Search

Toggle Sphinx Query

SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera at Paris"/1) | (@(roleclean,performerclean) "Opera at Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

New Search

4320 results for: Keyword - Opera at Paris

We found 2826 matches on Performance Title, 1555 matches on Event Comments, 437 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

901
07 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Opera of Operas

Dance: As17331031

902
08 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Opera of Operas

Dance: Les Bergeries by Essex, Miss Robinson, Holt, F. Tench, Miss Mann, Miss Brett

903
09 November 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Opera Of Operas

Afterpiece Title: The Harlot's Progress

904
09 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Afterpiece Title: The Opera of Operas

Dance: In Afterpiece: Les Bergeries, as17331108

905
10 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Opera of Operas

Dance: As17331029

906
12 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Opera of Operas

Dance: Wattcau by Miss Robinson. La Bagatelle by Essex and Miss La Tour

907
13 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Opera of Operas

Dance: As17331112

908
15 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Opera of Operas

Dance: Tambourine by Miss Robinson. Whim by F. Tench and Miss Mann

909
16 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Opera of Operas

Dance: As17331115

910
17 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Opera of Operas

Dance: By Essex, Miss Robinson, Miss Latour

911
13 December 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Opera Of Operas

Afterpiece Title: The Harlot's Progress

Dance: Pierrot and Pierraite by Le Brun and Mrs D'Lorme

912
28 December 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Opera of Operas

Dance: In Afterpiece: Les Bergeries by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

913
21 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Opera of Operas

Dance: In Afterpiece: Momus, as17331231

914
28 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Opera of Operas

Dance: By Nivelon, Miss Robinson, Miss Mann

915
30 April 1740 @ Covent Garden

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Opera of Operas; or, Tom Thumb the Great

Dance: In Afterpiece: A new dance-the French Boy and Girl; Scotch Dance-Glover, Mlle Roland

916
16 August 1750 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Henry And Emma

Song: The whole collection of favorite songs- from the opera; by particular desire Rise Glory Rise from the opera Rosamond-

917
09 March 1773 @ King's Theatre

Performances

Mainpiece Title: Il Triomfo D'amore

Afterpiece Title: Orfeo

Dance: New Dance adapted to the Opera (Orfeo) intermixed with Grand Choruses-; In pastoral piece: Grand Ballet with Pas de cinq-Slingsby, Mlle Grenier, Lepy, Sga Crispi, Mlle Lafond; End Opera: New Grand Ballet-Mlle Heinel, Fierville; with a new Allemand-; New Grand Chacone-Mlle Heinel, Fierville

918
19 March 1776 @ King's Theatre

Performances

Mainpiece Title: L'isola D'amore

Dance: After the Overture: A New Ballet Incident to the Opera call'd Le Retour des Matelotes-Helm, Mlle Sophie, Sga Tinti; End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

919
27 May 1780 @ King's Theatre

Performances

Mainpiece Title: Rinaldo

Dance: End I: The Rural Sports, as17800512, but Miss _Simonet; End II: La Fete Pastorale, as17800520; End Opera: Serious Ballet-; connected with the Opera, in which a Grand Chaconne ([the music] composed by Floquet)-Favre Guiardele, Mme Simonet, Slingsby, Sga Tantini, Mlle Baccelli

920
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

921
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

922
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

923
10 March 1796 @ King's Theatre

Performances

Mainpiece Title: La Bella Arsene

Dance: End I: Divertissement- [see17960308 End Opera: Les Trois Sultanes-Didelot, Onorati, Gentili, Mme Rose, Mlle Parisot, Mme Bossi, Mlle Berry, Mme Hilligsberg

Song: In Opera: a new trio by Mazzinghi-Mme Banti, Rovedino, Roselli; In I: an Air-Mme Banti which was erased on account of the length of the Opera; a new additional Air-Roselli

Music: End II: a concerto on the violin composed by Jarnowick,-Master Juliano (a child of only 8 years old, patronised by the Duchess of York.

924
09 November 1743 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Cast

Role: With the Usual Dances Actor: proper to the Opera.

925
11 November 1743 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Cast

Role: With the Usual Dances Actor: proper to the Opera.