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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Hay Market"/1) | (@(roleclean,performerclean) "Opera House in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5842 results for: Keyword - Opera-House in the Hay-Market
We found 3321 matches on Event Comments, 2723 matches on Performance Title, 341 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

5076
03 January 1713 @ Queen's Theatre

Event Comment: [No advertisement in Daily Courant. Nicoll conjectures this opera (p. 392).

Performances

Mainpiece Title: Dorinda

5077
24 January 1713 @ Queen's Theatre

Event Comment: The Opera of Theseus composed by Mr Hendel will be represented in its Perfection, that is to say with all the Scenes, Decorations, Flights, and Machines. The Performers are much concerned that they did not give the Nobility and Gentry all the Satisfaction they could have wished, when they represented it on Wednesday last, having been hindered by some unforeseen Accidents at that time insurmountable

Performances

Mainpiece Title: Theseus

Related Works
Related Work: Theseus Author(s): N.F. Haym

5078
15 April 1713 @ Queen's Theatre

Event Comment: Colman's Opera Register: Theseus, was design'd to be perform'd, but finding they could not get Company sufficient, it was put off until the 18th

Performances

Mainpiece Title: Theseus

Related Works
Related Work: Theseus Author(s): N.F. Haym

5079
30 May 1713 @ Queen's Theatre

Event Comment: It being the last Opera this Season. Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes 15s

Performances

Mainpiece Title: Ernelinda

5080
27 January 1714 @ Queen's Theatre

Event Comment: [Dedication signed by N. Haym.]. A new Opera. Pit and Boxes put together and admission by ticket only at half a guinea. Stage Boxes 15s. Gallery 4s

Performances

Mainpiece Title: Croesus

Performance Comment: Mrs Robinson performs a Part. The edition of 1714 lists: Creso-Signora Galerati; Ciro-Valentino; Climenide-Mrs Robinson; Rosena-Mrs Barbier; Adraspe-Signora Margharita; Oronote-Lawrence [, according to MS note in edition in BM, 11714 aa 23]., according to MS note in edition in BM, 11714 aa 23].

Music: As17140123

5081
04 March 1714 @ Queen's Theatre

Event Comment: [Dedication by John James Heidegger.] By Subscription. Stage Boxes 15s. Gallery 5s. Colman's Opera Register: By subscription for six times at ye usuall rate of 10 Guin for 3 Tickets

Performances

Mainpiece Title: Arminius

5082
26 March 1715 @ King's Theatre

Event Comment: By Command; In which twelve Songs will be alter'd. And several new Scenes not seen yet, (design'd for a New Opera) will be shown

Performances

Mainpiece Title: Arminius

Dance:

5083
07 May 1715 @ King's Theatre

Event Comment: By Command. Admission as 23 Oct. 1714. At 6 p.m. Daily Courant 11 May: Whatever Persons paid for Box-Tickets for the Opera of Hydaspes, which was perform'd on Saturday the 7th Instant, by reason of several Persons of Quality (who could not be denyed) coming in without Tickets; those who had taken them, and could not find Room, may send their Tickets to the Theatre-Office...and their Money will be repaid

Performances

Mainpiece Title: Hydaspes

5084
25 May 1715 @ King's Theatre

Event Comment: [Music by Handel. Text probably by J. J. Heidegger.] By Subscription, with the Pit and Boxes by ticket only (not to exceed 400). Stage Boxes 15s. Gallery 5s. At 6 p.m. And Whereas there is a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand upon the Stage (where they could not be without Danger) it is therefore hop'd no Body, even the Subscribers, will take it Ill that they must be deny'd Entrance on the Stage

Performances

Mainpiece Title: Amadis

Dance:

5085
11 June 1715 @ King's Theatre

Event Comment: By Subscription, as 25 May. According to Colman's Opera Register, 28 May, Mrs Robinson was ill and did not perform again during this season

Performances

Mainpiece Title: Amadis

5086
03 December 1715 @ Lincoln's Inn Fields

Event Comment: Not Acted these Sixteen Years. And all the Original Musick. The Habits, Scenes, Machines, Dances, and all other Decorations proper to the Play, being entirely New. Boxes 6s. Pit 5s. Gallery 2s 6d. Upper Gallery 1s. 6d. And whereas there are a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand on the Stage, (where they could not be without Danger) it is therefore hoped no Person will take it ill that they must be deny'd Entrance on the Stage. Receipts: #198 18s. 6d

