Event Comment: A Serious Opera, with Chorusses. The favourite Trio will be sung in the 2nd Act instead of 1st Act

Event Comment: [The libretto omits Conte Lelio, who is one of the principal characters in the opera, and the only one to be unassigned. In the libretto published by W. Glindon for performance in July 1801 the part is assigned to Viganoni.

Event Comment: [The playbill announces La Scola dei Maritati, but "The indisposition of Sga Angelelli made an alteration in the opera, and the audience were gratified with Mme Mara (recte Banti) in Nina" (Morning Chronicle, 1 Feb.).

Event Comment: A new grand Serious Opera, with Chorusses [1st time; SER 2, by Lorenzo DaPonte]; the Music composed here by Bianchi

Event Comment: A New Comic Opera (1st time [in London; 1st performed under this title, with revised libretto by Lorenzo DaPonte, at Vienna, 1798; originally with libretto by Giuseppe Petrosellini, as La Dama Pastorella, at Rome, 1780]): the Music by Salieri

Event Comment: Benefit for the Voluntary Contributions for the Defense of the Country. 1st piece: An entire new Comic Opera [1st performed at Venice, 1791]. 1st ballet: Compressed into a first Dance

Event Comment: A Serious Opera; the music by Paisiello. To begin precisely at 7:15 on Saturdays, and 7:30 on Tuesdays [see 30 Mar. 1799]. "The curtain rose to the moment, and the whole was over at a quarter past eleven" (Morning Herald, 31 Dec.)

Event Comment: The Subscribers are most respectfully intreated to observe that in consequence of the frequent abuses practised in their names, it has become absolutely requisite to recur to the original custom of requiring the Subscribers themselves to produce their Tickets at the Doors, and the Public are intreated to observe that in future particular Ladies resorting to the Pit of the Opera will be required to give their names and places of residence at the Doors, as they go in, in order to ascertain and finally exclude improper Company from that part of the Theatre

Event Comment: By desire of several of the principal Subscribers (on account of the extreme inclemency of the weather) the Opera intended for this Evening is postponed to Saturday next, the 9th instant

Event Comment: "[Allegranti] in an evil hour came again to England, and reappeared in Cimarosa's Matrimonio Segreto. Never was there a more pitiable attempt: she had scarcely a thread of voice remaining, nor the power to sing a note in tune: her figure and acting were equally altered for the worse, and after a few nights she was obliged to retire, and quit the stage altogether...But she was at least remembered to have had a voice, and was looked upon only with compassion" (Mount-Edgcumbe, 39-40). "The opera of last night was also enriched by the first appearance, on any stage, of a young lady, a daughter of Signor Rovedino...She was received with the warmest applause" (Morning Chronicle, 10 Apr.)

Event Comment: 2nd piece [1st time]: A new Comic Opera in 1 act [by Serafino Buonaiuti]; the Music by Ferrari

Event Comment: Benefit for Mme Banti. A new Serious Opera [1st performed at Florence, 1795]; the Music by Paisiello [with additions by Benelli, Federici and Guglielmi]

Event Comment: The Subscription Operas being now over, Ladies (not Subscribers) may be accomodated with Boxes for the remainder of the season, by applying to Shelmerdine, at the Office of the Theatre, in the Haymarket

Event Comment: Afterpiece: To conclude as 3rd piece, 21 Oct. [The playbill includes Incledon in Vocal Parts, but he was ill.] The New Comic Opera, called The Turnpike Gate, is unavoidably deferred on account of Incledon's Hoarseness [see 14 Nov.]. Receipts: #177 13s. 6d. (175.10.0; 2.3.6)