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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera at Paris"/1) | (@(roleclean,performerclean) "Opera at Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4320 results for: Keyword - Opera at Paris
We found 2826 matches on Performance Title, 1555 matches on Event Comments, 437 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3151
04 March 1707 @ Drury Lane Theatre

Event Comment: [Text by Joseph Addison. Music by Thomas Clayton.] A new Opera never yet perform'd. By Subscription. None to be admitted into the Boxes or Pit but by the Subscribers' Tickets. [Both A Critical Discourse upon Operas (1709) and Jacobs (I, 3) refer to the unsatisfactory nature of the music; as a result, according to Jacobs, "It had not the Success due to its Merit."

Performances

Mainpiece Title: Rosamond

3152
09 January 1712 @ Queen's Theatre

Event Comment: Admission by ticket only at half a guinea. First Gallery 5s. Upper Gallery 2s. At 6 p.m. Letter by Peter Wentworth, 11 Jan.: Wednesday was the Opera and there he [Prince Eugene] brought a great crowd, so much that Operas are to be perform'd thrice a week whilst he stays here (Wentworth Papers, p. 246)

Performances

Mainpiece Title: Antiochus

3153
09 July 1712 @ St Martin's Lane

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: With a new Prologue-the Lion from the Opera in the Hay-Market; and a new Epilogue-a young Child who play'd the part of the Child in Caius Marius.
Cast
Role: With a new Prologue Actor: the Lion from the Opera in the Hay-Market
Role: the Lion from the Opera in the Hay Actor: Market

3154
31 December 1712 @ Queen's Theatre

Event Comment: [No advertisement of this performance. Nicoll, p. 392, lists this opera, although Colman's Opera Register does not verify it.

Performances

Mainpiece Title: Dorinda

3155
14 January 1713 @ Queen's Theatre

Event Comment: Colman's Opera Register: After these Two Nights [10 and 14 Jan.] Mr Swiny Brakes & runs away & leaves ye Singers unpaid ye Scenes & Habits also unpaid for. The Singers were in Some confusion but at last concluded to go on with ye operas on their own accounts, & divide ye Gain amongst them

Performances

Mainpiece Title: Theseus

3156
28 January 1713 @ Queen's Theatre

Event Comment: Colman's Opera Register: Ye House was better filled at this than at ye former Two Operas

Performances

Mainpiece Title: Theseus

3157
26 February 1713 @ Queen's Theatre

Event Comment: [Dedication signed by John James Heidegger.] By Subscription. Never Perform'd before. Colman's Opera Register: Monr John James Heidegger managed both this & ye former Opera for ye Singers & ye Subscription was for Six Nights paying 10 Guin for 3 Tickets each Night, they not to give out above 400 Tickets a Night

Performances

Mainpiece Title: Ernelinda

3158
09 January 1714 @ Queen's Theatre

Performances

Mainpiece Title: Dorinda

Performance Comment: Silvio-Signora Catherina Galerati lately arriv'd from Italy; Nicea-Signora del'Epine. [Colman's Opera Register adds Mrs Barbier, Valentino, without assigning roles.]Colman's Opera Register adds Mrs Barbier, Valentino, without assigning roles.]

3159
23 October 1714 @ King's Theatre

Event Comment: The Pit and Boxes to be put together, and no Persons to be admitted without Tickets...at half a Guinea each. The Number not to exceed 400. Boxes upon the Stage 15s. Gallery 2s. 6d. And whereas by the frequent calling for the Songs again, the Operas have been too tedious; therefore the Singers are forbid to sing any Song but once; and 'tis hoped no body will call for 'em, or take it ill when not obeyed. The Book of the Opera at 1s. By Command, to begin exactly at 5. [Prince and Princess of Wales present.

Performances

Mainpiece Title: Arminius

3160
26 October 1714 @ King's Theatre

Event Comment: Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a Guinea. At 5:30 p.m. Notices as 23 Oct. It having been the Common Practice of several Persons to come into the Opera and stay a whole Act, and sometimes longer, without paying, to the great Prejudice of the Opera, therefore it is humbly desired for the future, that no Person will take it ill that tney are not admitted without Tickets. [The King present.

Performances

Mainpiece Title: Arminius

3161
18 December 1714 @ King's Theatre

Event Comment: Admission as 26 Oct. Colman's Opera Register: Ye Prince & Princess went to ye Play this Night--ye Opera had but a thin House with Dancing

Performances

Mainpiece Title: Ernelinda

Dance:

3162
26 February 1715 @ King's Theatre

Event Comment: [Composer unknown. Text by Zeno.] By Subscription. By His Royal Highness's Command. Admission to Pit and Boxes by Ticket only. Stage Boxes 15s. Gallery 2s. 6d. The Book of the Opera given out with tickets. At 6:30 p.m. Colman's Opera Register: ye Musick managed by Nic Haym

Performances

Mainpiece Title: Lucius Verus

3163
18 June 1715 @ King's Theatre

Performances

Mainpiece Title: Amadis

Performance Comment: Advertised, but Colman's Opera Register states that intense heat between 15 and 25 June postponed the operas.

3164
23 July 1715 @ King's Theatre

Event Comment: Listed only in Colman's Opera Register: No Opera performed since ye 23 July, ye Rebellion of ye Tories and Papists being ye cause--ye King and Court not liking to go into such Crowds these troublesome times

Performances

Mainpiece Title: Hydaspes

3165
16 February 1717 @ King's Theatre

Performances

Mainpiece Title: Amadis

Performance Comment: Amadis-Cavaliero Nicolini Grimaldi; Dardanus-Antonio Bernacchi; Oriana-Mrs Robinson; Melissa-Signora Elizabetta Pilotti; Mrs Robinson will perform all the Songs which was Originally Compos'd for this Opera. Mrs Robinson will perform all the Songs which was Originally Compos'd for this Opera.