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

5087
16 February 1716 @ King's Theatre

Event Comment: With all the New Scenes, Machines, and Cloaths belonging to the Opera. Admission as 1 Feb

Performances

Mainpiece Title: Amadis

5088
21 February 1716 @ King's Theatre

Event Comment: As 16 Feb., but admission as 4 Feb. At 6 p.m. No Person whatever to stand upon the Stage, by reason of the great many Scenes and Machines which are to be moved in this Opera

Performances

Mainpiece Title: Amadis

5089
20 June 1716 @ King's Theatre

Event Comment: Benefit the Instrumental Musick. By Command. With all the Scenes and Cloaths belonging to this Opera, particularly the Fountain Scenev

Performances

Mainpiece Title: Amadis

Music: Two New Symphonies-

5090
30 June 1716 @ King's Theatre

Event Comment: By Command. Being the last Opera that will be perform'd this Season. Admission as 4 Feb. At 6 p.m. [The King present.

Performances

Mainpiece Title: Cleartes

5091
05 January 1717 @ King's Theatre

Event Comment: With all the Original Scenes and Machines belonging to the Opera. Admission: Pit and Boxes 8s. Stage Boxes half a guinea. Gallery 2s. 6d. At 6 p.m

Performances

Mainpiece Title: Rinaldo

5092
23 February 1717 @ King's Theatre

Event Comment: By His Majesty's Command. N.B. This Opera will be performed without Scenes, The Stage being in the same Magnificent Form as it was in the Ball [on 21 Feb.]. Admission as 15 Dec

Performances

Mainpiece Title: Amadis

5093
02 March 1717 @ Lincoln's Inn Fields

Event Comment: At the Desire of several Persons of Quality. N.B. The Opera of Calypso is oblig'd to be deferred by Reason of Mrs Barbier's Indisposition. Receipts: #34 8s. 6d

Performances

Mainpiece Title: The Artful Husband

Dance: Moreau, Thurmond Jr, Kellom's Scholar, Cook, Mrs Bullock, Salle, Mlle Salle

5094
09 March 1717 @ King's Theatre

Event Comment: By Command. With all the Original Scenes, belonging to this Opera. Admission as 15 Dec. 1716

Performances

Mainpiece Title: Rinaldo

5095
14 March 1717 @ King's Theatre

Event Comment: [Author unknown. Apparently not printed.] A new Opera. By Their Royal Highnesses' Command. Admission as 5 Jan. N.B. Servants will be allow'd to keep Places. At 6 p.m

Performances

Mainpiece Title: Wenceslaus

5096
19 March 1717 @ Lincoln's Inn Fields

Event Comment: Receipts: #24 11s. The Opera of Calypso and Telemachus is oblig'd to be deferr'd by Reason of Mrs Barbier's being ill

Performances

Mainpiece Title: The Provok'd Wife

Song: Leveridge, Cook

Dance: As17170125

5097
29 June 1717 @ King's Theatre

Event Comment: By Command. Admission as 15 Dec. 1716. Being the last Opera that will be perform'd

Performances

Mainpiece Title: Titus Manlius

5098
09 September 1717 @ Southwark Fair

Event Comment: At Bullock's and Leigh's Great Theatrical Booth, in Angel-Court, next the King's Bench. Mainpiece: a Dramatick Opera

Performances

Mainpiece Title: The Noble Soldier; Or, Love In Distress

Related Works
Related Work: The Parthian Hero; or, Love in Distress Author(s): Matthew Gardiner

Afterpiece Title: The Comical Adventures of Master Billy Softhead, His Mother, and Sister Sally

Related Works
Related Work: The Disappointment; or, The Mother in Fashion Author(s): Thomas Southerne
Related Work: Mother Shipton Author(s): George Colman, the elder

5099
19 October 1717 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: With an entire Sett of New Scenes from the Opera, never us'd here before, and proper to this Play

Performances

Mainpiece Title: Cato

Afterpiece Title: The Loves of Mars and Venus

5100
26 October 1717 @ Drury Lane Theatre

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: With an entire Set of New Scenes from the Opera never us'd here before, and proper to the Play

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Loves of Mars and Venus