performances

Mainpiece Title: Concert

Music: The best Hands from the Opera

164
08 February 1728 @ Lincoln's Inn Fields

Event Comment: Benefit the Author. Receipts: money #153 7s.; tickets #12 5s. Probable attendance: boxes, 184 by money and 49 by tickets; stage, 58 by money; balcony, 3 by money; pit, 281 by money; slips, 39 by money; first gallery, 381 by money; second gallery, 180 by money. Daily Journal, 8 Feb.: The Beggars Opera...meets with that universal Applause, that no one third Part of the Company that crowd thither to see it, can get Admittance: Which occasions a new Run to the Provok'd Husband at Drury-Lane; and so proves an equal Advantage to both Houses

Performances

Mainpiece Title: The Beggar's Opera

165
07 February 1729 @ Drury Lane Theatre

Event Comment: DDaily Post, 8 Feb.: Yesterday...some Persons in the gallery were so clamorous that the Play could not go on, but a Constable, assisted by a Serjeant and the Guards, prevail'd on them to walk out. gne of them was carried before a Justice of the Peace, and confess'd what he had done. It is to be observ'd that this Person had the Scornful Lady lately acted for his Benefit, in Consideration of his withdrawing a Play which was offer'd by him to be acted there, which Play we hear is since carried to the other House

Performances

Mainpiece Title: The Village Opera

166
22 March 1733 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality. Applebee's, 31 March: On Thursday 7-Night last at the Performance of...Love runs all Dangers...one of the Commedians took the Liberty to throw out some Reflections upon the Prime Minister and the Excise, which were not design'd by the Author; Lord Walpole being in the House, went behind the Scenes, and demanded of the Prompter, whether such Words were in the Play, and he answering they were not, his Lordship immediately corrected the Comedian with his own Hands very severely

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Love Runs All Dangers

Cast
Role: Harlequin Actor: Mons Lefronde, the first time of his appearing on any stage in England

Dance: End of Mainpiece: Hornpipe-Jones Sr; Concluding with a Dutch Skipper-Jones Sr, Jones Jr

167
30 April 1733 @ Goodman's Fields

Event Comment: Benefit Mrs Christian, formerly Miss Vaughan. At the Desire of several Persons of Quality. Mainpiece: Written by Sir Richard Steele. [Tickets at Christian's House, No. 23, Prescott Street.

Performances

Mainpiece Title: The Tender Husband

Cast
Role: Aunt Actor: Mrs Wetherilt

Afterpiece Title: The Lovers Opera

Dance: LLe Minuet-D'Vallois, Mrs Nelson; Pierrot and Pierraite-D'Vallois, J. Delagarde; La Provansalle-D'Vallois; V: French Wooden Shoe Dance-D'Vallois

168
26 April 1738 @ Drury Lane Theatre

Event Comment: Benefit Mrs Roberts. Tickets at Mrs Roberts' House in Duke Street, near lif

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Lovers Opera

Dance: I: Tambourine-Master Ferg, Miss Wright; II: Maggot-Haughton, Mrs Walter; III: Punch-Master Ferg; V: La Pieraite-Livier, Miss Thompson

169
05 April 1739 @ Drury Lane Theatre

Event Comment: Benefit Harper. Mainpiece: Written by the late Mr Gay. [Tickets at Harper's House in Bridges Street.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Punches Dances-Master Ferg, Miss Wright; V: Grand Ballet-Muilment, Mrs Walter

170
05 April 1743 @ Drury Lane Theatre

Event Comment: Benefit Shepard. Tickets of Hobson at the stage Door. Mr Shepard humbly hopes his friends will not be offended at the Alteration of the play, he being oblig'd to change it on account of the Indisposition of a Principal Performer. The Tickets deliver'd for Henry VIII will be taken this night (London Daily Post and General Advertiser). Shepard belonged for many years to the House. Fleetwood dismissed him. Let him have a benefit for the money accrued to him. Beard ill and did not act. (Winston MS. from Dyer MS.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Song: End of Farce:By Particular Desire, Bumper Squire Jones-Beard

171
15 January 1746 @ Goodman's Fields

Event Comment: [Prices 3s., 2s., 1s. in Daily Advertiser; no bill in General Advertiser. Possibly not acted; see 22 Jan.] Benefit a Gentleman and his Family Under great distress. Tickets may be had of Daniel Findon, Union Coffee House, Cornhill

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

172
22 January 1746 @ Goodman's Fields

Event Comment: Benefit a Gentleman and his Family under great Distress. Prices. 3s., 2s., 1s. Tickets of Daniel Findon, Union Coffee House, Cornhill. [Blakey was down for Filch in the advance notice of 21 Jan.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Song: Brett

Dance: As17460114

173
27 February 1747 @ Covent Garden

Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition (General Advertiser). [The House this night carried on its books a profitable balance of #2416 6s. 8d.] Receipts: #100 9s

Performances

Mainpiece Title: The Beggar's Opera

Dance: As17461231

174
28 March 1748 @ Drury Lane Theatre

Event Comment: Benefit for Lowe. Mainpiece: For the last time this season. Afterpiece: By Desire. Stage form'd into Front and Side Boxes. Tickets deliver'd out for The Recruiting Officer will be taken. Mainpiece: At the Particular Desire of Several Persons of Quality. Powel: Rec'd of Mrs Rudd, Fruit Woman, in Part #9. Receipts: #240 (Cross); house charges, #60 (Powel); cash, #78 15s. 6d.; tickets, #99 2s. (Clay MS)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Hornpipe Actor: Mathews

Afterpiece Title: The Lying Valet

175
15 April 1748 @ Drury Lane Theatre

Event Comment: Benefit for Leviez and Sullivan. Stage form'd into Front and Side Boxes. Receipts: #213 (Cross); house charges, #63 (Powel); cash, #63 0s. 6d.; tickets, #150 14s. (Clay MS)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Damon and Phillida

Song: II: Powerful Guardians from Alexander Balus-Sullivan; III: With Ravish'd Ears-Sullivan; V: a Favourite song in the Opera Artamene-Sullivan

Dance: I: Savoyards, as17471215; IV: Louvre, Minuet-Leviez, Anne Auretti; V: Shepherd's Dance-Cooke, Janeton Auretti