3166
02 March 1717 @ King's Theatre

Event Comment: [Grasetti] will Sing only Part of the Recitativo, without Songs, to shorten the Opera. This Opera will be perform'd without Scenes, Stage being in the same Magnificent Form as it was in the Ball. Admission as 15 Dec

Performances

Mainpiece Title: Pyrrhus And Demetrius

3167
08 May 1724 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Several choiceConcertos-the Youth [J. Clegg][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth

Performance Comment: Clegg=][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth.

3168
19 February 1728 @ King's Theatre

Event Comment: [No advertisements of opera performances before 1 March are available, but the opera was probably performed on the regular Tuesday and Saturday schedule.

Performances

Mainpiece Title: Siroe

3169
13 June 1729 @ Drury Lane Theatre

Event Comment: Mainpiece: Not Acted these Nine Years. At the Desire of several Persons of Quality. With the Original Songs set to Musick by Mr H. Purcell, and Scenes, Habits, and other Decorations proper to the Play. Afterpiece: [By Charles Coffey.] An Opera of one Act. N.B. By Reason of the Length of the Days, the Doors will be open'd till four o'Clock; the Play will begin exactly at Seven, and particular Care is taken to keep the House Cool. Printed Books of the Opera will be sold at the Theatre

Performances

Mainpiece Title: The History Of Bonduca; Or, The British Heroine: With The Humours Of Corporal Macer

Afterpiece Title: Phebe; or, The Beggar's Wedding

3170
20 April 1730 @ Haymarket Theatre

Performances

Mainpiece Title: Hurlothrumbo

Afterpiece Title: The Pleasures of the Town

Performance Comment: Luckless-Mullart; Tragedio-Marshall; Sir Farcical-Davenport; Opera-Stopler; Orator-Jones; Pantomime-Knott; Charon-Ayres; Bookweight-Jones; Scarecrow-Marshall; Harriet-Miss Palms; Goddess of Nonsense-Mrs Mullart; Somebody-Harris; Nobody-Wells; Poet-Hallam; Bookseller-Dove; Mrs Novel-Mrs Martin; Mrs Kingcall-Mrs Clark; Punch-Reynolds; Joan-Hicks.
Cast
Role: Opera Actor: Stopler

3171
17 June 1730 @ Haymarket Theatre

Performances

Mainpiece Title: The Author's Farce

Performance Comment: See17300330 but Punch-Reynolds; Joan-Hicks; Opera-Stopler; Orator-Jones; Goddess of Nonsense-Mrs Mullart; Mrs Novel-Mrs Nokes.
Cast
Role: Opera Actor: Stopler

Afterpiece Title: Tom Thumb

3172
01 August 1730 @ Tottenham Court

Event Comment: Mainpiece: A Comical Tragival Farcical Droll. Afterpiece: A celebrated Operatical Puppet-Show. No Wires, all alive. At Reynolds' Booth. [Advertised also on 3, 4, 5, 6, 7, 8, 11, 12 Aug.

Performances

Mainpiece Title: The Rum Duke And The Queer Duke; Or, A Medley Of Mirth And Sorrow

Afterpiece Title: Punch's Oratory; or, The Pleasures of the Town: Containing several diverting Passages,

Performance Comment: ..a very elegant and learned Dispute between Punch and another great Orator: Punch's Family Lectures; or, Joan's Chimes on her Tongue to some Tune. Punch-Reynolds; Joan-Mrs Egleton; from lif; Orator-Jones; Opera-Stoppelaer; Goddess of Nonsense-Mrs Mullart; Mrs Novel-Mrs Nokes.
Cast
Role: Opera Actor: Stoppelaer

Dance: St.Luce

3173
21 October 1730 @ Haymarket Theatre

Performances

Mainpiece Title: The Author's Farce; With The Pleasures Of The Town

Performance Comment: Luckless-Mullart; Whitemore-Havard; Marplay-Raynolds; Sparkish-Stoppelaer; Bookweight-Jones; Scarecrow-Wathen; Harriot-Miss Talbot; Goddess of Nonsense-Mrs Mullart; Tragedio-Ayres; Sir Farsical-Davenport; Opera-Stoppelaer; Orator-Jones; Somebody-Wathen; Nobody-Cross; Mrs Novel-Mrs Nokes; Lady Kingcale-Mrs Clark; Punch-Reynolds; Joan-Hicks; with The Triumphs of the King of Bantam-; With a new Prologue- address'd to the Merchants' 'prentices of Great Britain.
Cast
Role: Opera Actor: Stoppelaer

3174
23 December 1730 @ Haymarket Theatre

Performances

Mainpiece Title: The Author's Farce

Performance Comment: As17301118, but Sparkish-Furnivall; Harriet-Mrs Lacy; Opera-Mrs Nokes; Mrs Novel-_; Lady Kingcale-_.
Cast
Role: Opera Actor: Mrs Nokes

Afterpiece Title: Tom Thumb

Afterpiece Title: The Battle of the Poets

3175
03 February 1731 @ Haymarket Theatre

Performances

Mainpiece Title: The Author's Farce

Performance Comment: See17310113, but Luckless-Mullart; Goddess-Mrs Mullart; Tragedio-Ayres; Farcical-Davenport; Opera-Mrs Nokes; Orator-Jones; Somebody-Wathen; Nobody-Cross; Punch-Reynolds; Joan-Hicks.
Cast
Role: Opera Actor: Mrs Nokes

Afterpiece Title: The Jealous Taylor