Event Comment: Benefit [Wright, Barrisford, Tomlinson, Foley, Costin] for Boxkeepers (Cross). The Play is oblig'd to be changed on account of Mr Havard's Indisposition, and tickets deliver'd out for Comus will be taken to the Beggar's Opera. Tickets sold at the door will not be admitted. Receipts: #160 (Cross)

Event Comment: Mainpiece: By Desire. Mr Ross advanc'd [i.e., received a raise in salary] from 22 Sept. 3s. 4d. per day. Mr Leppy enter'd this day at 8s. 10d. per day; Mrs Leppy enter'd at 5s. per day; Mrs Viviez enter'd at 6s. 8d. per Day. Paid Boys and Girls attendance in the Opera 10s. Memo: Walker enter'd as Constable the 6th instant inclusive in place of Mr Barnes who resign'd (Account Book). [Only #28 5s. 6d. in the Boxes (Account Book). This charge of 10s. for children supers in the Beggar's Opera, occurs regularly throughout the remainder of the season.] Receipts: #114 16s. (Account Book)

Event Comment: Both pieces By Command. Ladies and Gentlemen who have taken places are desired to send their servants before 3 o'clock. No persons can possibly be admitted behind the scenes or into the Orchestra. Present their Majesties the Duke of York, Prince William Henry, Prince Henry Frederick, and Lady Augusta. [The Winston Theatrical Record lists the customary night's expenses as follows]: @Renters #12 1s.@Barber 5s. 4d.@Music #4 19s. 5d.@Tallow Candles #2 10s.@Wax Candles #1 6s.@Coals 10s.@Lamps #1 12s. 3d.@1 days Billstickers 11s. 6d.@1 days Bills #1 7s.@1 days Advertising 5s.@Wardrobe Bill (a day) #1 7s.@Property Bill (a day) #1 6d.@Extras (for Opera and Rape) #1 6s. 6d.@J. Rich #5 5s.@C. Rich #1@Guards (18) and a Serjeant #1@#36 6s. 5d.@ Extras that night: @Yeomen of His Majesties' guard #1 1s.@Yeomen of Her Majesties' guard #1 1s.@His Majesties' Footmen #1 1s.@Her Majesties' Footmen #1 1s.@Princess of Wales' Attendant #1 1s.@Their Majesties' Coachman 6s.@Total #5 11s.

Event Comment: Benefit for Sga Cremonini & Managers. Miss Wright being very ill Mr Vernon made an Apology & her part in the opera was cut out (Hopkins). Opera for the last time this season. Receipts: #140 4s. (MacMillan); charges: #76 12s. [Profit to Sga Cremonini: #63 12s.

Event Comment: Benefit for Shuter. Tickets to be had of Shuter at Number 2, in Martlet Court, Bow St. Covent Garden; and of Mr Sarjant, Book-Keeper. Charges: #65 2s. [Profits to Shuter #150 6d., plus #70 11s. from tickets (Box 233; Pit 82).] Paid Miss Elliott the balance of her two nights Jan. 13 and Feb. 18, #90 13s. 6d. and gave her as a present from the managers by deducting the charge of the Farce for her 2nd night, Feb. 18th, #21 (Account Book). Receipts: #215 2s. 6d. (Account Book). About 5 with great difficulty got into the Pit at Covent Garden to see...the benefit for Mr Shuter. Stood all night at the bottom of the Pit in a most disagreeable situation, though I saw very well and heard too, unless when prevented by the noise on occasion of which Shuter very smartly applied the Passage, But if we all speak together, how shall we hear one another," and again when a great noise was made about someone in the Gallery, he cried 'Give him a knock o' the head and make him quiet,' and another bawling Silence," he cried Silence, Silence why don't you be quiet.'At the end of Act II, the Cries of London', with additions by Shuter. In going off he shook his head on hearing it encored, but was oblig'd to comply by repeating the greater part. End of Opera Shuter entertained us with his Serious, Comic Post-Haste Observations in his Journey to Paris, to hear which was a principal reason of my not dining at Holliss's. The Barber in the Upholsterer inimitably played by Woodward (Neville MS Diary)